Literary Lens Flashcards

1
Q

Feminist

A
  • concerned with the roles of female characters within works
  • may argue that gender determines everything, or just the opposite: that all gender differences are imposed by society, and gender determines nothing
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2
Q

Historical/Biographical

A
  • views literature as the reflection of an author’s life and times (or of the characters’ life and times).
  • it is necessary to know about the author and the political, economical, and sociological context of his times in order to truly understand his works.
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3
Q

Moral / Philosophical

A
  • asserts that the larger purpose of literature is to teach morality and to probe philosophical issues
  • authors intend to instruct the audience in some way
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4
Q

Formalism / New Criticism

A
  • involves a close reading of the text
  • all information essential to the interpretation of a work must be found within the work itself
  • focuses on analyzing irony, paradox, imagery, and metaphor
  • also interested in the work’s setting, characters, symbols, and point of view.
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5
Q

Psychoanalytical

A
  • views works through the lens of psychology
  • looks either at the psychological motivations of the characters or of the authors themselves
  • most frequently applies Freudian psychology to works, but other approaches also exist.
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6
Q

Freudian Approach to Personality

A
  • the id: the instinctual, pleasure seeking part of the mind
  • the superego: the part of the mind that represses the id’s impulses
  • the ego: the part of the mind that controls but does not repress the id’s impulses, releasing them in a healthy way
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7
Q

Oedipus Complex

A

a boy’s unconscious rivalry with his father for the love of his mother

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8
Q

Electra Complex

A

a girl’s unconscious rivalry with her mother for the love of her father (a.k.a. “daddy issues”)

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9
Q

Archetypal

A
  • assumes that there is a collection of symbols, images, characters, and motifs (i.e. archetypes) that evokes basically the same response in all people
  • identifies these patterns and discusses how they function in the works
  • asserts that these archetypes are the source of much of literature’s power.
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10
Q

Marxist

A
  • Karl Marx perceived human history to have consisted of a series of struggles between classes–between the oppressed and the oppressing (“the haves” and “the have-nots”).
  • Marx thought that materialism was the ultimate driving force in history
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11
Q

Reader Response Criticism

A
  • analyzes the reader’s role in the production of meaning
  • lies at the opposite end of the spectrum from formalism
  • the text itself has no meaning until it is read by a reader
  • The reader creates the meaning.
  • can take into account the strategies employed by the author to elicit a certain response from readers
  • denies the possibility that works are universal (i.e. that they will always mean more or less the same thing to readers everywhere)
  • makes someone’s reading a function of personal identity.
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