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HUMSS > LT > Flashcards

LT Flashcards

1
Q

kind of arts which are part of any culture, skills and knowledge of a group or generation of people. - it reflects the art forms of previous generations, their lifestyle, thoughts and belief

A

Traditional Art

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2
Q

a statement that an artist makes about life, thoughts, ideas, beliefs, and many other things that define human life. (Ramirez, 2016)

A

Contemporary Art

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3
Q

DRAW THE BOX

A

DRAW THE BOX

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4
Q

Characteristic of contemporary art

A
  1. Contemporary work is everywhere 2. Many artworks are posted online 3. Many contemporary artists are self-taught 4. Contemporary artists combine various materials 5. Originality is not an issue 6. Process of art-making is more important rather than selling it 7. Contemporary artworks are created to show reactions and comments on political and social issues
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5
Q

term used for what ever is represented in the art work - The main theme of the artwork * It may be a human form where figures are engaged in an activity, or a combination of text and color. * It may be a figure made from found objects put together or assembled into coherent whole

A

Subject -

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6
Q

“Subject matter is

A

s BOUNDLESS”

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7
Q

In some cases, visual art is combined with performance art to make a statement or express an idea about an issue. - Theater performances are no longer confined to the theater stage

A

Interactive Art-Making

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8
Q

refers to distinguishing characteristics of an artwork - this is a way of an artist on how he or she creates art in a different wa

A

Style

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9
Q

artistic creation or manipulation of space such as landscape or architectural design - Earthworks, or art using stones, leaves, trees, grass, or other natural elements

A

Environmental Art -

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10
Q

painting style in which an artist applies paint in a manner that expresses emotions and feelings - may be in heavy in lines and color

A

Abstract Expressionism

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11
Q

Stripped down, pre-fabricated look, free of details and often flat surface but expresses a specific content or statement

A

Minimalism

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12
Q

Sculpture, moves with the wind, or is powered by a machine or electricity - depends on movement for its effect - coined by artists NAUM GABO and his brother ANTOINE PEVSNER.

A

Kinetic Art

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13
Q

Kinetic Art coined by artists

A

AUM GABO and his brother ANTOINE PEVSNER.

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14
Q

Emerge from concerns about female artists expressed through art

A

Feminist Art

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15
Q

art form that uses body as the medium or main material - can be painted or clothed and used to perform artistic art in public

A

Body Art

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16
Q

uses line or images repeatedly to create an illusion - abstract and usually created in black and white colors - they give the viewer impression of movement, hidden images, flashing and vibrating patterns, or of swelling or warping

A

Optical Illusion

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17
Q

Is a drawing, inscription or sketch done hastily on a wall or other surface made to be seen by the public

A

Combines a variety of media and the human body to execute an artistic theatrical expression before was a live audience

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18
Q

carried modern styles to extreme practices, often expressing an idea through mixture of materials such as found objects welded together

A

Post-Modern Art

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19
Q

images that are recorded through a video and viewed through television, computer, or projection.

A

Video Art

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20
Q

Four styles: (based on STYLISTIC TENDENCIES)

A
  1. The style of Objective Accuracy
  2. The style of Formal Order
  3. The style of Emotion
  4. The style of Fantasy
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21
Q
  • they discover a variety of possibilities of achieving form and visual effects - involves both logical and irrational mental process- - Illusionism is used in contemporary art to create fantastic images or substitute del objects for the illusionistic treatment of reality - Minimal craftsmanship is requires but planning where to put, what to achieve the creative design depends on the imagination of the artist.
A

The style of Fantasy

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22
Q

Themes of emotion, feeling, romance, are common features in painting

A

The style of Emotion

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23
Q

contemporary art is associated with stability and performance a

A

The style of Formal Order

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24
Q

The style of Formal Order (3)

A

a. Intellectual Order - b. Biomorphic Order

c. Aesthetic Order

25
Q

visible in cubism here an intellectual method of analyzing forms is employed by the painter

A

Intellectual Order

26
Q

Atechnique used by the artist where the artwork seems to have been made by a reporter who is observing a SUBJECT, or a photography using a candid camera.

A

The artist as Detached observer

27
Q

Artist’s Role in detached observer

A

To select, arrange, present REALITY with our presenting his/her Identity.

28
Q

known as “Illusion of Reality” created by eliminating the details the eye might see. (To make the artwork simple yet significant)

A

The Artist as Selective Eye

29
Q

Artist’s role in selective eye

A

suppress the detail without loosing its essential traits.

30
Q

DEVICES FOR OBJECTIVE ACCURACY :

powerful instrument to express emotions and feelings

A

Color

31
Q

DEVICES FOR OBJECTIVE ACCURACY : sharpen or softness, distinctiveness or Vagueness

A

Focus

32
Q

DEVICES FOR OBJECTIVE ACCURACY; pictorial device that relates to the artist’s ability to create the illusion of deep space within the painting.

A

Perspective

33
Q

DEVICES FOR OBJECTIVE ACCURACY : accuracy of size and shape relationships

A

Correct Drawing

34
Q

DEVICES FOR OBJECTIVE ACCURACY : helps the artist to create realistic images , the amount of light an object receives, the shapes of its shadow, the transition from light to shadow

A

Control and Handling Illuminations

35
Q

1930’s = rubbing or friction - In 1925 Max Ernst invented Frottage later he experimented with Grattage

A

Frottage

36
Q

Scraping or troweling of pigment from a canvas

A

Grattage -

37
Q

materials such as photographs and pieces of paper or fabric onto a backing - french= Gluing - 1912 = Pablo Picasso (Spanish artist) although french painter Georges Braque produced his first collages at about the same time

A

Collage

38
Q

transferring designs from prepared paper onto glass or porcelain - Mid 19th Century, french ‘decalcomanie’ - decalquer = transfer a tracing

A

Decalcomania

39
Q

1960’s = cut out - existed notably in China, Japan and Poland

A

Decoupage

40
Q

process or technique of selecting, editing, and piecing together separate sections of film to form a continuous whole - french monster = “mount

A

Montage

41
Q

stuffed technique” from Italian term “to quilt”

A

Trapunto

42
Q

Three Elements that Constitute Description of Contemporary Ar

A

Subject Matter
Material
Art Elements and Principles

43
Q

what you see that is depicted in the artwork

  • can be human form or a combination of lecture and color
  • figure made from found objects put together or assembled into a coherent whole
A

Subject Matter

44
Q

What are the materials or objects used by the artist

- Do these materials bring the intended effect of the artist

A

Material

45
Q

What are the dominant elements in the artwork
- How are these used in the artwork
- How are line, shape, or volume used within the artistic frame
- What are the unifying features in the artistic composition
-

A

Art Elements and Principles

46
Q

world-class brass sculptor of the social realist genre - 2006 TOYM Awardee - Fine Arts of the University of the Philippines Diliman

A

Michael Cacnio

47
Q

Both claims, “the starting point for all systems of aesthetic must be the personal experience of a peculiar emotion”.

A

CLIVE BELL AND ROGER FRY

48
Q

is an essence

A

art

49
Q

Belle claims that ——— is produced by significant form.

A

aesthetic emotion

50
Q

is the quality that makes a thing a work of art

A

Significant forms

51
Q

g refers to the process of applying color on

a flat surface.

A

painting

52
Q

A method of interpreting and analyzing such things as
language, literature, and society which focuses on
constructing ideas or elements of structure to show how
they relate to the whole

A

structuralism

53
Q
  • a branch of philosophy that deals with
    the nature, beauty and value of art objects and
    experiences.
A

aesthetic

54
Q

To reach the judgment of art, the
viewers should rise above time, place, and personal
biases

A

Physic Distance

55
Q

A movement in art that rejected traditional values and
techniques and emphasizes the importance of
individual experience
- modernist attempt to pure in their use of medium and
believe in the possibility of universal communication

A

Modernism

56
Q

Post-modernist believe that ORIGINALITY has
something to do with raising an issue rather than
inventing a new image

A

POST-MODERNISM

57
Q

APPROPRIATING or BORROWING

A

POST-MODERNISM

58
Q

Post-modernist believe that ORIGINALITY has
something to do with raising an issue rather than
inventing a new image
- Late approach in art (20th century) which typically
mixes styles ideas, and references to modern society
often in ironic way
- Alright to copy masterpieces and exhibit is as their own

A

POST-MODERNISM

HUMSS (2 decks)

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