M3: PART 1 Flashcards
1
Q
It exists parallel to the beginnings and rise of globalization.
A
contemporary art
2
Q
contemporary art produced from
A
1960’s to the current period
3
Q
variety of media and materials
A
the art of today
4
Q
experimentation (medium and form)
collaborative and integrative.
A
contemporary art is broad
5
Q
an activity that motivates a learner to express his emotions through optimal use of his senses
A
integrative art
6
Q
integration of arts requires the use of
A
- perceptual cognition
- metaphorical modes of thinking
- use of alternative forms of communication
7
Q
this requires the use of the learners cognitive ability to process the information derived from the external environment as received by his senses.
A
perceptual cognition
8
Q
every individuals recreates realities according to his own experience.
A
metaphorical modes of thinking
9
Q
one can express his sentiment, emotions, and feelings through varied ways
A
use of alternative forms of communication
10
Q
FILIPINO PIONEERS OF CONTEMPORARY ART
A
- Victorio Edades
- Carlos “Botong” Francisco
- Galo Ocampo
- Hernando Ocampo
- Vicente Manansala
11
Q
- father of Modern Philippine Painting
- Used of bold strokes and bright colors
A
Victorio Edades
12
Q
Victorio edades
A
- father of Modern Philippine Painting
- used of bold strokes and bright
colors
13
Q
Victorio Edades work
A
The builder
14
Q
one of the country’s most distinguished muralists
A
CARLOS “BOTONG” FRANCISCO
15
Q
CARLOS “BOTONG” FRANCISCO use
A
abstraction, expressionism, surrealism
16
Q
CARLOS “BOTONG” FRANCISCO work
A
Bayanihan
17
Q
the process of creating art that doesn’t attempt to depict reality, but instead uses shapes, colors, and forms to create an effect
A
abstraction
18
Q
an art style that conveys emotions and inner experiences through the use of color, form, and brushwork (subjective)
A
Expressionism
19
Q
an art movement that seeks to challenge the traditional understanding of reality by depicting the unconscious mind and dreams. Often features illogical or dreamlike scenes
A
surrealism
20
Q
He was a painter known for rejecting academic tradition and embracing
modernism
A
Galo ocampo
21
Q
GALO OCAMPO uses
A
abstraction, expressionism, surrealism
22
Q
GALO OCAMPO workd
A
Brown Madona
23
Q
painting of Galo Ocampo that represents paniniwala sa mga santo, jesus/maria
A
Brown Madona
24
Q
Rising Philippines painted by
A
- Carlos “Botong” Francisco
- Victorio Edades
- Galo Ocampo
25
painting of 3 famous painter the represents the victory of getting the freedom
Rising philippines
26
A self-taught painter and his works provided an understanding and awareness of the harsh social realities in the country
HERNANDO OCAMPO
27
HERNANDO OCAMPO use
geometric forms in strong colors.
28
HERNANDO OCAMPO work
Genesis
29
the beauty of art is in the process, in the moment of doing a particular painting, closely associating it with the act of making love
VICENTE MANANSALA
30
VICENTE MANANSALA
use
human forms in abstract cubism
31
VICENTE MANANSALA work
mother and child
32
CHARACTERISTICS
OF CONTEMPORARY ART
- not confined to museums
- Selling of contemporary artworks becomes more accessible
- Many contemporary artists are self-taught
- Some contemporary artists employ the help of fabricators, carpenters, electricians, or welders in “constructing” their artworks
- Originality is not an issue
- The essential to contemporary artists is the process of art-making
33
SUBJECT IN CONTEMPORARY ARTS
children, women, and the environment
34
Contemporary Art has more than ______ art styles and movements
100
35
Contemporary Art
Movements/Styles....
- Abstract Expressionism
- Kinetic art
- Op art
- performance art
- environmental art
- feminist art
- minimalism
- video art
- graffiti art
- postmodern art
- body art
- digital art
- art installation
36
artists applies paint in a manner that express emotions and feelings in a spontaneous way.
The figures may be heavy in lines and color without solid mass
ABSTRACT EXPRESSIONISM
37
artist design sculpture that may be move by the wind or powered by machine or electricity
KINETIC ART
38
it uses lines or images repeatedly to create
an optical illusion.
OP ART
39
it combines a variety of media and the human body to execute an artistic theatrical expression performed before a live audience.
PERFORMANCE ART
40
it involves the artistic creation or manipulation of space such as landscape or architectural design that may enclose its audience.
ENVIRONMENTAL ART
41
It emerged from concerns of female artists expressed through art.
They tackle issues of identity, sexuality, gender roles, equality, and the ways in which the female is treated in society, among others
FEMINIST ART
42
It has stripped-down, prefabricated look that is free of details and often with flat surface, but express a specific content or statemen
MINIMALISM
43
It consists of images that are recorded on video and viewed through a television, computer, or projection screen.
VIDEO ART
44
It is a drawing, inscription, or sketch done hastily on a wall or other surface made to be seen by the public
GRAFFITI
45
It carries modern styles to extreme practices, often expressing an idea through a mix of materials such as found objects welded together
POSTMODERN ART
46
It is an art form that uses the body as the
medium or main material.
It can be painted or clothed and used for art
performance in public
BODY ART
47
It is done with the aid of a computer to create an image or design composed of bits and bytes
DIGITAL ART
48
is a three-dimensional artwork that is designed to transform the space it occupies.
is meant to evoke a feeling or mood in the viewer
art installation
49
The end of modernism is the beginning of the ____________ period in the evolution of Philippine Art
contemporary
50
signifies the Filipino artists’ opportunity to curtail the limits set by modernism
POSTMODERNISM
51
focus of CONTEMPORARY PERIOD
IN PHILIPPINE ART
FORMS
Contemporary Literary Art
Contemporary Visual Art
Contemporary Performing Arts
52
Contemporary Literary Art
- MGA IBONG MANDARAGIT (1960)
- BARTER IN PANAY (1961)
- THE WOMAN WHO HAD TWO NAVELS (1961)
- MANLILIKHA: MGA PILING TULA (1961 - 1967)
- WOMAN ENOUGH AND OTHER ESSAYS (1963)
- THE VOLCANO (1965)
- THE FILIPINOS IN THE
PHILIPPINES (1966)
- LUHA NG BUWAYA (1972)
- GINTO ANG KAYUMANGGING LUPA (1975)
- DOKTRINANG ANAKPAWIS (1979)
- SPY IN MY OWN COUNTRY (1981)
- UTOS NG HARI AT IBA PANG KUWENTO
- VERSUS (1983-1986) PANITIKAN NG PROTESTA
- HISTORY OF BURGIS (1987)
- RIZAL WITH THE OVERCOAT
53
MGA IBONG MANDARAGIT (1960)
- Amado V. Hernandez (social activist )
- a novel
- Mando Plaridel: change in the living condition
- Japanese occupation
- reflect the story of the Amado in his guirella era.
54
written by Amado V. Hernandez (social activist )
- a novel
- Mando Plaridel: change in the living condition
- Japanese occupation
- reflect the story of the Amado in his guirella era.
MGA IBONG MANDARAGIT (1960)
55
BARTER IN PANAY (1961)
- Ricaredo Dementillo
- an epic
- the declaration of Martial Law in 1972
56
- Ricaredo Dementillo
- an epic
- the declaration of Martial Law in 1972
BARTER IN PANAY (1961)
57
THE WOMAN WHO HAD TWO NAVELS (1961)
- Nick Joaquin
- an historical-novel (Connie Escobar)
- the novel is a journey to self acceptance
and social recogniton
58
- wrote by Nick Joaquin
- an historical-novel (Connie Escobar)
- the novel is a journey to self acceptance
and social recogniton
THE WOMAN WHO HAD TWO NAVELS (1961)
59
MANLILIKHA: MGA PILING TULA (1961 - 1967)
- Rolando S. Tinio / Jose f. Lacaba /
Bienvinedo Lumbera . Fr. Edmundo
Martinez / Antonio Samson
- an collated poems (commercialism of
mainstream writing)
- revolt against linguistic rules.
60
- wrote by Rolando S. Tinio / Jose f. Lacaba /
Bienvinedo Lumbera . Fr. Edmundo
Martinez / Antonio Samson
- an collated poems (commercialism of
mainstream writing)
- revolt against linguistic rules.
MANLILIKHA: MGA PILING TULA (1961 - 1967)
61
WOMAN ENOUGH AND OTHER ESSAYS (1963)
- Carmen Guerrero Nakpil
- collection of informal essays (22)
- Philippine Contemporary Culture, the
Filipino Women and their Habits
62
- wrote by Carmen Guerrero Nakpil
- collection of informal essays (22)
- Philippine Contemporary Culture, the
Filipino Women and their Habits
WOMAN ENOUGH AND OTHER ESSAYS (1963)
63
THE VOLCANO (1965)
- Bienvenido Santos
- a story
- revolved around an american family.
64
- wrote by Bienvenido Santos
- a story
- revolved around an american family.
THE VOLCANO (1965)
65
THE FILIPINOS IN THE
PHILIPPINES (1966)
- Renato Constantino
- collection of essays
- colonial mentality (Ills of society)
66
- wrote by Renato Constantino
- collection of essays
- colonial mentality (Ills of society)
THE FILIPINOS IN THE
PHILIPPINES (1966)
67
LUHA NG BUWAYA (1972)
- Amado V. Hernandez
- a novel
- about bario peasant vs. grande family
68
- wrote by Amado V. Hernandez
- a novel
- about bario peasant vs. grande family
LUHA NG BUWAYA (1972)
69
GINTO ANG KAYUMANGGING LUPA (1975)
- Dominador Mirasol
- a novel
- Moises Dipasupil - who fought the
prevailing power in the government and
society.
70
- wrote by Dominador Mirasol
- a novel
- Moises Dipasupil - who fought the
prevailing power in the government and
society.
GINTO ANG KAYUMANGGING LUPA (1975)
71
DOKTRINANG ANAKPAWIS (1979)
- Virgilio S. Almario
- a collection of poem
- A journey of an individual from the self to wider social reality
72
- wrote by Virgilio S. Almario
- a collection of poem
- A journey of an individual from the self to wider social reality
- during martial law
DOKTRINANG ANAKPAWIS (1979)
73
SPY IN MY OWN COUNTRY (1981)
- Sylvia Mayuga
- a collection of essays (11)
- experience during the late 1960s. (Martial
Law:struggle to survive)
74
- wrote by Sylvia Mayuga
- a collection of essays (11)
- experience during the late 1960s. (Martial
Law:struggle to survive)
SPY IN MY OWN COUNTRY (1981)
75
UTOS NG HARI AT IBA PANG KUWENTO
- Jun Cruz Reyes
- a story
- a writing which depicted social protest during Marcos rule.
- Jojo (supressed by institutional expectations.)
76
- wrote by Jun Cruz Reyes
- a story
- a writing which depicted social protest during Marcos rule.
- Jojo (supressed by institutional expectations.)
UTOS NG HARI AT IBA PANG KUWENTO
77
VERSUS (1983-1986) PANITIKAN NG PROTESTA
- Alfredo Navarro Salanga
- a collection of protest poetry
- the production of underground literature
78
- wrote by Alfredo Navarro Salanga
- a collection of protest poetry
- the production of underground literature
VERSUS (1983-1986) PANITIKAN NG PROTESTA
79
HISTORY OF BURGIS (1987)
- Mariel N. Francisco and Fe Maria C. Arriola
- a story
- explored the defects of the prevailing
social class.
80
- wrote by Mariel N. Francisco and Fe Maria C. Arriola
- a story
- explored the defects of the prevailing
social class.
HISTORY OF BURGIS (1987)
81
RIZAL WITH THE OVERCOAT
- Ambeth Ocampo
- a collection of essays
- compilation of analytical essays (writings
& experiences)
82
- wrote by Ambeth Ocampo
- a collection of essays
- compilation of analytical essays (writings
& experiences)
RIZAL WITH THE OVERCOAT
