Literary Devices A-B Flashcards

1
Q

Define ABSTRACTION

A
  • something you can’t directly experience using your 5 senses, i.e. it’s not tangible
  • Ex: Love, War, Culture
  • We know these exist but if it’s not tangible then it’s an ABSTRACTION
  • writers help readers understand abstraction by backing them up w/ concrete language:
    EX: RELAXATION- sun on skin, taste of tea, smell of a fresh novel, sound of singing seals
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2
Q

Define ACCENT

A
  • abundant in poetry
  • the accent is the STRESSED SYLLABLE in the word:
  • EX: “for” in california
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3
Q

Define the AESTHETIC MOVEMENT

A
  • “art for art’s sake”
  • started in the late 19thC
  • art should make you happy; no social/moral messages
  • art= almost serves a superficial purpose
  • life should imitate art
  • poster boy: OSCAR WILDE
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4
Q

Define AFFECTIVE FALLACY

A

In literary criticism, it refers to incorrectly judging a piece by how it emotionally affects its reader
- need to separate own emotions from your evaluation of the poem
- individual emotional responses= bad judge of merit= everybody, when it comes to emotions, reacts differently

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5
Q

Define an ALEXANDRINE

A
  • is a line of verse made up of 6 IAMBS
  • i.e. it’s a line of poetry written in IAMBIC HEXAMETER
  • iamb= dadum
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6
Q

Define ANAPEST

A
  • this foot of poetry is made of 3 SYLLABLES:
    2 unstressed followed by a stressed (dadaDUM)
    -EX: “‘Twas the Night Before Xmas”- made up almost entirely of anapests, i.e. it’s an anapestic poem
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7
Q

Define ANAPHORA

A
  • describes a poem that REPEATS the same phrase at the BEGINNING of each clause
  • can draw attention to a central theme/metaphor
  • writers use it to build emphasis, rhythm and cadence in poetry & prose- creates a kind of music with the repetition
  • EX: CD ‘Tale of 2 Cities’… “It was the best of times, it was the worst of times…”
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8
Q

Define ANASTROPHE

A
  • subversion of the order of a sentence: normal sentence goes: subject, then verb, then object
  • IF you intentionally switch that order up, it’s anastrophe
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9
Q

Define ANTHROPOMORPHISM

A
  • when an object or animal does human-things
  • Why is it DIFFERENT to personification?
    With anthropomorphism, the object is actually doing something human
    With personification, the object just SEEMS like it’s doing something human
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10
Q

Define ANTIHERO

A
  • not a knight in shining armour; they might be ugly/ a criminal/ low class- yet despite all of this, you root for them.
    -Ex: BOSOLA
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11
Q

Define ANTITHESIS

A
  • means opposite
  • use it to show contrast
  • EX: CD’s ‘Tale of 2 Cities’: “It was the best of times, it was the worst of times”- by creating a huge contrast, he bequeaths a more palpable idea of what that tumultuous time was like.
    -EX: MLK “We must learn to live together as brothers OR perish together as fools”
    The antithesis here creates balance and helps emphasise the point
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12
Q

Define APHORISM

A
  • a saying that meets 3 criteria:
    1) concise
    2) clever
    3) true
    Ex:
    “Two wrongs don’t make a right”
    “Practice makes perfect”
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13
Q

Define APOSTROPHE

A
  • in poetry, it’s a term used when a speaker directly addresses someone/ something that is NOT present in the poem
  • could be addressing an abstract concept, a person (Dead or alive), a place, or even a thing
  • Ex: OTaGU
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14
Q

Define ASSONANCE

A
  • a kind of internal rhyme that makes use of repeated vowel sounds- poets use it to create and enhance meaning
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15
Q

Define BATHOS

A
  • bathos is when an author seems to be trying hard to write about something noble, but then descends into the trivial and/or stupid
  • i.e. it’s an abrupt shift in tone from high to low
  • can be intentional or used for comedic effect
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16
Q

Define BLANK VERSE

A
  • one of the most common forms of English poetry
  • refers to verse that has NO rhyme scheme, but does have a REGULAR METER- IP
  • Traditionally used when the writer is tackling serious subjects
  • reflects the meter of speech
17
Q

Define BLAZON

A
  • a poetic mode where the speaker uses literary devices like metaphor, simile and hyperbole to describe his lover’s beauty
  • EX: Thomas Campion’s “There is a Garden in Her Face”
    here he compares his lover’s eyes to angels
  • All the rage with Elizabethan writers
  • WS parodies this form in Sonnet 130:
    “My mistress’ eyes are nothing like the sun”