Madrigals Flashcards
1
Q
Villancico
A
- The most important form of secular polyphonic music in Renaissance Spain
- Diminutive of ‘villano’ (peasant)
- Composed for Aristocracy
- Short
- Strophic
- Syllabic
- Homophonic
2
Q
Frottola
A
- italian counterpart to the villancico
- 4 part
- strophic
- homophonic
- melody in upper parts
- simple diatonic harmony (root-position triads)
- meant to sing poetry
- lower parts add harmonic foundation
- mock-popular songs for courtly elite
3
Q
Madrigal
A
- Most important secular music
- enriched meaning and impact of the text
- new effects of declamation, imagery, expressivity, characterization, and dramatization
- led to opera
- single stanza w/ 7 or 11 syllable lines
- match the artfulness of the poetry and to convey its ideas, images, and emotions to the performers and listeners
- standard or free rhyme scheme
- no refrains or repeated lines
- ## a piece of vocal chamber music intended for performance with one singer to a part
4
Q
Lute Song
A
5
Q
Estribillos
A
Refrain
6
Q
Coplas
A
Stanzas
7
Q
Mudanza
A
- New Section
- Change
8
Q
Refrain
A
Vuelta
9
Q
Juan Del Encina
A
- 1st Spanish Playwright
- Leading Composers of villancicos
10
Q
Pastoral
A
11
Q
Oy comamos y bebamos
A
- Juan Del Encina
- one day before lent
- simple melody/harmony
- dancelike rhythms
- hemiolas
- pastoral/poetry drama
- created eclogues
- characters sang villancicos
- entertainment for nobles/courtiers
- homophonic
- root position triads
- ## shifts in 6/8 & 3/4
12
Q
Eclogues
A
- Juan Del Encina
- one act pastoral play
- mark the beginning of spanish secular drama
13
Q
Baldassare Castiglione
A
14
Q
Vuelta
A
Return or repetition
15
Q
Through-Composed
A
Composed throughout, as when each stanza or other unit of a poem is set to new music rather than in a strophic manner to a single melody.
16
Q
Il bianco e dolce cigno
A
- 1538
- plaintive rising and falling half step
- Most famous of Arcadelt’s madrigals
- mid 1530’s
- not strophic
- no refrain
- no repetition
- freely alternate between 7 / 11 syllables
- homophonic
- marked rhythms
- enjambment effect
- polyphony