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2nd Quarter > Mapeh > Flashcards

Mapeh Flashcards

1
Q

What are the elements of Chinese Music?

A

Pitch/ tonal system
Vocal timbre
Meter / rhythm
Texture

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2
Q

Wu Shung or the five-tone/pentatonic scale is the most common Chinese music scale.

A

Pitch/Tonal System

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3
Q

Chinese culture and people believe in

A

cosmological significance

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4
Q

-in Han Chinese culture, the style of singing is usually thin and nasal. There are smoother melodic lines and lower pitches.

A

Vocal Timbre

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5
Q
  • Chinese music is mostly in duple rhythm or 2 quarter which transmits the principle of natural “duality” like female-male or yin-yang relationship. The rhythm patterns may also reflect the Confucian Zhongyong concept.
A

Meter/Rhythm

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6
Q

It is generally thought that Chinese music is in

homophonic texture because it is mainly the distinguishing characteristic of early Chinese ritual music like the Ya Yieh, which is a classical music but in the instrumental music of China, the musicians make use of embellishments of the melody where they play variations in melody, in unison with the vocal music and instrumental accompaniment. Thus, it gives the rise to heterophonic texture in most of Chinese folk music of the Han people.

A

Texture

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7
Q

The universe is ruled by a principle known as the _____” which is divided into two opposing theories called the “”.

A

Tao, Yin and Yang

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8
Q

shows the femaleness principle and also the cold, dark, submission, and completion;

A

Yin

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9
Q

w describes the maleness principle and also the heat,light,dominance,andheaven.

A

Yang

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10
Q

is usually described as high-pitched and nasal but there are regional differences in the style of singing.

A

Chinese vocal music

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11
Q

WHAT ARE THE TYPES OF VOCAL MUSIC?

A

Religious music
Art song
Narrative music
Chinese folk song

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12
Q
  • consists of religious chants or rituals music (temple music)that is performed for religious ceremonies such as salvation and memorial rituals. One example of it is the Buddhist (Sanskrit) music.
A

Religious Music

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13
Q

is vocal music from the 12th to 13th based on Qu’s poems. It is a kind of art song wherein the performs with the use of a wooden clapper.

A

Xiaoling

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14
Q

One of the most important genres of storying songs is ______. It is about a romantic legend and uses instruments.

A

zhugongdiao

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15
Q

describes the lives of most _____ is an example of a folk song. It is composedses of the same length, each with a musical thought

A

Han Chine Shang

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16
Q

It have traditionally been categorized according to the material they are composed of. Metal, stone, silk, bamboo gourd, clay, skin, and wood were the eight tones used to define musical instruments in the “Ba-yin” or “eight tones” system.

A

Chinese Music Instruments

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17
Q
  1. Bowed Strings
A

Erhu ( Chinese violin)
Banho (Bonghu )

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18
Q

Plucked strings

A

Yueqin
Ruan (Chinese guitar)
Zheng
Pipa

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19
Q

is a two-stringed violin. This is played solo in small ensembles, orchestras, and groupings. large ethnic

A

Erhu (Chinese violin)

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20
Q

has a long, narrow neck. It is the lead accompaniment in Bangzi-ballads.

A

Banhu (Bonghu)

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21
Q

is a lute with a circular sound box and a short neck.

A

Yueqin

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22
Q

is also known as the moon guitar and it comes in different shapes. It has a longer neck than the yueqin

A

Ruan (Chinese guitar)

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23
Q

is a traditional Chinese instrument with an arching surface and an expanded trapezoid with 13-21 strings strung across individual bridges.

A

. Zheng

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24
Q

has a pear-shaped body and a four-stringed lute with 30 frets. This Instrument has a wonderful expressive range and dramatic range. It has a short neck and a wooden belly.

A

Pipa

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25
Q

Wind Instruments

A

Dizi
Sheng ( mouth organ)
Xiao

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26
Q

is a type of traditional flute. Fluttering and double or triple tonguing can be used to play it.

A

Dizi

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27
Q

, often known as the “long flute”, is a well- known wind instrument. In Chinese classical music, it is performed solo.

A

Xiao

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28
Q

is one of the e instruments im Itis made ouro 17 bamboo pipes varying lengths tha have been stru together

A

Sheng(mouth organ)

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29
Q

Percussion Instruments(Idiophones)

A

Pengling
Zhong
Yunlou or cloud gongs

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30
Q

are two small bells made of high-tin bronze

A

Pengling

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31
Q

are Chinese clapper bronze bells produced mainly during the late Zhou dynasty. It was made of clay in Neolithic times

A

Zhong

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32
Q

is a 10-piece set of miniature tuned gongs with varying thicknesses fixed in a wooden frame

A

Yunlou of “cloud gongs”

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33
Q

Chinese musical instruments can be classified into four groups based on how they are performed:

A

. Bowed Strings
Plucked strings
Wind instrument
Percussion instruments ( idiophones)

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34
Q

was influenced by the court music of China. As years went by, it was reshaped into distinctive styles of expressions from the adoption of the instruments to the application of theory and was based on the five-tone scale or pentatonic scale.

A

Japanese music

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35
Q

Foundations of Japanese traditional music

A

Shomyo
Gagaku

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36
Q

Buddhist chanting
Based on sacred text and hymns
Has a flexible rhythm where the singer stops when there is no more breath Sung in monophonic acapella
Has lost its real religious nature and has become formal ceremonial music in the temple and at home

A

Shomyo

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37
Q

Means “elegant and refined music” Includes imperial court music and dances “Ga” means refined, while “gaku” means music
It is Japan’s oldest surviving musical form. China has had a big influence on this court music.

A

Gagaku

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38
Q

is monophonic in nature because polyphony just didn’t flourish well unlike in Western music. It observes minute tones, free rhythm, delicate timbre, and it is usually written in duple meter.

A

Japanese music

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39
Q

are the two basic types of scale in Japanese music and both are pentatonic in nature

A

Yo-sen and in sen

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40
Q

is usually sung in high tight, throated, and melismatie manner.

A

Japanese maaste

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41
Q

The texture of Japanese music is ______ and it is usually written in ____

A

monophonic, duple meter.

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42
Q

is also known as the “hard mode”. It is considered as the male scale and does not have semitone intervals.

A

Yo-Sen

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43
Q

is also known as the “soft mode”. It is considered as the female scale and includes semitone intervals

A

In-Sen

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44
Q

Japanese Vocal Music Min’yo or Japanese folk song is a genre of Japanese traditional music.It is categorized into three:

A

Kyo do
Warabe uta
Hayari uta

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45
Q

is a genre of Japanese traditional music.

A

Min’yo or Japanese folk song

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46
Q

(Local Songs)
rural/village songs Farmers’ songs
Songs arranged by urban
musical specialists
Dance songs like rain dances and festival songs
Ex: Traditional songs

A

Kyo-Do

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47
Q

(Children’s Songs)
It features new or created pieces by specialized lyricists and composers, as well as natural songs passed down through oral tradition
Ex: Nursery rhymes

A

Warabe Uta

48
Q

(Popular Songs)
It is common song that is made or created as a product by record companies and spreads with the backing of the populace
Ex: Anime opening songs

A

Hayari Uta

49
Q

East Asian music instruments are usually divided into three categories:

A

winds, strings , and percussion.

50
Q

STRING INSTRUMENTS (CHORDOPHONES) of japan

A

Koto
Biwa
Shamisen

51
Q
  • made of Paulownia wood with a 13- stringed zither. The thumb and first two fingers of the right hand are used to playing it.
A

Koto

52
Q
  • a short-necked lute used in gagaku and by blind monk entertainers to accompany early puppet shows.
A

Biwa

53
Q
  • a long narrow three- stringed plucked lute
A

Shamisen

54
Q

Wind instrument ( aerophones ) of japan

A

Sho
Sakuhachi
Shinobue
Hichiriki

55
Q
  • a mouthpiece organ that is similar to the Chinese Sheng
A

Sho

56
Q

–a bamboo flute with four front finger holes and one back thumb hole.

A

Shakuhachi

57
Q
  • a five-holed vertical flute made from the lower part of a bamboo stem
A

Shinobue

58
Q

a bamboo oboe with seven front fingerholes and two back thumbholes.

A

Hichiriki-

59
Q

Percussion Instruments(Idiophones and Membranophones) of japan

A

Taiko
Hyoshigi
Kane

60
Q
  • ancient Japanese large drums with sizes ranging from a snare drum to drum as large as a car
A

Taiko

61
Q

a pair of hardwood or a bamboo connected by a thin rope, used in theaters to announce the beginning of a performance

A

Hyoshigi

62
Q

– a dish- shaped bell hung on a bar; the percussionist beats the Kane with a specialized mallet

A

Kane

63
Q

is rich in musical culture and is distinctive despite its Chinese influences. has developed through frequent changes with neighboring nations, yet it has preserved and developed a number of features that are unique, especially its music.

A

Korea

64
Q

Korean have numerous folk songs and different forms of instrumental pieces, such as

A

pansori and shaman ritual music.

65
Q

– elegant music for the nobility, court music for the higher/ruling

A

.Jeongak or chongak

66
Q

2 categories of Korean music

A

.Jeongak or chongak
Sogak

67
Q

Imported music from China

A

Dangak

68
Q

Pure native Korean music

A

Hyangak

69
Q

-music for the common people- vibrant and energetic music

A

Sogak

70
Q

Folk songs and farmers’ songs

A

Nongak

71
Q

Ritual music with access to spirits

A

Shaman

72
Q

Dramatic vocal and percussive music

A

Pansori

73
Q

Fast instrumental solos

A

Sanjo

74
Q

. Folk songs resonate with the emotions of the people and the simplicity of their lifestyles. Songs by women are considered superior to others in terms of quality and quantity.

A

Content

75
Q

Korean folk songs use the verse-refrain form.

A

Form.

76
Q

.Korean folk songs are based on five dialect areas, with each region employing different modes in their own language/singing styles:Gyeonggi(central), Namdo( southwestern), and Seodo( northwestern) are three core areas. In addition, Dongbu (eastern) and Jeju( Jeju Island) are further differentiated based on their unique musical idioms( expression)

A

Melody

77
Q

Korean music instruments strings

A

Gayaguem
Geomungo
Haegeum

78
Q

a zither with 12 strings, the most popular Korean instrument

A

Gayageum-

79
Q
  • zither with six strings and 16 props, plucked with a plectrum
A

Geomungo

80
Q
  • a vertical fiddle with a rod-like neck, hollow wooden sound box , and two silk strings
A

Haegeum

81
Q

Wind Korean instrument

A

Piri
. Saenghwang
Daegeum- .
Taepyeongso-

82
Q

a mellow- sounding double reed oboe made of bamboo

A

Piri-

83
Q

– mouth organ with 17 bamboo pipes, each with a metallic free reed

A

Saenghwang

84
Q
  • large transverse bamboo flute with a buzzing membrane that gives it a special timbre.
A

Daegeum

85
Q

double reed oboe with a conical wooden body, a metal mouth piece, and a cup-shaped bell.

A

Taepyeongso-

86
Q

Korean instrument percussion

A

Janggu
Buk
Kkwaenggawari

87
Q

an hourglass- shaped drum with two animal skin heads

A

Janggu-

88
Q
  • a shallow barrel- shaped drum with a spherical hardwood body covered in animal hide on both ends.
A

Buk

89
Q

– a small flat high- pitched brass gong played with a hard stick. It produces a cymbal –like crashing timbre

A

Kkwaenggwari

90
Q

is a traditional painting in China.

A

Gongbi painting

91
Q

means tidy or precise and is generally considered more descriptive than interpretive

A

Gongbi or Gong Chin

92
Q

The other kinds of Chinese paintings are ______. There are also watercolor paintings and ink drawings which are done first on silk and later on rice paper.

A

Frescoes and Painting on Wood Panels

93
Q

Two Types of Scrolls used in Chinese Painting:

A

Vertical wall scroll, horizontal hand scroll

94
Q

Is put on display for special occasions and afterward rolled up and stored in a wooden box.

A

Vertical wall scroll

95
Q

Is where the long strip of silk paper is gradually rolled off one wooden roller into another to reveal only a small section of the work at a time.

A

Horizontal hand scroll

96
Q

The Chinese like to wear their traditional dresses in the ______ style fashion – loose robes with long sleeves. Over time, they wore it with loose trousers and underskirts with belts.

A

Han Period Classical

97
Q

ATTIRE, ARTIFACTS, and CULTURAL SYMBOLS OF CHINA

A

Casual wear of a laborer
Cheongsam
Exquisite porcelain and decor
Terracotta
Shennong

98
Q

- Chinese attire for women

A

Cheongsam

99
Q

which China is famous

A

exquisite porcelain vase and décor

100
Q

-Array of thousands life-size “______”warriors disclosed Chinese artistry and excellence in sculpture.

A

Terracotta

101
Q
  • God of Agriculture and Medicine
A

Shennong

102
Q

is used mainly for wind instruments such as flutes and pipes.

A

Bamboo

103
Q

Varied designs of reed pipes are made in

A

Southern China

104
Q

, which is made of wood, is preferred in the North.

A

Guan

105
Q

are among the Southern names for flutes.

A

Dizi, Xiao, Xindi, and Buan

106
Q

A metal instrument like ______ has ______ bronze bells hung on a rack and is struck using poles.

A

Bianzhong, 16-65

107
Q

as influenced by the Classical Han Chinese Attire. The style of the varies according to seasons. Fabrics made of cotton and rayon are preferred

A

Kimono

108
Q

is the preferred artistic expression in Japan.

A

Painting

109
Q
  • god of sea and marine life
A

Ebisu

110
Q
  • art of paper folding
A

Origami

111
Q

Koreans’ mode of dressing is

A

unique and indigenous.

112
Q

nfluenced by the Chinese because beliefs and values of Confucianism had spread and gained roots in _____ (Korea) for a long time.

A

Cheoson

113
Q

It is patterned after the hand-loose robe style with long loose-sleeves.

A

KOREAN NATIONAL ATTIRE

114
Q

Korean National attire

A

Jeogori ( upper robe)
Chima ( skirt)
Hanbok and choson
Korean theater mask
Haesik
Daelim

115
Q

-design to maintains the traditional robe-and –skirt attire.

A

Hanbok and Choson

116
Q

(Sun- God)

A

Haesik

117
Q

(Moon goddess)

A

Daelim

2nd Quarter (10 decks)

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