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MAPEH > MAPEH EXAM Q1 > Flashcards

MAPEH EXAM Q1 Flashcards

1
Q

was one of the most influential and leading composers of the 20th century.

A

CLAUDE DEBUSSY (1862–1918)

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2
Q

He was the principal exponent of the impressionist movement and the inspiration for other impressionist composers

A

CLAUDE DEBUSSY (1862–1918)

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3
Q

He was known as the “Father of the Modern School of Composition”

A

CLAUDE DEBUSSY (1862–1918)

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4
Q

compositions of claude debussy

A

String Quartet
La Mer
Claire de Lune

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5
Q

What group of people inspired many of Bartok’scompositions?

A

Hungarian people

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6
Q

Which Russian composer created the music for the ballet The Firebird?

A

Igor Stravinsky

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7
Q

Who is considered the foremost impressionist?

A

Claude Debussy

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8
Q

What kind of musical style is attributed to Schoenberg and Stravinsky?

A

Expressionism

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9
Q

Who was the target audience of Prokofieff’s Peterand theWolf

A

The target audience are the children

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10
Q

was born in Ciboure, France to a Basque mother and a Swiss father. At age 14, he entered the Paris Conservatory where he was musically nurtured by a prominent French composer, Gabriel Faure.

A

MAURICE RAVEL

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11
Q

His works are defined with intricate and sometimes modal melodies and extended chordal components.

A

MAURICE RAVEL

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12
Q

was originally used in visual and literary arts and was probably first applied to music in 1918

A

Expressionism

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13
Q

made use of the whole-tone scale. It also applied suggested, rather than depicted, reality. It created a mood rather than a definite picture. It had a translucent and hazy texture; lacking a dominant-tonic relationship.

A

Impressionism

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14
Q

was a partial return to a classical form of writing music with carefully modulated dissonances. It made use of a freer seven-note diatonic scale

A

Neo-classicism

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15
Q

revealed the composer’s mind, instead of presenting an impression of the environment. It used atonality and the twelve-tone scale, lacking stable and conventional harmonies. It served as a medium for expressing strong emotions, such as anxiety, rage, and alienation.

A

Expressionism

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16
Q

was associated with electronic music and dealt with the parameters or dimensions of sound in space. It made use of variations of self-contained note groups to change musical continuity, and improvisation, with an absence of traditional rules on harmony, melody, and rhythm

A

The avant garde style

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17
Q

is a looser form of 20th century music development focused on nationalist composers and musical innovators who sought to combine modern techniques with folk materials

A

Modern nationalism

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18
Q

Music that uses the tape recorder is called

A

musique concrete, or concrete music.

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19
Q

The ability of electronic machines such as synthesizers, amplifiers, tape recorders, and loudspeakers to produce different sound

A

ELECTRONIC MUSIC

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20
Q

was considered an “innovative French-born composer

A

EDGARD VARÈSE

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21
Q

Father of Electronic Music

A

EDGARD VARÈSE

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22
Q

Stratospheric Colossus of Sound

A

EDGARD VARÈSE

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23
Q

is a central figure in the realm of electronic music. Born in Cologne, Germany, he had the opportunity to work with Messiaen, Schoenberg, and Webern, the principal innovators at the time

A

KARLHEINZ STOCKHAUSEN

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24
Q

Also known as Aleatoric music refers to a style which the piece always sounds differently at every performance because of the random techniques of production

A

CHANCE MUSIC

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25
Q

was known as one of the 20th century composers with the broadest array of sounds in his works.

A

JOHN CAGE

26
Q

these are activities that requires a considerable expenditure of energy. It involves using a lot of energy and makes a person move around a lot making him/her active

A

Active recreation

27
Q

this are activities that involve little exertion but is generally sustained. They are more of leisure or relaxation activity, when one is calm and is not required to move much.

A

Passive recreation

28
Q

are those activities held during one’s leisure time. Their purpose is to refresh oneself by doing activities that are considered by an individual as enjoyable. These activities may require large body movements such as running, throwing, and jumping, or small movements such as playing board games, doing arts and crafts, and many others.

A

Recreational activities

29
Q

energy consumed is greater than energy expended = more food intake but less physical exertion

A

Weight Gain

30
Q

energy consumed is less than energy expended = more physical exertion but less food intake

A

Weight Loss

31
Q

energy consumed equals energy expended = physical exertion is the same with food intake

A

Weight Maintenance

32
Q

a value derived from the mass and height of a person

A

BMI - BODY MASS INDEX

33
Q

<18.5

A

underweight

34
Q

18.5 - 24.9

A

normal

35
Q

25 - 29.9

A

overweight

36
Q

30 - 34.9

A

obese

37
Q

35<

A

extremely obese

38
Q

was an art movement that emerged in the second half of the 19th century among a group of Paris-based artists.

A

Impressionism

39
Q

The painting conventions and techniques of earlier art periods were very much concerned with line, form, and composition.

A

Color and Light

40
Q

The location in which the impressionists painted was also different. Previously, still lifes, portraits, and landscapes were usually painted inside a studio

A

Painting Outdoors

41
Q

Impressionist painting also moved away from the formal, structured approach to placing and positioning their subjects

A

Open Composition

42
Q

Impressionists also began to break away from the creation of formally posed portraits and grandiose depictions of mythical, literary, historical, or religious subjects.

A

“Everyday” Subjects

43
Q

Photography was in its early stages at this time as well.

A

The Influence of Photography

44
Q

was one of the first 19th century artists to depict modern-life subjects. He was a key figure in the transition from realism to impressionism, with a number of his works considered as marking the birth of modern art.

A

Edouard Manet

45
Q

was one of the founders of the impressionist movement along with his friends Auguste Renoir, Alfred Sisley, and Frédéric Bazille.

A

Claude Monet

46
Q

is best known for his landscape paintings, particularly those depicting his beloved flower gardens and water lily ponds at his home in Giverny.

A

Monet

47
Q

along with Claude Monet, was one of the central figures of the impressionist movement. His early works were snapshots of real life, full of sparkling color and light

A

AUGUSTE RENOIR

48
Q

Two of the foremost post impressionists were

A

Paul Cézanne and Vincent van Gogh.

49
Q

was a French artist and post-impressionist painter. His work exemplified the transition from late 19th-century impressionism to a new and radically different world of art in the 20th century—paving the way for the next revolutionary art movement known as expressionism.

A

Paul Cézanne

50
Q

was a post-impressionist painter from The Netherlands. His works were remarkable for their strong, heavy brush strokes, intense emotions, and colors that appeared to almost pulsate with energy.

A

VINCENT VAN GOGH

51
Q

was an art style that incorporated elements from the native arts of the South Sea Islanders and the wood carvings of African tribes which suddenly became popular at that time.

A

Neoprimitivism

52
Q

was a style characterized by dream fantasies, memory images, and visual tricks and surprises—as in the paintings of Marc Chagall and Giorgio de Chirico below

A

Dadaism

53
Q

was a style that depicted an illogical, subconscious dream world beyond the logical, conscious, physical one.

A

Surrealism

54
Q

was a style that used bold, vibrant colors and visual distortions. Its name was derived from les fauves (“wild beasts”), referring to the group of French expressionist painters who painted in this style. Perhaps the most known among them was Henri Matisse.

A

Fauvism

55
Q

the artist’s role in social reform. Here, artists used their works to protest against the injustices, inequalities, immorality, and ugliness of the human condition

A

Social Realism

56
Q

Another group of artistic styles emerged at the same time as the expressionist movement. It had the same spirit of freedom of expression and openness that characterized life in the 20th century, but it differed from expressionism in certain ways.

A

Abstractionism

57
Q

derived its name from the cube, a three- dimensional geometric figure composed of strictly measured lines, planes, and angles

A

Cubism

58
Q

began in Italy in the early 1900s. As the name implies, the futurists created art for a fast-paced, machine-propelled age. They admired the motion, force, speed, and strength of mechanical forms.

A

Futurism

59
Q

In this style, basic forms such as planes, cones, spheres, and cylinders all fit together precisely and neatly in their appointed places. places.

A

Mechanical Style

60
Q

The logical geometrical conclusion of abstractionism came in the style known as

A

Nonobjectivism

61
Q

was that which arose in the mind of the artist, took concrete form for a time, and then disappeared (unless it was captured in photo or film documentation)

A

Conceptual Art

62
Q

This was yet another experiment in visual experience—a form of “action painting,” with the action taking place in the viewer’s eye

A

Op Art

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