Localisation and Auditory Scene Analysis Flashcards

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1
Q

Localising sound - binaural cues

A

Binaural - requires comparison of singles in left and right ears and are vital for signalling location of a sound in azimuth (left and right plane)

  • interaural time differences (ITD)
  • interaural level differences (ILD)
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2
Q

Localising sounds monaural cues

A

Work with one ear and localise elevation (up and down plane) and distance of sound

  • filter properties of pinnae
  • intensity and reverberation
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3
Q

Binaural - interaural time differences

A

Relative time at which sound arrives at two ears depends on its location in azimuth
A sound source thats straight ahead = distance to each ear is the same therefore no difference in time ( immediately behind, in front, above)
Sound source to the right = difference distances therefore sound reaches left ear later than right

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4
Q

What does range of ITD’s depend on?

A

Speed of sound (constant through air)
Distance between two ears (larger heads = larger ITD’s)

Maximum in humans = 0.6ms
Requires precise signalling of timing - phaselocking therefore most useful for low frequencies and abrupt onset sounds

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5
Q

Binaural - interaural level differences

A

Relative sound pressure level reaching two ears also depends on location of source in azimuth

  • reduction in sound levels for the far ear, due to acoustic shadow created by head
  • therefore occurs for high frequency sounds (6000Hz) but not for low (200Hz)
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6
Q

What is the physiology of binaural processing?

A

Processing of ITD’s and ILD’s start within the brainstem in superior olivary complex (superior olive)
Binaural localisation cues processed by different neurones located in superior olive
- lateral superior olive (LSO) sensitive to ILD’s
- medial superior olive (MSO) neurones sensitive to ITD’s

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7
Q

Strengths and Weaknesses of binaural cues

A

+ ITD’s (low frequencies) and ILD’s (high frequencies) provide complementary information about azimuth location
- provide ambiguous information about elevation and distance of sound source

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8
Q

Monaural localisation cue - elevation

A

Elevation:
filter properties of pinnae - sound reflects off parts of external ear, the relative intensity of different frequency sound wave changes - changes sound source elevation (and azimuth)
- individuals different ear shapes and patterns filter frequencies in different ways
- experiments with artificially altering ear shape with plastic moulds impair the ability to localise sound elevation but brain adapts after period of time

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9
Q

Monaural cue - distance

A

Relative intensity
- sound intensity decreases with distance, closer objects will tend to have greater amplitude than further

Reverberation

  • the way in which sound reflects off objects provides cue to distance
  • multiple reflectors combine to produce a persistence of sound - reverberation

The distance of source alters relative intensity and timing of direct and reverberant sounds

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10
Q

Reverberation potential problems - precedence effect

A

Not sure where the actual location of the sound source
Precedence effect - when similar sounds arriving in quick succession from different locations = localised according to direction of first sound - provided the delay is short, only single sound is perceived (less 10-20ms)

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11
Q

Scene analysis in natural environment

A

The natural environment has multiple sound sources
Auditory system undergoes scene analysis to make sense of sounds:
- segregates components of sound that comes from different sound sources
- group components of sound that come from same sound source

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12
Q

What are the strategies for auditory grouping?

A
  • similar to visual e.g., common fate, proximity
  • spectrum grouping = combining different frequency sound components that occur at same time
  • sequential grouping = combining sequences of sounds over time
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13
Q

Spectrul grouping

A

grouped single sound as probably the same sound event
Harmonicity = if component is mistuned to other components it will be heard as separate sound
Common frequency change (common fate) - frequency components that change together tend to be grouped together

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14
Q

Sequential grouping

A

Auditory stream segregation

  • Changing characteristics of sounds can bias us to either group the sequence or segregate into multiple streams
  • Similarity of pitch - often similar when from same source. Increasing stream difference promotes stream segregation
  • Temporal proximity - sound s that occur in rapid progression tend to be produced by same source
  • similarity of timbre grouping
  • continuity - sounds that stay constant or change smoothly are often produced same source - perceived as continuous even when interrupted by noise
  • phoenic restoration - interrupting speech with silence makes it difficult to understand - gaps containing noise makes it easier to understand
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