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ASEAN Literature > LITR > Flashcards

LITR Flashcards

1
Q

Lyrical poem, the poet either express his feelings or emotions

A

LYRIC POETRY

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2
Q

A longer form of poetry that tells an entire story, with the beginning, middle and ending. Contains all the elements of fully developed story, including plot, conflict and resolution.

A

NARRATIVE POETRY

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3
Q

Poem that use detailed words to create imagery of a person, animal, or inanimate objects.

A

DESCRIPTIVE POETRY

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4
Q

Rhyming poem containing 14 lines

A

SONNET

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5
Q

Situation on octave with the resolution in Sestet

A

ITALIAN SONNET

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6
Q

Falls into 3 quatrains and concluding couplet

A

ENGLISH SONNET/ SHAKESPEREAN SONNET

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7
Q

No required number of syllables but must have 3 lines

A

HAIKU

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8
Q

Mournful poem that traditionally mirrors the 3 stage of lost

A

ELEGY

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9
Q

Comedic, downright crude and trivial in nature kind of poem

A

LIMERICK

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10
Q

Short numerous poem contains of 5 lines

A

LIMERICK

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11
Q

Short narrative song, typically consist of 2 kinds of stanza

A

BALLAD

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12
Q

Lyric poem with varying stanza

A

ODE

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13
Q

Long narrative poem that can be long as book

A

EPIC

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14
Q

a literary technique derived from latin,
meaning “letters of the alphabet.” It occurs when two or more words are linked that share the same first consonant sound, such as “fish fry.”

A

Alliteration

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15
Q

a literary technique where the same or similar vowel sound is repeated.

Example:( the sound “o”) Go slow over the road.

A

Assonance

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16
Q

the same consonant sound repeats within a
group of words.

Example: Mike likes his new bike.

A

Consonance

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17
Q

one way a poet can create sounds in a poem.
Example: The dog growled menacingly at the strangers.

The cat meows incessantly as she pets it.

The mooing of the cows was hard to miss.

A

Onomatopoeia

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18
Q

the correspondence of two or more words with
similar sounding final syllables placed so as to echo one another

Example: day, prey, weigh, bouquet

A

Rhyme

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19
Q

a recurring movement of sound or speech. An
example is the rising and falling of someone’s voice.

A

Rhythm

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20
Q

Two things or actions are interlinked.

A

Simile

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21
Q

An implied comparison without the use of any comparative word.

A

Metaphor

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22
Q

It is called a visible representation of something abstract (as a quality)

A

Personification

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23
Q

Address of a usually absent person or a usually personified thing rhetorically.

A

Apostrophe

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24
Q

Exaggeration of words is made on a statement in order to create impressiveness

A

Hyperbole

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25
Q

,we speak in a softened and milder form to give the expression of unpleasant thing

A

Euphemism

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26
Q

It is a short fictitious story that illustrates a moral attitude or a religious principle

A

Parable

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27
Q

Statement made is directly contradictory to the reality/ the opposite of literal meaning

A

Irony

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28
Q

a word is substituted for another word that it is closely associated with

A

Metonymy

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29
Q

a phrase that uses two contradictory words to create a new meaning.

A

Oxymoron

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30
Q

a statement that appears to contradict itself but contains some truth, theme, or humor.

A

Paradox

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31
Q

tells the events of the story that happen before
the present story.

A

Backstory

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32
Q

tells of an inherent object inserted in the
narrative;

A

Chekhov’s gun

33
Q

narration that starts at the middle of the story.

A

In Medias res

34
Q

tells a catchy story opening to hook the
attention of the readers

A

Narration hook/narrative hook

35
Q

tells a story within a
story

A

Story within a story or hypodiegesis

36
Q

tells a good character in a bad situation ensures character wins with an unexpected or implausible used to resolve the situation

A

Deus-ex-Machina

37
Q

tells a surprise ending

A

Plot twist

38
Q

tells a reward to the good characters and
punishes the bad characters

A

Poetic Justice

39
Q

tells and abrupt ending which places the main
characters in a perilous situation with no resolution

A

Cliffhanger

40
Q

tells an interjected scene of the story that takes
it back in time from the current point in the story and often used
to tell the events that happened before another important event.

A

Flashback

41
Q

tells a scene that takes the narrative to a
future time from the current point of the story.

A

Flash forward

42
Q

indicates or hints something is coming in
the latter part of the story.

A

Foreshadowing

43
Q

a narrative convention which tells from
whose perspective is the story told.

A

Point-of-view

44
Q

is another style technique
used to inspire or pity a character

A

Pathos or emotional appeal

45
Q

forms mental images of scenes using
descriptive words

A

Sensory detail

46
Q

which repeats on purpose the words that
usually express a motif or theme important of the story

A

Leitwortstil

47
Q

which presents an object or character with much description or gestures and dialogues
making scenes vivid for the audience.

A

Dramatic visualization

48
Q

the underlying message or the central idea. It is about life that the author is conveying in the story which is universal in nature. It is about human experience.

A

Theme of the story

49
Q

moves the emotion of the reader or
audience. It is a way or method used by the author to create
emotional response among his reader or audience.

A

Emotional Appeal

50
Q

used
the language should sway the
emotion to convince the readers.

A

Persuasive writing

51
Q

often used to create comparison to
feel the connection in the story.

A

Metaphor or simile

52
Q

Uplifts women goals by defining and stablishing equality in the family, civil, social, political and
economic area.

A

FEMINISM

53
Q

often associated with the literary pieces written by women that deal with women in the society.
This approach gives an impact to the voice of women.

A

Feminist Literature

54
Q

deals with the cultural context during the writing of the piece of literature.
This approach interprets literature for its meaning or idea in a particular sociohistorical atmosphere, it needs an
understanding of the author’s milieu and the cultural context during its
production,

A

New Historicism

55
Q

which is also called
new criticism. This uses close reading of a piece of literature. Formalists’ interpretation of a work of art is formulated by
the information and details of the piece itself.

A

FORMALISM

56
Q

Considered are form, structure, technical features as more
important than the content and context

A

FORMALISM

57
Q

Formalists focus
is on rhetorical and logical connections
within the writing.

A

FORMALISM

58
Q

It is a critical judgement of a motion picture.
It focuses on the art of the film maker and evaluates the techniques employed by the director.

A

FILM REVIEW

59
Q

It is the kind or type of film. Is it comedy? Tragedy?
Musical? Action? Thriller? Horror? Sci Fi? Romance? Historical?
Melodrama? Animation?

A

GENRE

60
Q

It is the gist or summary of the film. What is the
film all about? What are the objectives of the film> how were the elements of the story interrelated with one another?

A

SYNOPSIS

61
Q

It is the development or portrayal of the characters. How will you describe the characters in the film?
What are their deprivations and motivations? Are their acting skills convincing and powerful for the viewers?

A

CHARACTERIZATION

62
Q

It is the essential aspect of the film and it consists
SPEECH as the voice of the actors, the MUSIC, as the soundtrack or song laid in the film, and the SOUND EFFECT or embedded
sound in the film.

A

SOUND

63
Q

It is the manipulation of the filmstrip
and photographic image by the camera. How was the coordination of one shot with the succeeding shot? Does the speed, motion, and transformation of each photographic image
help in the quality of the film?

A

CINEMATOGRAPHY

64
Q

It refers to the costumes and make-ups matched to the characters’ role? Do the props stimulate the
ambiance for the scene? Does the production design depict the
setting of the story?

A

PRODUCTION DESIGN

65
Q

Part is used for a whole or whole is use as a part

A

Synecdoche

65
Q

Display few character traits and often does not change n the whole story

A

Flat

66
Q

Complex trait with distinct personality background and motive

A

Round

67
Q

Goes through a dramatic changes as a character in the fiction

A

Dynamic

68
Q

Traits that do not change throughout the story, same from the start to the end of the story

A

Static

69
Q

Story from PHILIPPINES

A

SI MABUTI by Genoveva Edroza Matute- narration is the techniques used and literary approach is Feminism

Tata Selo by Rgelio Sikat- Literary approach used is Formalism

Morning in Nagrebcan by Manuel E Arguilla-Symbolism is the literary approach used.

70
Q

Anything that stand for something else/representing something in poetic manner

A

Symbols

71
Q

makes the author to convey ideas to the reader or audience in a poetic matter instead of its outright expressions

A

Symbolism

72
Q

Vietnam Poets

A

The Cherished Daughter- A folk poem/ lyric poem/ repetition/ feminism prespective

A school boy Apology by Le Thanh Huan- Historicism/Narrative Poem/Visual Imagery

Inside Submarines by Phan Nhien Hao

73
Q

Literary works in Brunei

A

The Oilfields Laborers- Cliff Hanger/ Foreshadowing

Borneo’s Green Heart

Travel Brunei Darussalam Poem - Bandar Seri Begawan by John Tiong Chunghoo

74
Q

Literary works in Myanmar

A

Close Proximity
by Journal Kyaw Ma Ma Lay

The Wedding Reception
by Nyi Pu Lay

The Kindergarten Teacher By Aung Thin

75
Q

Literary works in Thailand

A

Boatman Love Song- theme: Love/ Lyric Poetry/Ode/ Simile

Three Line Poetry by Uten Muhamid- Haiku

76
Q

under the umbrella of sociocultural reading context

A

Historicism or historical approach

77
Q

a prospective dealing with a history that influenced the writing of literature

A

Historicism or traditional historical criticism

ASEAN Literature (1 decks)

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