Literary Terms and Elements of Fiction Flashcards

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1
Q

Atmosphere

A

The mood, emotional tone or feeling of a literary work.

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2
Q

Empathy

A

The reader’s feels what the character feels.

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3
Q

Flashback

A

The interruption of a story’s narrative in order to present an earlier scene or episode. It may come in the way of a memory recollection or a scene inserted into the piece of fiction. Flashback is NOT simply a character remembering something from the past.

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4
Q

Foreshadowing

A

It is a device by means of which the author hints at something to follow. This helps make unexpected ending believable. It also serves to give readers just enough information to keep them interested.

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5
Q

Irony

A

It is a term which refers to some contrast or discrepancy between appearance and reality.

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6
Q

Verbal Irony

A

Words that are intended to mean the exact opposite of what is stated. There is a contrast between what is literally said and what is actually meant (ex. a forest is destroyed to create paper and that paper is used to criticize deforestation).

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7
Q

Dramatic Irony

A

An awareness of information by the audience/reader and one character or more on stage not shared by another character. The state of affairs known to the reader is the reverse of what its participants suppose it to be.

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8
Q

Situational Irony

A

An unexpected turn of events, the opposite of what would be a conventional or appropriate outcome. A set of circumstances turns out to be the reverse or what is expected or is appropriate.

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9
Q

Pathos

A

The equality in a literary work that evokes a feeling of pity, tenderness and sympathy from the reader or audience. It makes us care about a character or situation.

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10
Q

Suspense

A

The psychological tension or anxiety resulting from the reader’s uncertainty of just how a situation or conflict is likely to end.

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11
Q

Symbol

A

Literally, something that stands for something else. In literature, it is any work, image, object, action, or character that embodies and evokes a range of additional meaning or significance (ex. lion represents bravery, limousine represents wealth).

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12
Q

Tone

A

The attitude the write takes toward the subject he or she is writing about. Just as we reveal our attitude by our tone of voice when we are speaking, so writers show their attitude by the style in which they write (ex. humorous, sarcastic, critical, sentimental, cheerful).

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13
Q

Turning Point

A

The point in a literary work at which the action turns for or against the main character.

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14
Q

Alliteration

A

The repetition of similar or identical sounds found in the beginning of two or more words (ex. Peter picked a peck of pickled peppers).

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15
Q

Allusion

A

A brief reference to a person, event or thing that the writer assumes the reader will recognize (ex. history, mythology, other literary works).

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16
Q

Assonance

A

Repetition of vowel sounds (ex. Ode on a Grecian Urn).

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17
Q

Anthropomorphism

A

The attribution of human form or behaviour to anything other than a human being.

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18
Q

Consonance

A

Repetition of consonant sounds (ex. live-love, pitter-patter).

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19
Q

Dialogue

A

The quoted conversation of two or more people providing details about the characters and their situation.

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20
Q

Enjambment

A

In poetry, the continuation of a sentence from one line to the next.

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21
Q

Euphemism

A

To say a harsh thing gently (ex. he passed away ‘instead of died’).

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22
Q

Hyperbole

A

The deliberate exaggeration in order to emphasize a fact or feeling (ex. the movie bored me to death).

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23
Q

Imagery

A

The references the author makes that related to our five senses (ex. the crisp wind sent a chill through her body).

24
Q

Metaphor

A

A figure of speech in which two things are compared without the use of like or as (ex. he swam in the sea of diamonds).

25
Q

Onomatopoeia

A

A figure of speech in which a word used closely resembles the sound to which it refers (ex. buzz, hiss, bang, pow, poof).

26
Q

Oxymoron

A

Involves a combination of two contradictory or conflicting words. It is different from a paradox in that it creates its effects more compactly, using a combination of two successive words (ex. bright darkness, loving hate, pleasing pain, cruel to be kind).

27
Q

Paradox

A

A statement that appears contradictory but upon closer examination reveals some truth (ex. nobody goes to that restaurant, it’s too crowded).

28
Q

Parallelism

A

Use of similar language, structures, events or ideas in different parts of a text for the purpose of emphasis or comparison and contrast.

29
Q

Personification

A

A special type of metaphor in which human characteristics are attributed to things or ideas (ex. the sun came out, smiled, and said ‘hello’).

30
Q

Repetition

A

The use of specific word, structure or phrase several times to emphasize a particular idea.

31
Q

Rhyme

A

The repetition of similar or duplicate sounds in two or more words at the end of or within a line of poetry.

32
Q

Simile

A

A comparison between two essentially unlike things using the words ‘like’ or ‘as’ (ex. my love is like a red rose).

33
Q

Symbolism

A

The use of concrete objects to represent an abstract idea or concept.

34
Q

Zoomorphism

A

The shaping of something in animal form or terms (ex. furries).

35
Q

Characterization

A

The process by which an author creates, develops and presents a fictional character.

36
Q

What are the 5 methods of characterization?

A
  1. What the character does or does not do (actions).
  2. What the character says, thinks and feels.
  3. What the character looks like (physical appearance).
  4. How others react to the character and what others say about the character.
  5. Direct statements about what the characters are like.
37
Q

Setting

A

The time and place of a story. Setting is first established in the introduction.

38
Q

What are the 5 components of a setting?

A
  1. Weather conditions: it is rainy, sunny, stormy, etc.?
  2. Time: when is the story taking place (historical period, time of day, year)?
  3. Place: Geographical location. Where is the story taking place?
  4. Social conditions: what is going on in society at the time of the story (ex. the great depression, world war, etc.)? What is the daily life of the characters like? Does the story contain local colour (writing that focuses on the speech, dress, mannerisms, customs, etc.)?
  5. Mood or atmosphere: What feeling is created at the beginning of the story? Is it bright and cheerful or dark and frightening?
39
Q

What are the five essential parts of the plot (excluding the denouement)?

A
  1. Introduction/Exposition
  2. Initial Incident/Complicated Point
  3. Rising Action/Crises
  4. Climax
  5. Falling Action and Conclusion
40
Q

Introduction/Exposition

A

The beginning of the story where the characters and the setting are first revealed.

41
Q

Initial Incident/Complicated Point

A

This triggers the events of change in the story. The problem that needs to be solved is first introduced.

42
Q

Rising Action/Crises

A

The events that occur while a solution is being sought. Obstacles (events between the introduction and the climax).

43
Q

Climax

A

This is the highest point of interest and the turning point of the story. The reader wonders what will happen next; will the conflict be resolved or not?

44
Q

Falling Action and Conclusion

A

The events and the complications begin to resolve themselves. The end of the short story is usually abrupt. This is where the solution has been discovered.

45
Q

Conflict

A

It is the opposition of forces; any form of opposition that faces the main character. Within a short story there may be only one central struggle, or there may be one dominant struggle with many minor ones.

46
Q

What are the two major categories of conflict?

A
  1. External: a struggle with a force outside oneself.
  2. Internal: a struggle within oneself; a person must make some decision, overcome pain, quiet their temper, resist an urge, etc.
47
Q

What are the four kinds of conflict within the external and internal categories?

A
  1. Man vs. Man: the leading character struggles against another whether it is physically or mentally.
  2. Man vs. Circumstances (classical): the leading character struggles against fate, or the circumstances of life.
  3. Man vs. Society (social): the leading character struggles against ideas, practices, or customs of other people. Other possibilities of external conflict: man vs. nature, man vs, technology, man vs. supernatural.
  4. Man vs. Himself/Herself (psychological): the leading character struggles with themselves; with their own souls, ideas of right and wrong, physical limitations, choices, etc.
48
Q

Point of View

A

It is defined as the angle from which the story is told.

49
Q

First Person (POV)

A

The story is told by the protagonist or one of the characters who closely interacts with the protagonist or other characters (using pronouns, I, we, me, etc.).

50
Q

Third Person (POV)

A

The author tells the story in third person (using pronouns they, she, he, it).

51
Q

What are the 3 third person POVs?

A
  1. Omniscient: The author narrates the story through this all–seeing point of view.We are in the minds of all characters. The author allows the reader to know what all characters are thinking doing, etc.
  2. Omniscient Limited: We only know what the character knows and what the author allows them to tell us.
  3. Omniscient Objective: The author tells the story in the third person. It appears as though a camera is following the characters, going anywhere, and recording only what is seen and heard. There is no comment of the characters or their thoughts. The reader is the spectator.
52
Q

Theme

A

It is the controlling idea or belief as to what is important and unimportant in life. It gives a basic meaning to a literary work. The deeper meaning, moral, message of a literary work.

53
Q

Static

A

Character does not change.

54
Q

Dynamic

A

Characters change.

55
Q

Protagonist

A

The main character of a literary work.

56
Q

Antagonist

A

Opposing force who stands in the protagonist’s goals.