M1- Greek drama - Ass.1 Flashcards

1
Q

While being of equal value to epic, tragedy surpasses epic in:

a. its more compressed format than long epics
b. all of the above
c. its grander style of writing and presenting
d. its more realistic presentation of life

A

a. its more compressed format than long epics.

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2
Q

The leader of the Chorus is called

A

Choragos

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3
Q

The part where the characters speak to one another.

A

Episodia

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4
Q

He is said to be the “the first to build the towering words of tragedy”

A

Aeschylus

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5
Q

Chapter 26 of the Poetics is one of the most interesting moments because of

A

the de-throning of Homer

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6
Q

Of the six fundamental parts of tragedy which is the least essential to the art of poetry?

A

Opsis

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7
Q

The dialogue where Plato refuted Aristotle’s concept of poetry.

A

The Republic

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8
Q

Historians believed that realistic props were used in Greek theater

T or F

A

False

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9
Q

What would keep the protagonist on a human plane?

A

hamartia

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10
Q

The building that serves as a rest room or dressing room.

A

Skene

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11
Q

A stylized mask is called

A

Persona

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12
Q

The works submitted by the dramatists were evaluated by commoners or ordinary Greek citizens

T or F

A

False

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13
Q

Aristotle said that poetic mimesis is imitation of things as they are, and not as they could be.

A

False

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14
Q

Backdrops in ancient drama were most likely decorative than realistic.

T or F

A

True

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15
Q

The emotions of the actors were conveyed more by gestures than by actions.

T or F

A

True

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16
Q

Aristotle insisted that reading alone is enough condition for tragedy to achieve all its effects.

T or F

A

True

17
Q

For Plato mimesis is something inferior and disreputable, something one must avoid.

T or F

A

True

18
Q

Tragedy is an imitation of men, of happiness and misery.

T or F

A

True

19
Q

Alleged “founder” of tragedy in B.C

A

THESPIS

20
Q

How are the emotions of pity and fear achieved?:

a. Through some error or frailty of the character
b. through the character’s tragic flaw
c. alteration in the status of the protagonist
d. through the nobility of character of the tragic hero

A

c. alteration in the status of the protagonist

21
Q

The part in which an actor gave the background that the audience needed to follow the rest of the play.

A

Prologos

22
Q

The incidents and the plot are not the end of the tragedy, and the end is the chief thing of all.

T or F

A

True

23
Q

The purpose of action in tragedy is the representation of character.

T or F

A

False

24
Q

The part where the conflict was resolved.

A

Exodos