Long Quiz Preparation (2) Flashcards

1
Q

addresses ways of looking at literature beyond the typical-plot-theme-character-setting studies

method used to interpret at any given work of literature

study, discussion, evaluation and interpretation of literature

A

Literary Criticism

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2
Q

“No poet, no artist of any art, has his complete meaning alone.”

“… almost every literary work is attended by a host of outside circumstances which, once we expose and explore them, suffuse it with additional meaning.”

A

Historical and Biographical Approach

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3
Q

What kind of approach is this?

Guide questions:
How does it reflect the time which it was written?
How accurately does the story depict the time in which it was set?
How does the story reflect the attitudes and beliefs of the time in which it was written or set?

A

Historical Approach

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4
Q

What kind of approach is this?

Guide questions:
What aspects of the author’s personal life are relevant to to this story?
Which of the author’s stated beliefs are reflected in the work?
Does the writer challenge or support the values of her contemporaries?

A

Biographical Approach

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5
Q

Literature should be delightful and instructive

“The basic position of each critics is that the larger function of literature is to teach morality and to probe philosophical issues.”

A

Moral and Philosophical Approach

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6
Q

What kind of approach is this?

Guide questions:
What view of life does the story present?
Which character best articulates this viewpoint?
What moral statement, if any does this story made? Is it explicit or implicit?
What is the author’s conception of good and evil?

A

Philosophical Approach

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7
Q

Almost all symbolism is sexual, in its widest sense, taking the word as the deeply-buried primal urge behind all expressions of love, from the cradle to the grave.”

A

Psychological Approach

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8
Q

What kind of approach is this?

Guide questions:
What forces are motivating the characters?
What conscious or unconscious conflict exist between the characters?
Given their backgrounds, how plausible is the characters’ behavior?

A

Psychological Approach

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9
Q

“… the rules have little to do with nature and everything to do with culture.”

A

Gender Studies/ Feminist Approach

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10
Q

“The reading stands on its own.”

A

Formalist Approach

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10
Q

What kind of approach is this?

Guide questions:

How are women’s lives portrayed in the work?
Is the form and content of the work influenced by the writer’s gender?

A

Feminist Approach

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11
Q

What kind of approach is this?

Guide questions:
How do various elements of the work reinforce its meaning?
What figures of speech are used?
What tone and mood are created at various parts of the work?

A

Formalist Approach

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12
Q

'’… a text does not even exist, in a sense, until it is read by some reader. Whatever meaning it may have inheres in the reader, and the thus it is the reader who should say what a text means.”

A

Reader Response

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13
Q

What kind of approach is this?

Guide questions:
How does the test invite response?
How does your experience inform your understanding of the text?

A

Reader Response

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14
Q

Political and social change in driven by class struggle

A

Marxist Approach

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15
Q

What kind of approach is this?

Guide questions:
Whom does it benefit if the work or effort is accepted/successful/believed?
What values does it subvert?
What conflict can be seen between the values of work champions and those it portrays?
What social classes do the characters represent?

A

Marxist Approach

16
Q

“Myths are by nature collective and communal; they bind a tribe or a nation together in common psychological and spiritual activities.”

“Myth is the expression of a profound sense of togetherness of feeling and action and of wholeness of living.”

A

Mythological and Archetypal Approach

17
Q

What kind of approach is this?

Guide questions:
What aspects of the work create deep universal responses to it?
How does the work reflect the hopes, fears and expectations of entire cultures?
What common human concerns are revealed in the story?

A

Myth/Archetypal Approach

18
Q

“Many Third World written focus on both colonialism and the changes created in a postcolonial culture. Among the many challenges facing postcolonial written are the attempts both to resurrect their culture and to combat the pre-conceptions about their culture.”

A

Postcolonialism

19
Q

What kind of approach is this?

Guide questions:
How does the literary text, explicitly or allegorically, represent various aspects of colonial oppression?
What does the text reveal about the problems of post-colonial identity and such issues as double consciousness and hybridity?

A

Postcolonialism

20
Q

Green analysis with emphasis on natural world and modern environmental concerns

A

Ecocriticism

21
Q
A