London Flashcards

1
Q

Title of London…

A

Denotes a specific geographic space

Unlike the archetypal locales in which many of the other songs are set

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2
Q

Rhyme scheme?

A

ABAB throughout its three stanzas.

Little deviation from iambic tetrameter.

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3
Q

How many quatrains ?

A

4

Alternate rhyming lines

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4
Q

Striking formal feature of the poem?

A

Repetition

  • emphasises the precedence of the horrors the speaker describes
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5
Q

What does ‘Charter’d’ mean?

A

Combined mapping and legalism

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6
Q

What submits to being Charter’d?

A

Everything in this urban space, even the natural River Thames

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7
Q

What effect does the repetition of ‘charter’d’ give?

A

Reinforces the sense of structure the speaker feels upon entering the city.

Thudding and oppressive, reflects the suffocating atmosphere of the city.

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8
Q

What happens within this repetition?

A

Words undergo transformation

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9
Q

What word is transformed? What is the transformation?

A

“Mark” (between 3rd and 4th line)

Changes from a verb to a pair of nouns

From an act of observation which allows imaginative elaboration, to an indelible print

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10
Q

What does this transformation of ‘mark’ essentially do?

A

Brands the people’s bodies regardless of the speakers actions

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11
Q

What does the speakers’ ‘meeting’ with these marks represent ?

A

The experience closest to a human encounter that the poem will offer the speaker

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12
Q

What does the poem ‘London’ deride?

A

The sterile mechanism of urban society

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13
Q

What recalls the introduction to Songs of Innocence, but with a twist ?

A

Opening image of wandering, focus on sound, and images of stains.

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14
Q

How many characters in this poem?

A

5

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15
Q

Who are the characters in this poem?

A
Harlot
Chimney sweeper
Infants
Soldier
Men
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16
Q

What are all the speaker’s subjects only know through ?

A

The traces they leave behind

17
Q

What are the two traces the subjects leave behind?

A

‘Ubiquitous cries’

‘Blood on the palace walls’

18
Q

What do these traces entail?

A

Signs of human suffering abound, but a complete form

19
Q

Why does Blake use the human form repeatedly in his Songs?

A

To personify and render natural phenomena.

It’s lacking in London.

20
Q

Where are we as readers far from when we enter the city ?

A

The piping pastoral place of the earlier poem

21
Q

Who do we never see themselves?

A

The chimney sweep or soldier

22
Q

What metamorphose into soot on church walls or blood on palace walls in the third stanza?

A

The cry of the chimney sweep and the sigh of the soldier

23
Q

Why do neither the city’s victims or their oppressors appear in body?

A

Blake doesn’t simply blame a set of institutions or system of enslavement

Rather, victims help to make their own ‘mind-forg-d manacles’