Literary Terms Flashcards

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1
Q

21) Denouement

“The death of Othello.”

A

The final outcome of the main dramatic complication in a literary work.

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2
Q

22) Diction

“Speech can be taken many different ways; it’s just how you say or write it.”

A

Choice of words especially with regard to correctness, clearness, or effectiveness.

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3
Q

23) Dramatic Irony

“The plot that Brutus created to take down Caesar.”

A

When the words and actions of the characters of a work of literature have a different meaning for the reader than they do for the characters.

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4
Q

24) Dramatic Monologue

“Not a soliloquy; and interacts with one or more characters.”

A

A single person, who is patently not the poet, utters the speech that makes up the whole of the poem, in a specific situation at a critical moment.

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5
Q

25) Dynamic Character

“Ebeneezer Scrooge is a dynamic character.”

A

A literary or dramatic character who undergoes an important inner change, as a change in personality or attitude.

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6
Q

26) Dystopia

“Brave New World; 1984”

A

An imaginary place where people lead dehumanized and often fearful lives; anti-utopia.

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7
Q

27) Elegy

Sadness. Mourning. Death. Blah.

A

A mournful, melancholic or plaintive poem, especially a funeral song or a lament for the dead.

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8
Q

28) Enjambment

Poetry tends to do this when explaining something; “From sunlight I peak, don’t be afraid; (next stanza) for the sun is only here to protect you, as am I.”

A

The running on of the thought from one line, couplet, or stanza to the next without a syntactical break.

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9
Q

29) Epic

“The Iliad and the Odyssey”

A

A lengthy narrative poem, ordinarily concerning a serious subject containing details of heroic deeds and events significant to a culture or nation.

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10
Q

30) Epiphany

Winston Smith’s conclusion to what Big Brother does.

A

An experience of sudden and striking realization.

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11
Q

31) Epistolary

“Dracula”

A

A poem in the form of an epistle or letter; a novel with a series of letters or documentations.

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12
Q

32) Epitaph

THE DAY WILL COME WHEN OUR SILENCE WILL BE MORE POWERFUL THAN THE VOICES YOU ARE THROTTLING TODAY.

A

A short text honoring a deceased person, strictly speaking that is inscribed on their tombstone or plaque, but also used figuratively.

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13
Q

33) Ethos

“Things Fall Apart; used with Logos and Pathos; the society”

A

A Greek word meaning “character” that is used to describe the guiding beliefs or ideals that characterize a community, nation, or ideology.

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14
Q

34) Euphemism

“Racist terms, sexist terms, demeaning terms, nicknames.”

A

A generally innocuous word, name, or phrase that replaces an offensive or suggestive one.

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15
Q

35) Existentialism

“Study; Crime and Punishment; study of the human…”

A

A term applied to the work of a number of late 19th- and 20th-century philosophers who, despite profound doctrinal differences, shared the belief that philosophical thinking begins with the human subject—not merely the thinking subject, but the acting, feeling, living human individual.

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16
Q

36) Expletive

“Silly, silly, porter pants.”

A

A word that performs a syntactic role but contributes nothing to meaning.

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17
Q

37) Foil

“Roderigo to Iago”

A

A character who contrasts with another character (usually the protagonist) in order to highlight particular qualities of the other character.

18
Q

38) Free Verse

“Prometheus”

A

An open form of poetry that does not use consistent meter patterns, rhyme, or any other musical pattern. It thus tends to follow the rhythm of natural speech.

19
Q

39) Genre

“Adolf Hitler coined it; Country; Romance”

A

The term named by Adolf Hitler for any category of literature or other forms of art or entertainment, e.g. music, whether written or spoken, audial or visual, based on some set of stylistic criteria

20
Q

40) Gothic

“Twilight; Dracula”

A

A genre or mode of literature that combines elements of both horror and romance.

21
Q

41) Heroic Couplets

“Canterbury Tales; pair”

A

A verse unit consisting of two rhymed lines in iambic pentameter. Used in epic poetry.

22
Q

42) Hubris

“Hercules; Macbeth”

A

Sense of thinking you can do something when you can’t; a flaw in a hero who thinks they can do more than they are capable of.

23
Q

43) Hyperbole

“Over a thousand people (when in reality there’s only two)”

A

the use of exaggeration as a rhetorical device or figure of speech.

24
Q

44) In Media Res

“The Illiad opens with the Trojan War”

A

When a piece starts in the middle of a story.

25
Q

45) Juxtaposition

“side by side; banana and pepper”

A

the act or placement of two things (usually abstract concepts) near each other.

26
Q

46) Litotes

“they shall be very many” and “they shall be very great”

A

a figure of speech in which understatement is employed for rhetorical effect

27
Q

KIBA 76) Stanza

“abba
abba
abba

cddc
cddc
cddc”

A

a stanza is a unit within a larger poem

28
Q

77) Stream of Consciousness

“Invisible Man; Crime and Punishment”

A

a narrative device used in literature “to depict the multitudinous thoughts and feelings which pass through the mind.

29
Q

78) Syllogism

“Some men die: All mortals die, some mortals are men…”

A

a kind of logical argument in which one proposition (the conclusion) is inferred from two or more others (the premises) of a specific form.

30
Q

79) Symbolism

“Optic White Paint; Blood”

A

the practice of representing things by symbols, or of investing things with a symbolic meaning or character.

31
Q

80) Synecdoche

“the Internet and referring to the World Wide Web”

A

a figure of speech in which a term for a part of something is used to refer to the whole of something, or vice-versa.

32
Q

81) Syntax

“Switching between Latin and German and English; how sentences are broken up…”

A

the study of the principles and processes by which sentences are constructed in particular languages.

33
Q

82) The Absurd

“Suicide; Atheism”

A

the conflict between the human tendency to seek inherent value and meaning in life and the human inability to find any.

34
Q

83) Tragedy

“Romeo & Juliet”

A

a form of drama based on human suffering that invokes in its audience an accompanying catharsis or pleasure in the viewing.

35
Q

84) Transcendentalism

“Ralph Emerson, Walt Whitman; people and nature”

A

a philosophical movement that was developed in the 1830s and 1840s in the Eastern region of the United States as a protest to the general state of culture and society, and in particular, the state of intellectualism at Harvard University and the doctrine of the Unitarian church taught at Harvard Divinity School.

36
Q

85) Utopia

“Opposite of dystopia”

A

a community or society possessing highly desirable or perfect qualities.

37
Q

86) Valediction

“Sincerely; Goodbye; Farewell”

A

an expression used to say farewell, especially a word or phrase used to end a letter or message,

38
Q

87) Verbal Irony

“If you know what I mean; Innuendos”

A

irony in which a person says or writes one thing and means another, or uses words to convey a meaning that is the opposite of the literal meaning.

39
Q

88) Victorianism

“East of Eden; Queen Victoria (19th)”

A

the name given to the attitudes, art, and culture of the later two-thirds of the 19th century.

40
Q

89) Villanelle

“An example of a fixed verse form.”

A

a nineteen-line poetic form consisting of five tercets followed by a quatrain.

41
Q

90) Zeugma

“Time flies like an arrow; fruit flies like a banana; double entendres”

A

figures of speech in which two or more parts of a sentence are joined together grammatically or semantically by a single word other than a conjunction.