Literary terminology whipeee Flashcards

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1
Q

Dramatic Structure,

A

The organization of events in a play to enhance meaning.

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2
Q

Five-Act Play,

A

A traditional structure used by playwrights like Shakespeare.

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3
Q

Three-Act Play,

A

A structure with a setup, confrontation, and resolution.

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4
Q

Acts and Scenes

A

Divisions within a play that structure the narrative.

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5
Q

Sub-Plot,

A

A secondary story that supports the main plot.

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6
Q

Frame,

A

A narrative structure that contains another story.

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7
Q

Green World,

A

A contrasting setting that often symbolizes freedom or escape.

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8
Q

Linearity,

A

A chronological sequence of events.

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9
Q

Chronological Events,

A

Events arranged in the order they occur.

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10
Q

Flashbacks,

A

Scenes depicting earlier events.

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11
Q

Climax

A

The high point of tension in a narrative.

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12
Q

Anti-Climax,

A

A disappointing end to an exciting series of events.

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13
Q

Cyclical Effect

A

A narrative that ends where it begins.

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14
Q

Repetition,

A

Recurring elements to emphasize themes.

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15
Q

Opening and Ending,

A

The setup and resolution of the drama.

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16
Q

Conflict and Change,

A

The struggle and transformation within the story.

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17
Q

Naturalistic Effect,

A

A realistic portrayal of life.

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18
Q

Non-Naturalistic Effect

A

A stylized or abstract portrayal of life.

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19
Q

Setting Choice,

A

The location and time period in which a story takes place.

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20
Q

Allegory,

A

A story with a symbolic meaning.

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21
Q

Protagonist,

A

The main character of a story.

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22
Q

Antagonist,

A

The character opposing the protagonist.

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23
Q

Catalyst,

A

A character who causes change.

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24
Q

Stage Directions,

A

Instructions for actors and directors in the script.

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25
Q

Lighting,

A

Use of light to create mood and focus.

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26
Q

Music/Sound Effects,

A

Auditory elements that enhance the performance.

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27
Q

Set,

A

The physical surroundings on stage.

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28
Q

Costume,

A

The clothing worn by actors to represent characters.

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29
Q

Disguise,

A

Characters concealing their true identity.

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30
Q

Status,

A

The social or professional position of a character.

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31
Q

Contrast,

A

The difference between elements to highlight their qualities.

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32
Q

Act Opening/Ending,

A

The beginning and conclusion of an act.

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33
Q

Scene Opening/Ending,

A

The beginning and conclusion of a scene.

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34
Q

Entrance/Exit,

A

The points where characters enter or leave the stage.

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35
Q

Opening and Closing Lines,

A

The first and last lines of a scene or play.

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36
Q

Dramatic Irony,

A

When the audience knows something the characters do not.

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37
Q

Pace,

A

The speed at which the story unfolds.

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38
Q

Tension/Suspense,

A

Building anticipation and anxiety.

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39
Q

Surprise,

A

A sudden and unexpected event.

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40
Q

Twist,

A

An unexpected change in the story.

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41
Q

Comic Relief,

A

Humor to relieve tension.

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42
Q

Character Establishment,

A

How characters are introduced.

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43
Q

Character Presentation,

A

How characters are depicted.

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44
Q

Physical Appearance,

A

The visual look of a character.

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45
Q

Character Actions,

A

What characters do.

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46
Q

Character Motives,

A

Reasons behind characters’ actions.

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47
Q

Dialogue,

A

What characters say.

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48
Q

Character Thoughts,

A

What characters think.

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49
Q

Interactions,

A

How characters relate to each other.

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50
Q

Conformity to Stereotypes,

A

How characters fit or break typical roles.

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51
Q

Minor Characters,

A

Supporting characters in a story.

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52
Q

Character Relationships,

A

The connections between characters.

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53
Q

Dramatic Speech,

A

How speech is used in drama.

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54
Q

Monologues,

A

Long speeches by a single character.

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55
Q

Soliloquy,

A

A character speaking thoughts aloud, often alone.

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56
Q

Asides

A

Brief, comments to the audience or another character.

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57
Q

Functional Speech,

A

Speech that serves a practical purpose.

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58
Q

Literal Speech,

A

Speech that means exactly what it says.

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59
Q

Metaphorical Speech,

A

Speech that uses comparisons to convey meanings.

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60
Q

Poetic Speech,

A

Speech with a rhythmic or musical quality.

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61
Q

Symbolic Speech,

A

Speech that uses symbols to convey deeper meanings.

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62
Q

Shakespearean Verse,

A

The use of structured poetry in Shakespeare’s works.

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63
Q

Prose in Drama

A

Everyday, language without a structured meter.

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64
Q

Authorial Intrusion,

A

When a character expresses the playwright’s views.

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65
Q

Character Vocabulary,

A

The unique language style of a character.

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66
Q

Stanza Structure,

A

The arrangement of lines in a poem.

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67
Q

Poetic Form,

A

The shape and structure of a poem.

68
Q

Line Length,

A

The length and shape of lines in a poem.

69
Q

End-Stopped Lines,

A

Lines ending with punctuation.

70
Q

Caesura,

A

A break within a line of poetry.

71
Q

Enjambment,

A

Continuation of a sentence without a pause.

72
Q

Contrast in Poetry,

A

The use of opposing elements.

73
Q

Motif in Poetry,

A

A recurring element in poetry.

74
Q

Cumulative Effect in Poetry,

A

How repeated elements build impact.

75
Q

Climax in Poetry,

A

The high point of a poem.

76
Q

Anti-Climax in Poetry,

A

A drop in intensity in a poem.

77
Q

Shift in Mood or Tone,

A

Changes in emotional atmosphere.

78
Q

Linear Structure in Poetry,

A

A straightforward progression of ideas.

79
Q

Cyclical Structure in Poetry,

A

Returning to the beginning.

80
Q

Poetic Imagery,

A

Descriptive language creating mental images.

81
Q

Image in Poetry,

A

A visual representation.

82
Q

Simile,

A

A comparison using “like” or “as.”

83
Q

Metaphor,

A

A direct comparison between two things.

84
Q

Symbol in Poetry,

A

An object or event representing a deeper meaning.

85
Q

Use of Colours,

A

Symbolic use of colors.

86
Q

Concrete Images,

A

Specific and tangible descriptions.

87
Q

Abstract Images,

A

Descriptions of ideas or concepts.

88
Q

Personification,

A

Attributing human characteristics to non-human things.

89
Q

Pathetic Fallacy,

A

Attributing human emotions to nature.

90
Q

Natural Imagery,

A

Descriptions of nature.

91
Q

Pastoral Imagery,

A

Idealized rural life.

92
Q

Conceit,

A

An extended metaphor with complex logic.

93
Q

Diction,

A

The choice of words.

94
Q

Military Diction,

A

Language associated with the military.

95
Q

Biblical Diction,

A

Language echoing the style of the Bible.

96
Q

Sound in Poetry,

A

Auditory elements in poetry.

97
Q

Voice in Poetry,

A

The unique style or perspective.

98
Q

Tone in Poetry,

A

The poet’s attitude.

99
Q

Alliteration,

A

Repetition of initial consonant sounds.

100
Q

Sibilance,

A

Repetition of ‘s’ sounds.

101
Q

Rhyme,

A

Matching sounds at the end of lines.

102
Q

Rhythm,

A

Pattern of stressed and unstressed syllables.

103
Q

Pace, in Poetry

A

The speed of the poem.

104
Q

Sound Repetition,

A

Repeated sounds for effect.

105
Q

Meter,

A

Structured rhythm of a poem.

106
Q

Variation in Meter,

A

Changes in the rhythm pattern.

107
Q

Open Vowels,

A

Vowel sounds with an open mouth.

108
Q

Rolling Vowels,

A

Smooth vowel sounds.

109
Q

Hard Consonants,

A

Harsh sounds.

110
Q

Soft Consonants,

A

Gentle sounds.

111
Q

Plosive Consonants,

A

Consonants that create a burst of air.

112
Q

Onomatopoeia,

A

Words imitating natural sounds.

113
Q

Narrative Structure,

A

Organization of events in a story.

114
Q

Simple Chronology,

A

Events in order of occurrence.

115
Q

Framed Narratives,

A

A story within a story.

116
Q

Flashbacks,

A

Scenes of earlier events.

117
Q

Cyclical Structure,

A

Returning to the beginning.

118
Q

Shifts in Time/Place,

A

Changes in settings.

119
Q

Multiple Narrators,

A

Different voices telling the story.

120
Q

Foreshadowing,

A

Hints about future events.

121
Q

Analeptic/Proleptic Techniques,

A

Flashbacks and flash-forwards.

122
Q

Stream of Consciousness,

A

Flow of thoughts narrative.

123
Q

Episodic Novel,

A

Connected episodes.

124
Q

Epistolary Structure,

A

Story through letters/diary.

125
Q

Autobiographical Form,

A

Based on the author’s life.

126
Q

Event Positioning,

A

Importance of event placement.

127
Q

Beginnings and Endings,

A

Significance of starts and ends.

128
Q

Incident Development,

A

How events unfold.

129
Q

Suspense and Tension,

A

Building anticipation.

130
Q

Contrast in Narrative,

A

Juxtaposing elements.

131
Q

Twist in Narrative,

A

Unexpected change.

132
Q

Shift in Tone,

A

Changes in mood.

133
Q

Climax in Narrative,

A

High point of action.

134
Q

Anti-Climax in Narrative,

A

A drop in intensity in a story.

135
Q

Authorial Attitude,

A

Author’s perspective on characters.

136
Q

Realism in Characterization,

A

How true to life characters are.

137
Q

Character Gaps,

A

Information that is withheld about a character.

138
Q

Focus on Characters,

A

How attention is given to different characters at various points in the story.

139
Q

Use of Symbolism,

A

Objects, actions, or events that represent characters’ traits or themes.

140
Q

Caricature,

A

Exaggerated representation of characters for comic or satirical effect.

141
Q

Empathy Towards a Character,

A

The reader’s ability to understand and share the feelings of a character.

142
Q

Conflict Associated with a Character,

A

Challenges and opposition faced by a character.

143
Q

Pathos,

A

The emotional appeal associated with a character’s experiences.

144
Q

Characters as Author’s Views,

A

When characters express the author’s opinions.

145
Q

Point of View,

A

The perspective from which a story is narrated.

146
Q

First Person Narration,

A

The story is told from the perspective of “I.”

147
Q

Second Person Narration,

A

The narrator addresses the reader as “you.”

148
Q

Third Person Narration,

A

The narrator is outside of the story and refers to characters as “he,” “she,” or “they.”

149
Q

Privileged Perspective,

A

When the narrative focuses on a particular character’s viewpoint.

150
Q

Shifting Perspectives,

A

Changing the narrative viewpoint among different characters.

151
Q

Physical, Ideological, Perceptual Views

A

Different types of perspectives presented in the narrative.

152
Q

Privileged and Marginalised Views,

A

Highlighting certain perspectives while downplaying others.

153
Q

Narrative Gaps,

A

Deliberate omissions in the story that create ambiguity.

154
Q

Categories of Speech and Thought

A

Various ways in which speech and thoughts are represented in the narrative.

155
Q

Direct Speech,

A

The exact words spoken by a character.

156
Q

Indirect Speech,

A

Paraphrasing what a character said.

157
Q

Free Indirect Speech,

A

Blending of a character’s speech or thoughts with the narrator’s voice.

158
Q

Ambiguity in Attribution,

A

Uncertainty about who is speaking or thinking.

159
Q

Patterns of Speech,

A

The distinctive way a character speaks.

160
Q

Reliable Narrator,

A

A trustworthy narrator whose account is accurate.

161
Q

Unreliable Narrator,

A

A narrator whose credibility is compromised.

162
Q

Self-Reflexive Narrator,

A

A narrator who acknowledges the storytelling process.

163
Q

Narrative Intrusion,

A

When the narrator breaks into the story to address the reader directly.

164
Q

Omniscient Narrator,

A

A narrator who knows everything about the story’s events and characters.

165
Q

Subjective Narrator,

A

A narrator who provides a biased or personal view of the story.

166
Q

Objective Narrator,

A

A narrator who presents the story without personal bias or interpretation.