Literary Terms Flashcards

You may prefer our related Brainscape-certified flashcards:
1
Q

ALLEGORY

A

A story which carries a deeper spiritual, moral, or political meaning below the surface. The characters often represent abstract ideas.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

ALLITERATION

A

The recurrence of initial consonant sounds of different words within the same sentence.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

ALLUSION

A

A reference to a well-known literary work, historical person, or event.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

AMBIGUITY

A

When, for a higher purpose, an author intentionally suggests more than one, and sometimes contradictory, interpretations of a situation.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

ANTAGONIST

A

The character in a story who opposes the hero or protagonist. The _____ is not always evil or cruel.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

APOSTROPHE

A

When a speaker addresses something abstract, inanimate, or someone not present or dead as if it/he/she can hear the speaker’s words.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

ARCHETYPE

A

In literature, a typical character, an action, or a situation that seems to represent such universal patterns of human nature.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

CACOPHONY

A

A writer’s use of harsh sounding diction to create auditory imagery and/or for emotive effect.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

CARICATURE

A

A character with features or traits that are exaggerated so that character seems ridiculous.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

CARPE DIEM

A

A widespread literary theme meaning “seize the day” in Latin and found especially in lyric poetry.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

CHARACTERIZATION

A

The method by which the author builds or reveals a character.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

COMIC RELIEF

A

The inclusion of a humorous character, scene, or witty dialogue in an otherwise serious work, often to relieve tension.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

CONCEIT

A

An unusual, elaborate or startling metaphor or analogy; a poetic literary device common among the Metaphysical poets of the 17th century.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

CONNOTATION

A

A literary device: a suggested, implied, emotional, figurative, or evocative meaning for a word that goes beyond its dictionary definition.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

COUPLET

A

Two rhyming lines in verse.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

DENOTATION

A

The literal “dictionary” meaning of a word. Used when an author wishes to be precise in meaning.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
17
Q

DICTION

A

A writer’s choice of words. In addition to choosing words with denotations and connotations, an author must choose words that are abstract or concrete, formal or informal, or literal or figurative.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
18
Q

EPIPHANY

A

A character’s transformative moment of realization.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
19
Q

ETHOS

A

A form of persuasive appeal based on the writer’s character and credibility.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
20
Q

EUPHEMISM

A

Politically accepted or positive word when used in place of harsh, blunt, or offensive language for a more pleasing effect.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
21
Q

EUPHONY

A

The use of harmonious, pleasant-sounding words for effect.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
22
Q

EXPOSITION

A

A term used to refer to the background portion of the plot traditionally provided at the beginning of a story. Also used to refer to any time a narrator explains something. More modern authors typically attempt to keep _____ brief as it slows the pace or interrupts a story. It is the tell portion of the phrase show not tell.

23
Q

FIGURATIVE LANGUAGE

A

Creative language that is not literal, where what is being said is different from what is actually meant. Used to create imagery and/or to explain, clarify, or enhance an idea by comparing it to something else.

24
Q

GENRE

A

A distinct classification in literature according to what different works have in common in their structure and treatment of a subject.

25
Q

HUBRIS

A

First used in Greek tragedies, refers to excessive pride that usually leads to a hero’s downfall.

26
Q

HYPERBOLE

A

Exaggeration for effect.

27
Q

IMAGERY

A

The use of words to create pictures or appeal to other sensory experience.

28
Q

IRONY

A

Tension created by the contrast between what someone says and actually means, between what is expected to happen and what really happens, and between what a character thinks and what is actually true.

29
Q

METAPHOR

A

A figure of speech that compares or equates two different things without using like, as or similar terms.

30
Q

NARRATION

A

the act or process of telling a story or describing what happens.

31
Q

ONOMATOPOEIA

A

The use of words that refer to sound and whose pronunciations mimic those sounds.

32
Q

OXYMORON

A

A paradox made up of two seemingly contradictory words.

33
Q

PARADOX

A

A statement that appears to be contradictory, but actually is not.

34
Q

PARALLELISM

A

The repeated use of similar grammatical structures for emphasis.

35
Q

PARODY

A

A literary technique which imitates and ridicules (usually through exaggeration) another author or literary genre.

36
Q

PATHOS

A

A quality that evokes or appeals to pity or sadness.

37
Q

PERSONA

A

A voice or viewpoint an author adopts in order to narrate a story or poem.

38
Q

PERSONIFICATION

A

A type of metaphor in which an animal or an inanimate object is imbued with human qualities.

39
Q

POINT OF VIEW

A

The perspective from which a work is told, usually 1st or 3rd person.

40
Q

PROTAGONIST

A

The central character in a literary work.

41
Q

PUN

A

A play on words that derives its humor from the replacement of one word with another with similar pronunciation or spelling but a different meaning.

42
Q

RHETORIC

A

the art of effective or persuasive speaking or writing.

43
Q

SATIRE

A

A literary work that uses irony to critique society or an individual.

44
Q

SETTING

A

The place, time, and social context in which a literary work takes place.

45
Q

SIMILE

A

A comparison of different things by speaking of them as “like” or “as” the same.

46
Q

SOLILOQUY

A

In a play, a monologue in which a lone character expresses his or her thoughts so the audience can “hear” what the character is thinking.

47
Q

SONNET

A

The sonnet is a fourteen-line lyric poem in iambic pentameter with a formal rhyme scheme.

48
Q

STANZA

A

Lines in a poem that the poet has chosen to group together, usually separated from other lines by a space.

49
Q

STYLE

A

The way a literary work is written based on the choices a writer makes for effect in diction, syntax, imagery, figurative language, and other literary elements.

50
Q

SYMBOLISM

A

When a setting, object, or event in a story has more than literal meaning and therefore represents something more abstract and significant to understanding the work of literature.

51
Q

SYNTAX

A

An author’s distinctive form of sentence construction and arrangement.

52
Q

THEME

A

A main idea, universal lesson, or message suggested in a literary work.

53
Q

TONE

A

The writer’s attitude, feeling, or moral outlook toward the subject and/or readers.

54
Q

VOICE

A

An author’s distinctive literary style, basic vision and general attitude toward the world.