Lost and font Flashcards
Who invented the printing press and what existed prior? (A1)
The printing press was invented by Johannes Gutenberg in the mid 15th century. Prior to this, handwritten books existed, which were generally reserved for the elite, though the middle class also had a demand for them. The evolution of typography from handwritten books to Johannes Gutenberg’s printing press revolutionized mass production.
How did typeface development evolve, and who were key figures in its historical progression? (A1)
Typeface development evolved with John Baskerville’s transitional typefaces in the 18th century, improving readability. Firmin Didot, and Giambattista Bodoni introduced modern serifs in the late 1700’s. Vincent Figgins introduced slab serif styles in1815. William Caslon IV’s “Caslon Egyptian” in 1816 marked the rise of sans serif typefaces. The 20th century brought minimalist fonts like Helvetica, and digital typography emerged with Rudolf Hell’s Digi Grotesk in 1968.
How did typeface development continue in the 21st century? (A1)
In the 21st century, typeface development continued with web fonts, variable fonts, and the potential for color fonts, showcasing ongoing adaptation to technology.
Transitional typefaces with distinct letterforms (defininition) (A1)
A typeface is a design of letters, numbers and other symbols, to be used in printing or for electronic display. Most typefaces include variations in size, weight, slope, width, and so on. Each of these variations of the typeface is a font.
Modern serifs (defininition) (A1)
Characterized by extreme contrast between thick and thin lines. Serifs are the small lines attached to letters.
Extreme stroke contrast (defininition) (A1)
This refers to the difference between the thinnest and thickest strokes in your glyphs.
Slab serif and sans serif typefaces (defininition) (A1)
Technically, the only difference between serif and sans serif fonts is that visually, serif types have an extra decorative stroke at the endings of lines in the lettering and the so-called feet of letters. Sans serif, as that “sans” says, don’t have extra swooshes and ornamental endings.
What font did Microsoft change to on certain platforms? (A2)
Microsoft has chosen Aptos as the new default font for its productivity applications like Word and Outlook, replacing Calibri. Aptos, formerly known as Bierstadt, was selected after considering user feedback on five font options introduced in 2021.
Why did micrsoft change the name of their font (Aptos)? (A2)
The change aims to refresh core applications, enhancing Microsoft’s argument for Microsoft 365 subscription renewals. The font’s creator, Steve Matteson, explained that the name change from Bierstadt was prompted by people not taking it seriously. Matteson developed the font in the grotesque sans-serif style in 2019, initially named Grotesque No. 2, and later codenamed Koyuk. The final name, Aptos, was inspired by an unincorporated town in California with diverse characteristics.
What changes would Aptos bring? (A2)
Microsoft anticipates rolling out Aptos as the default font for all users in the coming months, allowing users to retain Bierstadt as an option. The font’s versatility includes support for various languages and symbols, ensuring compatibility in different scenarios, such as Excel spreadsheets. Matteson expressed respect for Calibri and its creator, Lucas de Groot, while acknowledging Microsoft’s desire for a change.
Why is The London Underground’s iconic typeface being changed? (A3)
The London Underground’s iconic typeface, introduced in 1916 by Edward Johnston, is undergoing a subtle transformation to adapt to the digital age. Monotype, the firm behind the adaptation, studied old posters to preserve the typeface’s essence. The last update to the font was over 25 years ago, and the goal is for Johnston100 to endure for another century and beyond.
What changes are being made to The London Underground’s iconic typeface? (A3)
Transport for London (TfL) has introduced “Johnston100,” which maintains the original font’s “soul” with minimal adjustments. The changes include new symbols like hashtags and “@” signs, and extra-thin weights have been created for mobile usage. The alterations are subtle, affecting the shape of letters, and will be implemented on maps and in stations.
Why is the U.S State department undergoing a font change? (A4)
The U.S. State Department, led by Secretary of State Anthony Blinken, is undergoing a font change for internal documents, transitioning from the long-standing Times New Roman to the larger sans-serif font, Calibri. The move aims to enhance accessibility for visually impaired employees and was recommended by the secretary’s office of diversity and inclusion. The focus on Calibri is attributed to the font’s sans-serif features addressing accessibility concerns related to Optical Character Recognition Technology and screen readers. While a senior State Department official emphasizes the decision’s focus on accessibility, opinions among employees vary, with one describing it as sacrilege but acknowledging a personal preference against serifs.
Why are there complaints surrounding the U.S State Departments font shift? (A4)
The shift has sparked complaints from some staff members who find Calibri aesthetically displeasing. Blinken set a deadline of February 6 for both domestic and international offices to adopt Calibri as the standard font. The decision has prompted internal discussions, with one Foreign Service officer anticipating a potential revolt. (Despite resistance, this isn’t the first time the State Department has altered its font for internal documents. The previous switch from Courier New 12 to Times New Roman in 2004 was driven by a desire for a crisper, cleaner, and more modern appearance.)
What case began Thomas Phinney’s career? (A5)
Thomas Phinney, MBA ‘03, is a font detective renowned for his expertise in uncovering forgeries and solving font-related mysteries. As a former product manager at Adobe Systems, Phinney discovered his passion for forensic font analysis when investigating a suspected will forgery. The case was that an attorney suspected a will forgery, and the lawyer wondered if the font might provide a clue. He found that the document had been printed at 300 dots per inch (dpi), which didn’t exist in 1983, the year that it was supposedly printed in.