Literature Theory Flashcards

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1
Q

Poetry after Chaucer

A
  • called the Barren Age because of its poverty of literary production
  • major reason for this could be the War of the Roses
  • also the language was changing
  • poets wrote in imitation of Chaucer and pastorals and carols began to appear
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2
Q

Medieval Drama

A
  • 15th century was very rich in plays
  • it developed from liturgical ceremonies as the clergy had tried to convey the events of Christianity through plays to the illiterate
  • after the addition of music a dramatic dialogue appeared
  • led to Miracle and Mystery plays
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3
Q

Miracle plays

A
  • concerned with the lives of saints, without metaphors and sentimentalism
  • as they grew in popularity, performing them in churches became increasingly difficult and so they were portrayed outside
  • divided into four cycles (named after the towns they were performed in): Chester, York, Wakefield, Coventry
  • each play was repeated several times in different parts of town using a pageant
  • the performances used to be supervised by the clergy but were then replaced by trade guilds under the management of municipal authorities
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4
Q

Mystery plays

A

usually dealt with Gospel events, their main object was the Redemption of Man

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5
Q

A pageant

A

a carriage with two vertical rooms: in the lower one the actors prepared themselves and the upper one was open on all sides and was the stage

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6
Q

Trade guild

A

A guild is an association of artisans or merchants who oversee the practice of their craft/trade in a particular area.

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7
Q

Morality plays

A
  • were complementary to the Miracle play
  • it was a religious drama focused on the conflict between good and bad
  • they had personifications of vices and virtues (Avarice, Luxury, Gluttony, Anger, Lust) and generalised characters (Everyman, Mankind)
  • lines were rhymed but the atmosphere was more melancholy
  • the Vice character is considered the forerunner of the Shakespearean fool
  • best know morality play is Everyman
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8
Q

Everyman play

A
  • 1500
  • informed by Death that he must die he looks for someone who will accompany him but is deserted by everyone
  • only Good Deeds follows him to the grave
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9
Q

Interludes

A
  • gradually replaced moralities
  • their origin can be traced back to miracle plays: they were independent comic dialogues which were occasionally inserted to enliven the atmosphere
  • they were distinguished because by their brevity, their rare use of allegory, their use of real characters, their introduction of humour and the lack of didactic purpose
  • key link between medieval drama and Elizabethan theatre
  • best example is The Four Ps
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10
Q

The Four Ps

A
  • 1545 by John Heywood
  • a Palmer, a Pardoner, a Pothecary and a Pedlar discuss which of them can tell the biggest lie
  • Palmer wins and says he has never seen a woman lose her patience
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11
Q

Elizabethan Drama

A
  • it became the true literary manifestation of the time thanks to several elements:
  • theatres were open to everyone and admission prices were relatively low
  • plays could be understood even by the illiterate
  • the theatre-going habit was widespread
  • moralities and interludes were still a living memory
  • a new interest in classical drama was brought by Humanism
  • great number of talented playwrights
  • commercial potential was great
  • theatre was patronized by the Church and the aristocracy
  • shape of the theatre and stage was dramatically functional
  • language was more alive than that of poetry and prose
  • Elizabethan England was quite theatrical
  • the theatre was a true mirror of society
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12
Q

Society

A
  • each social class played a part which was strictly connected to its social status
  • the social class had been allotted to everyone at birth and it was sinful to rebel against it
  • society had to mirror the divine order of the universe because of the time’s need for stability and order
  • man had to respect a hierarchy: God, angels, men, animals, objects
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13
Q

Man and Nature

A
  • drama derived from the breaking of the aforementioned order
  • new Elizabethan hero was full of passions and doubt and replaced the old allegorical characters
  • strict relationship between man and nature was highly emphasized: storms and other phenomena were the consequences of criminal activity
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14
Q

Language

A
  • language was also affected by the hierarchy, monarchs were compared to the sun or to lions
  • use of metaphors was widespread
  • it was written in blank verse
  • thanks to sticomythia (dialogue in alternate lines) it began sounding like real dialogue
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15
Q

Theatres

A
  • until 1576 plays were performed in inns on a platform or in the year
  • James Burbage in 1576, an actor and carpenter, built the the first theatre
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16
Q

Stage

A
  • theatres were either circular or octagonal with three tiers of gallery surrounding a yard/pit which was open to the sky
  • those who pain 1 pence sat in the yard and 2 pence sat in the gallery
  • the stage had a roof and was raised about 5 feet from the ground
  • behind the curtain was a second stage and above this there was a third stage for balcony scenes or for musicians
  • nobles sat directly on the stage and paid 12 pence
  • actors would enter from doors on either side of the curtain or from a trap door on the stage
  • performances usually began at 2 and lasted 2 hours
17
Q

Advantages

A
  • the audience wasn’t distracted by the setting
  • playwrights could introduce as many scenes as they wanted
  • the audience was involved as they had to imagine the setting
  • there was communication between the actors and the audience
18
Q

Act of 1572

A
  • classified actors and vagabonds although they could dance, fence and were able rhetors
  • women were not allowed on stage
19
Q

Seneca’s influence

A
  • highly influenced tragedy:
  • division in 5 acts
  • sticomythia
  • revenge theme
  • sanguinary plots/bloody scenes
  • atmosphere of horror
  • ghosts
  • tragic declamation
  • monologues