madrigal retry 1 Flashcards

1
Q

when was morley treatise?

A
  • when was the morley treatise written?

- 1597

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2
Q

when was morley collection

A
  • when was the morley collection published

- 1601

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3
Q

what was name of caccini collection

A
  • what was the caccini collection called?

- the new music

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4
Q

when caccini collection

A
  • when was the caccini collection made?

- 1580

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5
Q

verdalots nationality

A
  • what nationality was verdalot?

- french

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6
Q

most important 1st generation madrigalist

A
  • who was the most important 1st generation madrigalist?

- verdalot

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7
Q

when did 1st gen of madrigalists begin?

A
  • when did the 1st generation of madrigals begin?

- 1520

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8
Q

did weelkes use word painting in as vesta was?

A
  • did weelkes use word painting in as vesta was?

- true

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9
Q

did rore use chromaticism?

A
  • did rore use chromaticism?

- yes

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10
Q

talk about solo e pensoso

A
  • talk about solo e pensoso
  • by marenzio
  • famous
  • based on petrarch work
  • sonnet
  • walking alone portrayed by slow chromatic ascent
  • -over the octave
  • –one half step per measure
  • —flee/escape depicted with quick figures
  • —-imitation used to depict flee escape also
  • —–the chromatic ascent and flee/escape are examples of

madrigalisms

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11
Q

what are characteristics of de werts style

A
  • what are characteristics of de wert’s style
  • bold leaps
  • recitative like declamation
  • extravagant contrasts
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12
Q

who influenced de wert?

A
  • who influenced de wert?

- rore

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13
Q

talk about rore

A
  • Talk about rore
  • italian
  • leading midcentury madrigalist
  • captured sounds of his texts
  • -captured emotions of his text
  • –captured images of his texts.
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14
Q

list 2nd gen madrigalists

A
  • list 2nd generation madrigalists

- casulana, rore

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15
Q

list 3rd generation madrigal composers

A

-
*list 3rd generation madrigal composers
de lassus, de monte, de wert, marenzio, gesualdo,

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16
Q

describe attributes of madrigals by verdalot, which have 4 voices

A
  • describe attributes of madrigals by verdalot, which have 4 voices
  • homophonic
17
Q

describe attributes of madrigals by verdalot, which have 5-6 voices

A

*describe attributes of madrigals by verdalot, which have 5-6

voices

  • motetlike, with frequent imitation
  • -varying voice groupings,
  • –overlapping parts at cadences
18
Q

generally describe the style of arcadelt

A
  • generally describe the style of arcadelt
  • homophonic
  • -mixed with occasional imitation
19
Q

nationality of arcadelt

A
  • nationality of arcadelt

- franco flemish

20
Q

what poets are known for writing madrigal texts

A
  • what poets are known for writing madrigal texts
  • petrarca
  • arioso
  • tasso
  • guarini
  • marino
21
Q

madrigals are said to be a vehicle for what movement?

A
  • madrigals are said to be a vehicle for what movement?

- humanism

22
Q

what was the most important secular genre ofthe 16th century in italy?

A

*what was the most important secular genre of the 16th century in

italy?
-the madrigal

23
Q

what is arguably the most important genre of the entire renaissance

A

*what is arguably the most important genre of the entire

renaissance?
-the madrigal

24
Q

in what three ways could music express the text in madrigals?

A
  • in what three ways could music express the text in madrigals?
  • accents of speech
  • emotions of text
  • images of text
25
Q

what later vocal genres were influenced by madrigals?

A
  • what later vocal genres were influenced by the madrigals?
  • french chanson
  • german lieder
26
Q

how long did the popularity of the madrigal last?

A
  • how long did the popularity of the madrigal last?

- into the 17th century

27
Q

describe 3rd generation of madrigals, audience

A
  • describe the audience of the 3rd generation of madrigals
  • specialized
  • not large audience
28
Q

form of frottola

A
  • describe the form of the frottola

- strophic

29
Q

place frottola in time and space

A
  • place the frottola in time and space
  • late fifteenth early sixteenth centuries
  • italian courts
30
Q

f/t, the frottola is said to precede the madrigal

A
  • t/f the frottola is said to precede the madrigal

- true

31
Q

descibe the instrument that people in italian courts would accompany themselves on, in the tradition that ultimately led to the frottola

A

-bowed or plucked instrument.

32
Q

delicious

A

it is