Literary Devices—Techniques and Elements Flashcards

Flashcards to aid in your understanding of literary Devices- Techniques and Elements

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1
Q

Alliteration

A

The repetition of consonant sounds within close proximity, usually in consecutive
words within the same sentence or line.

“the slippery snake slithered past the slippery slide.”

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2
Q

Anthropomorphism:

A

Where animals or inanimate objects are portrayed in a story as people,
such as by walking, talking, or being given arms, legs and/or facial features. (This technique is
often incorrectly called personification.)

Example: The King and Queen of Hearts and their playing-card courtiers.

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3
Q

Blank verse: Non-rhyming poetry, usually written in iambic pentameter.

A

Non-rhyming poetry, usually written in iambic pentameter.

Example: Much of Shakespeare’s dialogue is written in blank verse, though it does occasionally rhyme.

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4
Q

Dialogue:

A

Where characters speak to one another; may often be used to substitute for exposition.

Example: “We were engaged once, weren’t we?”

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5
Q

Dramatic irony:

A

Where the audience or reader is aware of something important, of which the
characters in the story are not aware.

Example: Macbeth responds with disbelief when the weird sisters call him Thane of Cawdor; ironically,
unbeknownst to him, he had been granted that title by king Duncan in the previous scene.

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6
Q

Figurative language:

A

Any use of language where the intended meaning differs from the actual
literal meaning of the words themselves. There are many techniques which can rightly be called
figurative language, including metaphor, simile, hyperbole, personification, onomatopoeia,
verbal irony, and oxymoron. (Related: figure of speech)

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7
Q

Foreshadowing:

A

Where future events in a story, or perhaps the outcome, are suggested by the
author before they happen. Foreshadowing can take many forms and be accomplished in many
ways, with varying degrees of subtlety. However, if the outcome is deliberately and explicitly
revealed early in a story (such as by the use of a narrator or flashback structure), such
information does not constitute foreshadowing.

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8
Q

Hyperbole:

A

Hyperbole: A description which exaggerates.
The author uses hyperbole to describe Mr. Stevens, calling him “the greatest human being ever
to walk the earth.”

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9
Q

Iambic pentameter:

A

Iambic pentameter: Poetry written with each line containing ten syllables, in five repetitions of
a two-syllable pattern wherein the pronunciation emphasis is on the second syllable.

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10
Q

Imagery:

A

Language which describes something in detail, using words to substitute for and create
sensory stimulation, including visual imagery and sound imagery. Also refers to specific and
recurring types of images, such as food imagery and nature imagery

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11
Q

Irony:

A

Where an event occurs which is unexpected, and which is in
absurd or mocking opposition to what is expected or appropriate. See also Dramatic irony;
Verbal irony

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12
Q

Metaphor

A

A direct relationship where one thing or idea substitutes for another.
Shakespeare often uses light as a metaphor for Juliet; Romeo refers to her as the sun, as “a rich
jewel in an Ethiop’s ear,” and as a solitary dove among crows.

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13
Q

Onomatopoeia:

A

Where sounds are spelled out as words; or, when words describing sounds
actually sound like the sounds they describe

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14
Q

Oxymoron:

A

A contradiction in terms.
Romeo describes love using several oxymorons, such as “cold fire,” “feather of lead” and “sick
health,” to suggest its contradictory nature

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15
Q

Paradox:

A

Where a situation is created which cannot possibly exist, because different elements of it cancel each other out.

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16
Q

Personification (I)

A

Where inanimate objects or abstract concepts are seemingly endowed with
human self-awareness; where human thoughts, actions and perceptions are directly attributed to
inanimate objects or abstract ideas. (Not to be confused with anthropomorphism.)

17
Q

Personification (II)

A

Where an abstract concept, such as a particular human behavior or a force
of nature, is represented as a person.
The Greeks personified natural forces as gods; for example, the god Poseidon was the
personification of the sea and its power over man.

18
Q

Repetition:

A

Repetition: Where a specific word, phrase, or structure is repeated several times, to emphasize a
particular idea.
The repetition of the words Example: “What if…” at the beginning of each line reinforces the speaker’s
confusion and fear.

19
Q

Simile:

A

An indirect relationship where one thing or idea is described as being similar to another.
Similes usually contain the words “like” or “as,” but not always.

20
Q

Symbolism:

A

The use of specific objects or images to represent abstract ideas. This term is
commonly misused, describing any and all representational relationships, which in fact are more
often metaphorical than symbolic. A symbol must be something tangible or visible, while the
idea it symbolizes must be something abstract or universal.

21
Q

Allegory:

A

Where every aspect of a story is representative, usually symbolic, of something else,
usually a larger abstract concept or important historical/geopolitical event.

22
Q

Motif:

A

A recurring important idea or image. A motif differs from a theme in that it can be expressed as a single word or fragmentary phrase, while a theme usually must be expressed as a
complete sentence.

Example: Blood is an important motif in A Tale of Two Cities, appearing numerous times throughout the
novel.

23
Q

Theme:

A

The main idea or message conveyed by the piece. A theme is generally stated as a complete sentence; an idea expressed as a single word or fragmentary phrase is a motif

24
Q

Tragic hero/tragic figure:

A

A protagonist who comes to a bad end as a result of his own
behavior, usually cased by a specific personality disorder or character flaw.
Willy Loman is one of the best-known tragic figures in American literature, oblivious to and
unable to face the reality of his life.

25
Q

Tragic flaw:

A

The single characteristic (usually negative) or personality disorder that causes the
downfall of the protagonist

26
Q

Structure:

A

The manner in which the various elements of a story are assembled

27
Q

Tone:

A

The apparent emotional state of the speaker/narrator/narrative voice, as conveyed through
the language of the piece.

28
Q

Allusion

A

A subtle or indirect reference to another thing, text, historical period or religious belief.

29
Q

Generic Conventions

A

The features shown by texts that allow them to be put into a specific genre

30
Q

Genre

A

The name we use to describe the categories that have developed over time for what we read, what we watch, and what we listen to.