Major key harmony Flashcards

Berklee jazz chapter

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1
Q

what does jazz music include the seventh chord as the basic harmonic building block?

A

Because seventh chords have a more complex sound than triads and support extensions of chords, (9,11,13) that characterise jazz language

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2
Q

What are the three basic functions that define major key harmony?

A

The tonic, subdominant, dominant

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3
Q

what does the word “function” mean in relation to chords?

A

The term “function” describes a chords stability relative to other chords within a piece of music, as well as its potential to progress in a certain manner within a given phrase

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4
Q

What is the function of the tonic?

A
  • To provide a stable point of departure and return
  • the term tonic expresses the idea that one note or tone serves as the fundamental reference and central point of rest in a piece or section of a piece
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5
Q

what is the primary tonic chords of major key jazz harmony?

A

IMaj7 / IMaj6

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6
Q

What is the function of the subdominant?

A
  • to create contrast with the tonic (IV-I, I-IV, I-IV-I), or to prepare for the dominant (IV-V)
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7
Q

Where is the subdominant positioned in relation to the tonic?

A

A perfect 5th below the tonic

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8
Q

Why is tension created from a IMaj7-IVMaj7 transition?

A
  • the root of the IV chord is the least stable note of the key; it tends to lead strongly back to 3 (Fa-Mi)
  • in addition, the 3 of the IVMaj7 chord is also an unstable tone in the key, scale degree 6 tends to move back to 5 (La-Sol)
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9
Q

Why is the subdominant to tonic motion not as powerful as dominant resolution?

A
  • The IV chord lacks the leading tone, scale degree 7
  • The IV chord is more closely related to the tonic triad by an important common tone, the tonic note itself
  • The root motion of the subdominant chord back to the tonic is a perfect fifth ascending (or perfect fourth descending) rather than vice verse
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10
Q

What is the function of the dominant chord?

A

to cause the listener to expect resolution to the tonic

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11
Q

How is the expectation of the function of the dominant to tonic chord created?

A
  • this expectation is created by the vertical combination of unstable scale tones in the V7 chord - in particular, the interval of a tritone (augmented 4th or diminished 5th) created by scale degrees 4 and 7
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12
Q

What is significant about the tritone in a V7 chord?

A
  • the sound of a tritone is the defying characteristic of the dominant 7
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13
Q

What are the resolving unstable tones in a V7-IMaj7 progression?

A
  • The unstable tones in the V7 gain the resolution in the IMaj7 chord going from 2-1 and 4-3
  • the root of the V7 moves down by an interval of a perfect 5th to anchor the resolution
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14
Q

What is significant about the V7sus4 chord in its flexibility of function?

A
  • When V7sus4 precedes a V7, it sounds subdominant, a suspension before the dominant
  • e.g. V7sus4 - V7 - IMaj7
  • however, when V7sus4 directly precedes a tonic chord, we accept it as a substitute for the V7 chord even though it doesn’t contain the interval of a tritone
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15
Q

What is an example of the V7sus4 chord acting as a dominant function?

A
  • II-7 - V7sus4 - IMaj7
  • D minor 7 - G7sus4 - C major 7
  • The root motion by a perfect fifth as well as the dissonant minor seventh interval between its root and seventh provide enough information in this context to create the expectation of resolution to the tonic
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