Love And Relationships Cluster Flashcards
Form and Structure features in ‘When We Two Parted’ (6 points)
Form:
-falls out of sonnet form (iambic pentameter)-shows how he thought the relationship was perfect until the adultery
Structure:
Rhyme scheme: ABABCDCD shows how he still feels the same all the way through
4 equal stanzas- as above
-accentual verse- contains same number of stressed syllables despite number of syllables changes
-Uses three tenses to imply the pain inflicted will last forever
- Cyclic structure “in silence and tears”- to represent ongoing
Form and Structure features in ‘Love’s Philosophy’ (5 points)
Form:
-dramatic monologue (to make the character seem domineering) or lyrical poem (to describe emotions)
-Short and simple (2 stanzas), to represent how he believes he is correct
Structure:
-structured as an argument with 5 assertions and then a rhetorical question- makes the writer seem demanding
-ABAB rhyme scheme to represent how he believes it’s natural for people to couple up
-AC lines- feminine rhyme whilst BD lines are masculine rhyme to attach the idea that males and females should be together
Form and Structure features in ‘Porphyria’s Lover’ (7 points)
Form:
-Dramatic monologue/first person narrator- unreliable, no other voice to show dominance
-One verse- to show lack of control, reflects psychotic spewing
-Enjambment- reflects real speech and shows lack of control
-Iambic tetrameter- 8 syllables(alternating between stressed and unstressed)- shows the relationship is not a loving one
Structure:
-ABABB- irregular rhyme scheme which suggests imbalance, highly controlled like the speaker
-All masculine rhyme to show male dominance
-Roles are reversed at the end “only this time my shoulder bore”
Form and Structure features in ‘Sonnet 29- I think of thee! (4 extended points)
Form:
-Petrarchan sonnet form- first 8 lines pose a problem (octave), line 9 brings a resolution (Volta), last 6 lines solve the problem (sestet)
This was a less popular/older form of sonnet to show how love is timeless
Also English sonnets were more about sexual desire so she thought she could relate to a style which shows intense love instead of sexual
-The Volta is in line 8/9 to show that her and Robert’s love is imperfect or to reflect the narrators impatience
Structure:
-Caesura used frequently to create a sense of excitement and impatience
-Change from octave to sestet shows difference between fantasying about lover and being with her love
Form and Structure features in ‘Neutral Tones’ (5 points)
Form:
-Romanticism poem to show the narrator is still stuck in the past
-Dramatic monologue- first person, to express emotions
Structure:
- Cyclic structure- begins and ends at a pond to reflect being stuck in the past
-ABBA rhyme scheme, each stanza has 4 lines to show a lack of closure
-Repetition of ‘And’ to suggest frustation
Form and Structure features in ‘Letter’s From Yorkshire’ (5 points)
Form:
-tercets (three line stanzas), odd number gives indication of imbalance, imperfection in the relationship
Structure
-Enjambment- suggests change of seasons
Caesura- to show the sense of distance between narrator and lover “me, his”
-Free verse (no rhyme), lack of unity and structure like a letter
-However, there are internal half rhymes in the middle of lines (“breaking/cleaning) which suggests there is so some hope in the relationship
-Last stanzas have full rhymes to show unity at the end
Form and Structure features in ‘The Farmer’s Bride’ (2 points)
Structure:
- Stanzas are various length- to suggest imbalance in the relationship
- enjambment- ‘happy to chat and play/with birds and rabbits’
Form and Structure features in ‘Walking Away’ (5 points)
Form:
-Quintets (5 line stanzas)- ordered and controlled like the father had over the son. However odd number shows imbalance in the father/son relationship
Structure:
-ABACA rhyme scheme- to reflect that the father’s wish to control the son has been interrupted
Could also represent people going in different directions in life
-First two stanzas use more painful language “wrenched” to show initial pain of letting go
- Enjambment in the first quintet to represent the son turning away for the first time
- Caesura to represent the breaking of the son from the father
Form and Structure features in ‘Eden Rock’ (4 points)
Form:
-Quatrains (four line stanzas) and mostly 10 syllables per line- to create a peaceful steady tone
Even number of lines represents perfection
Structure:
-4th and 5th line stanzas break quatrain structure to represent how the relationship is not perfect because they’re not together
-Last stanza is isolated to show loneliness
-Half rhyme scheme of ABAB to show incompleteness because parents are no longer alive
Form and Structure features in ‘Follower’ (4 points)
Form:
-Quatrains with iambic pentameter- to show the perfection of the father and the admiration the son has
Structure:
-Ordered structure- to represent the highly ordered act on plowing
-First three stanzas have full rhyme and focus on father, last three stanzas have half rhyme and focus son to show he can’t match the perfection of his dad
- Caesura “an expert.”- to offer a sense of finality to show his father is definitely an expert
Form and Structure points in ‘Climbing My Grandfather’
- enjanbment- to show the continuous nature of the climb
- Unbrokenness of the verse- reinforces the stability and reliability of grandfather
Form and structure of ‘Winter Swans’
- Written in tercets- gives sense of imbalance
- unequal line lenghts
- caesura- emphasise the separation “as we skirted the lake, silent and apart
- enjambment- ‘two days of rain and then break in which he walked’- break of the relationship
- half rhymes which change into full rhymes ‘sand/hands’
Form and structure features of ‘Singh song’
- dramatic monologue
- no set rhyme scheme but some rhymes used to create light hearted theme
- half rhymes to show incompleteness of the relationship- ‘ground tap di ground/wid di mouse’
Form and Structure of ‘Before You Were Mine’
- narrative poem
- 4 verse of quatrains- to show steady passage of time, to show control of the daughter
- triplets ‘sparkle, waltz and laugh’ gives rhythmic bubbling quality
- begins and ends in pavement- cyclical structure- showing continuous cyclical passage of life
- caesura- ‘before I was born,’ believe that she was too blame
Form and Structure of ‘Mother, any distance’
-no set rhyme scheme
-falls out of sonnet
-enjambment- ‘unreeling years between us’
caesura- ‘anchor.kite’