Literary Elements Flashcards

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1
Q

FIGURATIVE LANGUAGE

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Whenever you describe something by comparing it with something else, you are using figurative language. It’s language that uses words in ways that deviate from their literal interpretation to achieve a more complex or powerful effect. This view of figurative language focuses on the use of figures of speech that play with the meaning of words.

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2
Q

Figurative Language: FIGURES OF SPEECH

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Figurative language refers to language that contains figures of speech, while figures of speech are the particular techniques. If figurative language is like a dance routine, figures of speech are like the various moves that make up the routine.

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3
Q

DICTION

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(The author’s choice of words) are figures of speech/figurative language with an unexpected twist in the meaning of words. When using this device, you intend for the word or words to have a meaning that is different than the literal meaning.

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4
Q

SYNTAX

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are figures of speech that deal with word order, syntax, letters, and sounds, rather than the meaning of words? They become rhetorical devices, too, when they are used to persuade, inform, inspire, or entertain target audiences.

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5
Q

IRONY

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What appears, on the surface, to be the case, differs radically from what is actually the case

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6
Q

Irony: SITUATIONAL IRONY

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Involves a situation in which actions have an effect that is opposite from what was intended, so that the outcome is contrary to what was expected.

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7
Q

Irony: VERBAL IRONY

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Is when words express something contrary to truth or someone says the opposite of what they really feel or mean. It is often sarcastic

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8
Q

Irony: DRAMATIC IRONY

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Is when the audience knows something—usually a lot of things—that the characters don’t.

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9
Q

Alliteration (Diction) (Figurative Language)

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Words used in quick succession that begin with the same sound group. Whether it is the consonant sound (consonance) or a specific vowel group (assonance), the alliteration involves creating a repetition of similar sounds in the sentence.

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10
Q

Anaphora (diction or syntax) (Figurative Language)

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The repetition of a word or phrase at the beginning of successive clauses. Repetitions at the end of successive clauses is called Epiphora.

“Every day, every night, in every way, I am getting better and better”
“My life is my purpose. My life is my goal. My life is my inspiration.”

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11
Q

Connotation (Diction or Syntax)

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A feeling or idea that a word has, in addition to its literal meaning (called denotation). Often, a series of words can have the same basic definitions, but completely different connotations—these are the emotions or meanings implied by a word, phrase, or thing.

For example, “This clothing is affordable!” versus “This clothing is cheap!” Here, “affordable” sounds much better than “cheap,” because the word cheap also implies low quality.

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12
Q

Hyperbole (Diction or Syntax) (Figurative Language)

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A completely over-the-top exaggeration or overstatement. Can be humorous or serious.

“I am so tired I cannot walk another inch” or “I’m so sleepy I might fall asleep standing here”.

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13
Q

Euphemism (Diction or Syntax) (Figurative Language)

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A nice way of saying something not so nice. We see euphemisms all the time, especially when talking about things that are, um, kind of hard to talk about, like sex, death, and race.

“He passed away” instead of saying “He died.”

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14
Q

Imagery (Diction or Syntax)

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Imagery is all of the pictures and sensations a piece of writing conjures up in your noggin. Imagery is the key to literature—especially poetry. If you’re reading a description that engages any one of your five senses, you’re reading imagery, folks. Writers can use figurative language as one tool to help create imagery, but imagery does not have to use figurative language

The gushing brook stole its way down the lush green mountains, dotted with tiny flowers in a riot of colors and trees coming alive with gaily chirping birds.

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15
Q

Imagery: Allusion (Diction) (a type of imagery) (Figurative Language)

A

You’ll find allusions (think of them as shout-outs) when the book you’re reading makes a reference to something outside of itself, whether another work of literature, something from pop culture, a song, myth, history, or even the visual arts.

It’s no wonder everyone refers to Jane as another Mother Teresa in the making; she loves to help and care after people everywhere. In the example the author uses the mention of Mother Teresa to indicate the sort of qualities that Jane has.

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16
Q

Symbol (Diction and Syntax) (a type of imagery) (Figurative Language)

A

A word, an image, or anything that somehow represents a larger idea. In other words, what you see is not just what you get. In America, eagles are a symbol of freedom. In punk rock, the safety pin is a symbol of rebellion. In Western literature, the apple is often a symbol for sin. But when talking about symbols, it’s also important to remember that the symbol is still itself, in addition to what it symbolizes

17
Q

Onomatopoeia (Diction or Syntax) (Figurative Language)

A

Bam! Pow! Biff! Vronk! Sploosh!
Oh excuse me. I was just reenacting some of my favorite scenes from Batman. You know, the old school version.
But we were also getting our onomatopoetic juices flowing. See, Batman was chock full of onomatopoeias—those words that resemble the sound that they represent.

18
Q

Metaphor (Diction) (Figurative Language)

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A metaphor is a kind of word magic that changes black hats into rabbits and scarves into doves. Metaphors compare two different things; metaphors describe one object as another. It’s almost as if the object becomes what it is being compared to. “You’re a toad!” is a metaphor. So is “you’re a star!”
A metaphor has two parts: a tenor and a vehicle. The tenor is the subject of the metaphor (you). That is, what you’re trying to describe as something else. The vehicle is what you use to transform the subject into something else (toad).

19
Q

Metaphor: Simile (Diction) (Figurative Language)

A

Uses the adverbs “like” or “as” to make a comparison or analogy.
“She’s like the wind.” “As common as a cold.”

20
Q

Metaphor: Synecdoche (Syntax) (Figurative Lg)

A

sin-EK-duh-KEY. A part of something represents the whole. So the next time someone says to you, “All hands on deck,” tell them thanks for the synecdoche, but you think it’s best that your whole body goes on deck, too.

21
Q

Metaphor: Metonymy (Diction) (Figurative Lg)

A

An object is used to describe something that’s closely related to it. So, for example, when you’re talking about the power of a king, you might say “the crown,” instead. The crown is the physical object that is usually associated with royalty and power.
The pen is mightier than the sword. (The pen refers to writing, the sword to fighting.)
The White House declined to comment. (The White House refers to the President’s staff, not the actual White House. We’re pretty sure that’s just a building.)
This team needs some new blood. (Um, gross? We’re not talking about blood here, of course—just new team members.)

22
Q

Metaphor: Personification (Diction) (Figurative Lg)

A

Gives human traits (qualities, feelings, action, or characteristics) to animals, non-living objects, or ideas (like things, colors, qualities, even abstract ideals).

“The sun smiles its warm smile on the earth”

23
Q

Metaphor: Allegory (Diction)

A

It’s a story with two levels of meaning. First, there’s the surface of the story. You know, the characters and plot and all that obvious stuff. Then there’s the symbolic level, that can be political or religious, historical or philosophical, the deeper meaning that all the jazz on the surface represents. Allegories are kind of like massive metaphors, but they usually come in narrative form—that is, they’re told through stories.
C.S. Lewis’s The Lion, the Witch, and the Wardrobe is a famous religious allegory. The lion Aslan is a stand-in for Christ, and the character of Edmund, who betrays Aslan, is a Judas figure.

24
Q

Metaphor: Analogy

A

A story, play, poem, picture, or other work in which the
characters and events represent particular moral, religious, or political qualities or ideas used to make connections between familiar and unfamiliar things, suggest a deeper significance, or create imagery in the reader’s mind. Analogies allow writers to say something in an abstract way, encouraging deeper thought.

This analogy likens Romeo to the freshness and sweetness of a rose.
“As cold waters to a thirsty soul,
So is good news from a far country.”

25
Q

Paradox

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A statement or situation that may be true but seems impossible or difficult to understand because it contains two opposite facts or characteristics: “This statement is false.” “The more you hate a trait in someone else, the more likely you are avoiding it in yourself.” “The less you care about others, the less you care about yourself.” “I must be cruel to be kind.”

26
Q

Allusion

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When the author refers to famous or infamous subject matter such as a place, event, or literary work in order to make a connection to the subject being mentioned/discussed. “Well, I’m no Hercules, but I could open that jelly jar for you.” “You’re acting like such a Scrooge!”

27
Q

Proverb

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A short saying that espouses some truth or advice.
“Two wrongs don’t make a right.”
When someone has done something bad to you, trying to get revenge will only make things worse.

28
Q

Parable

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A more expansive cousin to the proverb. A simple story used to illustrate a moral or spiritual lesson. Why use it as a literary device?
I.E.: Parable of the Lost Sheep

29
Q

Fable

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A short story in which animals or objects speaks a story, to teach a moral or religious lesson.
The Ants and the Grasshopper - In this fable, the ants saved food for the winter and the grasshopper did not. The moral is “It is best to prepare for the days of necessity.”

30
Q

Aphorism

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A pithy observation that contains a general truth.

“Unless you see de fur, a mink skin ain’t no different from a coon hide.” From Their Eyes Were Watching God.