Literary Terms Flashcards

1
Q

Speaker

A
  • The narrator in a poem
  • Karen Solie, “Modern and Normal”
  • Helps analyze and gain insight on different perspectives
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2
Q

Free Verse

A
  • Poetry based on natural rhythm of phrases rather than the constraints of metrical feet.
  • “Get Me Out of Here”
  • Questions the rules; metric feet vs. free verse, rules of an airport vs. human nature/privacy
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3
Q

Allusion

A
  • An indirect or passing reference
  • Arcadia
  • Mentions Byron; he becomes almost another character. Parallels the story and adds meaning.
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4
Q

Unreliable Narrator

A
  • Entails that the narrator’s tellings are not completely accurate; biased
  • White Noise
  • Unreliability tells us we shouldn’t trust anything from them, helps us critique themes/the novel
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5
Q

Dramatic Irony

A
  • Devices in a work known to the audience, but not the characters themselves
  • Arcadia
  • Engages audience
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6
Q

Free Indirect Discourse

A
  • 3rd person narration that filters a narrator’s thoughts/feelings (slips in/out of their consciousness)
  • Beloved
  • Creates empathetic bonds between character and reader.
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7
Q

Defamiliarization

A
  • Takes familiar objects/concepts and forces us to see them from a strange or unusual perspective
  • On Such a Full Sea
  • We become defamiliarized with typical protagonists/heroes; Fan is normal, challenges us to do what’s right
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8
Q

Chronotype

A
  • How configurations of time/space are represented in discourse
  • Beloved; the Triad
  • Time/space switches without warning. Author directs our attention to help us understand
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9
Q

Found Poetry

A
  • Taking words/passages from other sources, making them into poetry to find new meaning
  • Modern and Normal
  • Gives us a new perspective, so we can start resisting the “normal”
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10
Q

Collective Creation

A
  • Creating new plays through the collaboration of company actors/members with a dramatist
  • The Speedy
  • Offers new views, ensures authenticity for First Nations issues
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11
Q

Stream of Consciousness

A
  • The flow of thoughts in the minds of the characters
  • Oscar Wao; Yunior
  • Helps us to understand the thought processes, and therefore the motives, opinions, and personalities of a character.
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12
Q

Enjambed vs. End-Stopped Lines

A
  • End-Stopped: A line ends with a punctuation mark
    Enjambment: Allowing lines to run on
  • Get Me Out of Here
  • Allows the reader to follow a changing stream of consciousness and thought, resisting “normal”
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