Literary Terms Flashcards

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0
Q

Antihero

A

A protagonist who is a non hero or the antithesis of a traditional hero. While the hero may be dashing strong, bold, handsome, or resourceful; antihero may be incompetent, unlucky, clumsy, dumb, ugly, or clownish or an everyday hero

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1
Q

Antagonist

A

The character against whom the protagonist struggles or contend, can be an idea, concept, government, or themselves

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2
Q

Anachronism

A

Placing an event, person, item, or verbal expression in the wrong historical period. For example, in Shakespeare’s Julius Caesar, he writes the following lines:

Brutus: Peace! Count the Clock!
Cassius: The clock has stricken three! (Act 2 lines 193-94)

Of course, there were no household clocks during Roman times.

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3
Q

Allusion

A

A casual reference in literature to a person, place, event, or another passage of literature, often without explicit identification

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4
Q

Archetype

A

An original model or pattern from which other later copies are made, especially a character such as a dashing prince, the womanizing Don Juan, the hunted man, the femme fatale, etc

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5
Q

Byronic hero

A

An antihero who is a romanticized but wicked character. Conventionally the figure is a young and attractive male with a bad reputation. (Bad boy reputation). He defies authority and conventional morality, and becomes paradoxically ennobled by his peculiar rejection of virtue

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6
Q

Colonialism

A

Refers to broadly and generally to the habit of powerful civilizations to colonize less powerful ones. Tis process can take the form of a literal geographic location, enslavement, religious conversion at gun point, forced assimilation of native people’s. on a subtle level, this process can take the form of a bureaucratic policy that incidentally or indirectly leads to the extinction of a minority’s language or culture, economic exploration of cheap labor, and globalistic erasure of cultural differences. The term is often applied in academic discussion of literature from the colonial period we can seethe concerns of colonialism and imperial ambition in the works of George Orwell’s “Shooting an Elephant”, Rudyard Kipling’s fictional tales about India, and Josef Cobrad’s novella, Heart of Darkness

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7
Q

Conflict

A

The opposition between two characters, two large groups or people, or between the protagonist and a larger problem such as forces of nature, ideas, public mores, etc. conflict may be internal like the protagonist dealing with their psychological tendencies (drug addiction, self destructive behavior, and so on). Conflict is the engine that drives the plot, William Faulkner says that the most important literature deals with the subject of ‘the human heart in conflict with itself.’

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8
Q

Connotation

A

Extra tinge or taint of meaning each word caries beyond the minimal, strict definition of a word

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9
Q

Denouement

A

French word meaning “unknotting” or “unwinding” and refers to the outcome or result of a complex situation or sequence of events. An aftermath or resolution that usually occurs near the final stages of a plott and it is unraveling of the main dramatic complications in a player novel or ect

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10
Q

Diction

A

Word Choice

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11
Q

Dystopia

A

The opposite of a utopia, is an imaginary society in fictional writing that represents “a very unpleasant imaginary world in which ominous tendencies of our present social, political, and technological order are projected in some disastrous future culmination

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12
Q

Epiphany

A

In fiction, a sudden revelation of great importance usually experienced by a character at or near the end, but sometimes only by the reader

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13
Q

Farce

A

Form of low comedy designed to provoke laughter through highly exaggerated caricatures of people in improbable or silly situations. Traits of farce include physical bustle (like slapstick), sexual misunderstandings and mix ups, and broad verbal humor such as puns

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14
Q

Flat characters

A

Static/flat character is a simplified character who doesn’t Change their personality over the story or without extensive personality and characterization, contrast with a round character

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15
Q

Foreshadowing

A

Suggesting or hinting what will occur later in a story

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16
Q

Fourth wall

A

Imaginary wall that separates the events on stage or screen from the audience, a character is said to be breaking the fourth wall when they speak directly to the audience

17
Q

Harlem Renaissance

A

Period of writing, poetry, music, and art among black Americans during the 1920s and 1930s including Claude McKay, Zora Neale Hurtson and Langston Hughes, Jazz age too because of the growth of jazz and souls music

18
Q

In Medias Res

A

Latin term “in the middle of things” opening not in chronological order where the story may begin in the middle or after the action has begun
Used to heightened dramatic tension or to create a sense of mystery

19
Q

Juxtaposition

A

Arrangement of two or more ideas, characters, actions, settings, phrases, or words side by side or in similar narrative moments for the purpose of comparison, contrast, rhetorical effect, suspense, or character development

20
Q

Melodrama

A

Dramatic form characterized by excessive sentiment, exaggerated emotion, sensational, and thrilling action, and an artificially happy ending

21
Q

Metaphor

A

Comparison or analogy stated in such a way as to imply that one object is another one figuratively speaking

22
Q

Modernism

A

Vague, amorphous term referring to the art and literature and philosophy of Europe and America in the late 20th century, began after ww1 and ended after WW2 or the bombing of Nagasaki or in 1960s, three traits:
Desire to break away from established traditions, quest to find fresh ways to view man’s position or function in the universe, an experiments in form and style, especially with fragmentation

23
Q

Motif

A

Conspicuous recurring element, such as a type of incident, a device, a reference, an image, a word, or a phrase which appears frequently in a work of literature

24
Q

Narrator

A

The voice that speaks it tells the story

25
Q

Novella

A

Extended fictional prose narrative that is longer than a short story, but not quite as long as a novel

26
Q

Parody

A

Imitates the serious manner and characteristic features a particular literary work in order to make fun those same features

27
Q

Personification

A

When abstractions, animals, ideas, and inanimate objects are given human character, traits, abilities, or reactions

28
Q

Protagonist

A

Main character in a work, on whom the author focuses most of the narrative attention

29
Q

Verisimilitude

A

Sense that what one reads is “real” or at least realistic an believable

30
Q

Syntax

A

Sentence structure

31
Q

Naturalism

A

Depicted life as accurately as possible without artificial

32
Q

Postmodernism

A
Literary changes and tendencies after the 1940s and 1950s up to
The present day, 
Traits:
Rejection of traditional authority 
Radical experimentation gimmicky 
Eclecticism and multiculturalism 
Parade an pastiche
Intensifies these earlier characteristics
33
Q

Prose

A

Anything written material that is not written in regular meter like poetry, writing in sentences and paragraphs

34
Q

Psychological realism

A

Sense that character in fictional narratives have realistic inferiority or complex emotional and intellectual depth, including subconscious urges and fears they are not aware of

35
Q

Round character

A

Depicted with psychological depth and detail that thy are like a real person

36
Q

Satire

A

Attack or criticism of any stupidity or vice in the form o scathing humor, or a critique of what the author sees as dangerous religious, political, moral, or social standards

37
Q

Stream or consciousness

A

Writing in which a character’s perceptions, thoughts, and memories are presented in an apparently random form, without regard for logical sequence, chronology, or syntax. Often such writing makes no distinctions between various levels of reality such as dreams, memories, imaginative thoughts or real sensory perception. It is an attempt to capture with some sense of veracity the inner workings of the human mind or the way we think

38
Q

Symbolism

A

Frequent use of words, places, characters, or objects that mean something beyond what they are on a literal level

39
Q

Unreliable narrator

A

A narrator who can’t be trusted and they speak with bias, makes mistakes, or even lies. Creates an aura of authenticity in their work