Literary Terms Flashcards
1
Q
Speaker
A
- The narrator in a poem
- Karen Solie, “Modern and Normal”
- Helps analyze and gain insight on different perspectives
2
Q
Free Verse
A
- Poetry based on natural rhythm of phrases rather than the constraints of metrical feet.
- “Get Me Out of Here”
- Questions the rules; metric feet vs. free verse, rules of an airport vs. human nature/privacy
3
Q
Allusion
A
- An indirect or passing reference
- Arcadia
- Mentions Byron; he becomes almost another character. Parallels the story and adds meaning.
4
Q
Unreliable Narrator
A
- Entails that the narrator’s tellings are not completely accurate; biased
- White Noise
- Unreliability tells us we shouldn’t trust anything from them, helps us critique themes/the novel
5
Q
Dramatic Irony
A
- Devices in a work known to the audience, but not the characters themselves
- Arcadia
- Engages audience
6
Q
Free Indirect Discourse
A
- 3rd person narration that filters a narrator’s thoughts/feelings (slips in/out of their consciousness)
- Beloved
- Creates empathetic bonds between character and reader.
7
Q
Defamiliarization
A
- Takes familiar objects/concepts and forces us to see them from a strange or unusual perspective
- On Such a Full Sea
- We become defamiliarized with typical protagonists/heroes; Fan is normal, challenges us to do what’s right
8
Q
Chronotype
A
- How configurations of time/space are represented in discourse
- Beloved; the Triad
- Time/space switches without warning. Author directs our attention to help us understand
9
Q
Found Poetry
A
- Taking words/passages from other sources, making them into poetry to find new meaning
- Modern and Normal
- Gives us a new perspective, so we can start resisting the “normal”
10
Q
Collective Creation
A
- Creating new plays through the collaboration of company actors/members with a dramatist
- The Speedy
- Offers new views, ensures authenticity for First Nations issues
11
Q
Stream of Consciousness
A
- The flow of thoughts in the minds of the characters
- Oscar Wao; Yunior
- Helps us to understand the thought processes, and therefore the motives, opinions, and personalities of a character.
12
Q
Enjambed vs. End-Stopped Lines
A
- End-Stopped: A line ends with a punctuation mark
Enjambment: Allowing lines to run on - Get Me Out of Here
- Allows the reader to follow a changing stream of consciousness and thought, resisting “normal”