Lucy Westenra Flashcards

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1
Q

“I suppose we women are such cowards that we think a man will save us from fears, and we marry him”

A

Chapter 5
- misogynistic
- paints women as weak and unable to fend for themselves

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2
Q

“She put her hand to her throat again and moaned”

A

Chapter 8
- hiding her neck: shame
- marks on neck: typical signs of early sexual experimentation

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3
Q

“Something like life seemed to come back to poor Lucy’s cheek”

A

Chapter 10
- blood transfusion initially has a profound impact; reinforces the idea that science is good
- by the end of the transition she has the blood of 3 men inside her; symbolic of her desire for 3 husbands

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4
Q

“Soft voluptuous voice… kiss me!”

A

Chapter 12
- pre modifying adjective
- newly found fowardness
- demands sexual satisfaction

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5
Q

“Canine teeth looked longer and sharper”

A

Chapter 12
- alerts the reader she has moved into the supernatural realm
- Seward notices change in her teeth

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6
Q

“All Lucy’s loveliness had come back to her in death!”

A

Chapter 13
- appeal of her beauty increases when dead
- first sign of life after death

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7
Q

“Her face of unequalled sweetness and purity”

A

Chapter 16
- restored sexual innocent
- her second death is salvation
- draws a close to phase 2 of the novel

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8
Q

Boundaries Crossed by Lucy

A
  • promiscuous vs traditional
  • human vs liminal
  • dead vs undead
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9
Q

Meaning of the name ‘Lucy Westenra’

A
  • ‘West’enra: contrasts Dracula coming from the East
  • connotes ‘Lucifer’: fallen angel?
  • link to 7 deadly sins: lust
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10
Q

“I must say you tax me very unfairly with being a bad correspondent”

A

Chapter 5
- playful and passionate
- contrasts Mina’s serious letter

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11
Q

“Men like women, certainly their wives, to be quite as fair as they are”

A

Chapter 5
- relies on men to feel fulfilled, as seen by her desire to get engaged
- contrasts Mina, who is more modern

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12
Q

“Why can’t they let a girl marry three men, or as many as want her, and save all this trouble? But this is heresy, and I must not say it”

A

Chapter 5
- verb
- sexual connotations
- would be frowned upon in Victorian times
- shows her trust for Mina, to admit this to her

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13
Q

“Although she is so well, has lately taken to her old habit of walking in her sleep”

A

Chapter 6
- creates a sense of danger and vulnerability

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14
Q

“There are two little red points like pin-pricks, and on the band of her nightdress was a drop of blood”

A

Chapter 8
- alludes to attack by Dracula
- her previously white dress is covered with blood; alludes to sexual desire

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15
Q

“I was wakened by Lucy trying to get out”

A

Chapter 8
- drawn by the supernatural force
- AO3: Victorians feared that sexually liberated women because sexually insatiable

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16
Q

Why might Lucy’s death be so prolonged?

A

to show that vampirism is a degenerate disease (link to attitudes towards STIs)

17
Q

“To be able to think and move about is like feeling sunshine after a long spell of east wing out of a steel sky”

A

Chapter 10
- simile
- the ability to think is relieving: emphasises the pain she had gone through

18
Q

“Thank everybody for being so good to me! Thank God! Good night, Arthur.”

A

Chapter 10
- exclamatory
- thankful for science AND religion (crossing boundary)

19
Q

“I shall hide this paper in my breast […] God help me!”

A

Chapter 11
- ready to die
- the reader can trust the information as it comes from Lucy

20
Q

“By her side lay Lucy, with face white and still more drawn”

A

Chapter 12
- Dracula has fed from her
- closer to death than the dead

21
Q

“In the long hours that followed, she had many spells of sleeping and waking and repeated both actions many times”

A

Chapter 12
- drifting between consciousness and full control over her thoughts to a state of hypnosis

22
Q

“We thought her dying whilst she slept, and sleeping when she died”

A

Chapter 12
- death has repurified her

23
Q

“Bloofer lady”

A

Chapter 13
- ‘bloofer’ is Victorian slang for ‘beautiful’
- Lucy is drinking children’s blood, a vampire
- physically dead but becomes undead (crossing boundary)

24
Q

“I drew near and looked. The coffin was empty.”

A

Chapter 15
- reflects Jesus’ resurrection; Jesus ascended but Lucy has not, she is undead

25
Q

“The lips were red, nay redder than before; and on the cheeks was a delicate bloom”

A

Chapter 15
- colour imagery
- pre modifier
- sexual connotations, Lucy has become promiscuous now she is undead

26
Q

“Come to me, Arthur. Leave these others and come to me. My arms are hungry for you. Come, and we can rest together. Come, my husband, come!”

A

Chapter 16
- imperatives connote sexual energy
- reflects Harker’s seduction by the Weird Sisters
- blood and sex starved

27
Q

“If ever a face meant death - if looks could kill - we saw it at that moment”

A

Chapter 16
- appears as more like a wraith/ghost haunting her cemetery
- contrasts her angelic appearance when she was alive

28
Q

“Lucy as we had seen her in her life, with her face of unequalled sweetness and purity”

A

Chapter 16
- Lucy’s true and pure soul is released in heaven
- her soul is restored to a socially desirable state of monogamy and submissal

29
Q

“She is God’s true dead, whose soul is with Him!”

A

Chapter 16
- the vampires themselves are trapped. they have become infected with evil
- peace in her final moments

30
Q

“Then we cut off her head and filled the mouth with garlic”

A

Chapter 16
- graphic imagery, chilling
- violence is enacted upon by her close friends: a metaphor for how Victorian England treated people who had sex outside of marriage - cut off and thrown out of society

31
Q

“It is her body, and yet not it.”

A

Chapter 16
- parallel phrasing
- it is her physical body, but it isn’t truly Lucy