M Mozart Flashcards

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1
Q

What is the interval between the 2 parts that play the 1st subject?

A

Octave

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2
Q

State two ways that the instrumentation for the symphony is different from the usual classical orchestra.

A

No trumpets
No timpani
Only one flute
Horns in b flat and g

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3
Q

2nd subject ends with a ………….. cadence in the key of ….. major

A

Perfect

B flat

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4
Q

Sonata forms

A

Exposition development recapitulation

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5
Q

When 2nd subject returns in recapitulation, it is in the key of …………..

A

G minor

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6
Q

Name 3 instruments that play the three note motif at before 2nd 1st subject

A

Violins
Flute
Cello
Clarinet

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7
Q

How does mozart develop 1st subject in recapitulation

A

Repetition
Modulation
Chromatic alteration

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8
Q

What musical device is heard in the horn and bassoon part towards the end of the extract

A

Dominant pedal

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9
Q

Describe the tonaility of the 1st 2nd subject

A

Major with some chromatic notes

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10
Q

Just before the codetta, the violins, bassoons and flutes/oboes play a rising/falling scale/arpeggio. It is performed legato/staccato.

A

Flutes
Falling
Staccato

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11
Q

Which 3 woodwind instruments play the motif in the beginning of the coda

A

Clarinet
Flute
Bassoon

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12
Q

Describe the dynamics of the coda

A
Start quietly
Then loud
Suddenly quiet again
Ends loud
Contrasting dynamics
Use of cresc and dim
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13
Q

Last bit of coda.
The whole orchestra plays a(n) ……………. texture and the harmony is based on chords … and …. . The movement ends with a ………….. cadence in …. minor.

A

Homophonic
V
Perfect
G

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14
Q

In which century and period was this work composed

A

Classical

18th century

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15
Q

How many movements are there in this symphony?

A

4

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16
Q
Comment on
Melody
Tonality and harmony
Structure
Rhythm
Texture
Instrumentation
A

Melody:
Periodic phrasing
1st and 2nd subjects
Contrasting themes
Melody doubled
1st subject-3 note motif, scale descent, repeated notes
2nd subject-longer note values, scalic passages and sequences, falling, chromatic notes, lyrical

Tonality and harmony
1st subject G minor
2nd Bflat major
2nd in recapitulation G minor
Perfect cadences
Development section exploration of different keys
Development starts in Fsharp minor
Diatonic harmony
Functional harmony
Structure
Sonata form
Exposition
Bridge
Codetta
Development
Recapitulation
Coda
Rhythm
On beat rhythms
Some dotted
Anacrusis
Scalic quaver passages
2nd subject longer note values
Texture
Homophonic
Doubling of parts
Octaves
Dialogue between strings and woodwind

Instrumentation
No trumpets
No timpani
Classical ochestra- 1 flute oboes clarinets bassoons horns violins viola cello

17
Q

The first subject is played by the 1st and 2nd ……………..

A

Violins