Literary Terms/ The Language of Literature Flashcards

1
Q

the force working against the main character

A

antagonist

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2
Q

a group of readers that a writer addresses

A

audience

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3
Q

a form of nonfiction/ a person tells the story of his/her own life/ sometimes called a memoir (if only a portion of one’s life is covered)

A

autobiography

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4
Q

the story of a person’s life written by someone else

A

biography

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5
Q

examples include: chronological or sequential, cause and effect, generalization, concept/definition, process, enumeration or listing, comparison/contrast

A

text structures

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6
Q

examples include: bold, italics, underlining, indentation, sidebars, illustrations, graphics, photographs, headings and subheadings and footnotes and annotations

A

text features

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7
Q

indirect characterization

A

what a character does, says, thinks & what other characters think and say about him/her

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8
Q

direct characterization

A

what an author comes right out and says about a character. (ex. Harold was a cruel child.)

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9
Q

chronological order

A

events are retold in the time sequence of when they happened

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10
Q

cause and effect

A

Events can be connected as cause and effect or effect and cause. (ex. an article may start by describing a polluted town and then explain all of the causes of the pollution)

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11
Q

comparison/contrast

A

Information in the paragraph or article could be placed on a Venn diagram. It focuses on similarities and differences.

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12
Q

internal conflict

A

Characters struggle with problems within themselves. Unless we know the thoughts of this character, we may not be able to infer that they are having a conflict. Individual vs. Self.

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13
Q

external conflict

A

Characters struggle with problems outside of themselves. It could be another person, a group of people, nature, the supernatural or technology

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14
Q

types of external conflicts/ individual v.

A

individual, nature, society, supernatural, technology

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15
Q

a struggle between two opposing forces

A

conflict

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16
Q

connotation

A

the idea and feeling associated with a word

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17
Q

denotation

A

the dictionary definition of a word

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18
Q

flashback

A

an interruption in the plot’s action to present events that took place at an earlier time

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19
Q

foreshadowing

A

a writer’s hints or clues suggesting future events in the story

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20
Q

hyperbole

A

a figure of speech in which the truth is exaggerated for a laugh

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21
Q

sensory imagery

A

writing that appeals to one or more of the five senses

22
Q

metaphor

A

a figure of speech in which two things are compared that have a quality in common

23
Q

simile

A

a figure of speech in which two things are compared that have a quality in common using like, as or resembles

24
Q

mood

A

atmosphere, the feeling that a piece of writing makes a reader experience

25
Q

motivation

A

why characters do what they do

26
Q

narrative

A

writing that tells a story

27
Q

nonfiction

A

writing that tells us the truth about real people, places and events

28
Q

onomatopoeia

A

examples: buzz, bam, hiss

29
Q

plot

A

the sequence of events

30
Q

personification

A

giving human qualities to an animal, object or idea

31
Q

primary source

A

a firsthand account of an event (diaries, journals, letters, speeches, photographs, pieces of art, news stories)

32
Q

setting

A

the time and place of a story’s action

33
Q

symbol

A

something concrete that represents some thing abstract/ ex. a white flag symbolizes surrender, a leafless tree in winter might symbolize death

34
Q

tone

A

a writer’s attitude towards his/her subject (serious, solemn, sarcastic, objective, enthusiastic, objective, enthusiastic, humorous, disapproving, personal, impersonal)

35
Q

voice

A

the speaker’s voice reveals his/her personality

36
Q

suspense

A

a feeling of growing tension and excitement that comes from wondering what might happen next

37
Q

theme

A

the life lesson that a writer is communicating to his/her reader

38
Q

Why is it important for you to analyze media messages?

A

Persuasive techniques are often used in media messages. You need to be able to separate verifiable facts from opinions in order to decide what to believe as truth.

39
Q

What is an analogy?

A

It’s a pair of words that are related. They could be synonyms, antonyms, examples of a type, a degree of intensity, etc.

40
Q

etymology

A

the language (linguistic) history of a word

41
Q

Parts of a dictionary entry

A

You can find the pronunciation, part of speech, multiple definitions (sometimes even more, if the word can be used multiple ways like read & read) and the etymology

42
Q

Where can I find the etymology of a word?

A

It’s best to use an online resource like dictionary.com. You can often find the etymology in [brackets] at the end of the definitions. Clues include capital letters to indicated languages. The word “from” also appears in word histories. Some smaller paper dictionaries do NOT include word histories.

43
Q

What are six poetic forms listed in the Curriculum Framework?

A

haiku, limerick, ballad, free verse, couplet, quatrain

44
Q

Does Ireland think it’s funny that the VA DOE is testing us on limericks?

A

Probably. If you listen to NPR’s show, “Wait, Wait, Don’t Tell Me!” you will hear a limerick each week that summarizes an event from the news. Limericks are meant to be funny, short, rhyming poems. They are 5 rhythmic lines long.

45
Q

Don’t ALL poems have to have regular rhyme and rhythm?

A

No. Free verse poems do not have regular rhyme schemes and rhythmic meter.

46
Q

Look, I wrote a poem!

A

Are you sure? A poem should not look like a paragraph. Think about where you should break your ideas apart into lines. Also, poets write more by writing less. Can you eliminate any unnecessary words? Can you add in any sensory imagery to draw the reader in?

47
Q

Why would anyone bother writing a rhyming couplet? It’s two lines. That’s it?

A

They can be useful. Shakespeare would often include a rhyming couplet before a scenery change in order to wake up the stage hands.

48
Q

What’s a haiku again?

A

It’s 17 syllables, three lines and a “snapshot” of nature. Clap it out.

49
Q

This is a ballad. Do I have to sing it?

A

Ballads are often written for the purpose of singing, but not all of them. They are narrative poems, poems that tell a story. Some of our American ballads are pretty grim and grisly, often about love gone bad. “Rocky Raccoon” may be a lighter ballad to start with. It’s on The White Album, by the Beatles.

50
Q

What do I need to know about a QUAtrain?

A

It’s a four line stanza. Stanzas are the paragraphs of poetry.

51
Q

How to you remember what alliteration is?

A

I imagine someone littering the same letters all over the place. Then the poet gathers them up and uses them to start his/her words. Alliteration is the repetition of initial sounds; it’s the cornerstone of tongue twisters. It’s a common element to rap music. Have you ever tried to repeat a rap in the privacy of your bedroom and tripped all over the place? #1 It’s tricky. #2 It’s alliteration.

52
Q

How does a writer decide which point of view to use?

A

It all depends on the way they want to release information to the reader. If they want to limit the reader’s access to information, they are NOT going to choose omniscient. Also, writers want to make money. They know that using a likable first person narrator sells books. It’s how they draw their audience in. First person narration works best for struggling readers. We have to be on our game when we are reading a third person omniscient story; we have to think for ourselves! Ouch.