Literary devices Flashcards

1
Q

a story with a hidden meaning (neigbours throwing rocks at each other – war of neighbouring countries)

A

allegory

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2
Q

a sound at the beginning of the words

A

alliteration

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3
Q

expression for something without mentioning it explicitly (stop being such a Scrooge!)

A

allusion

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4
Q

comparison (Life is like a box of chocolates – you never know what you’re gonna get)

A

analogy

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5
Q

different word order (I like potatoes -> Potatoes I like)

A

anastrophe

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6
Q

giving non-human object person-like entities/traits (Beauty and the Beast – candle, clock, and teapot)

A

anthropomorphism

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7
Q

words repeat at the beginning of successive clauses, or sentences

A

anaphora

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8
Q

addressing a reader or another person with no expectation of a reply

A

apostrophe

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9
Q

image, character or pattern that reoccur throughout literature

A

archetype

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10
Q

repetition in vowels (like alliteration, but with vowels)

A

assonance

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11
Q

skipping of conjunctions (I came, I saw, I conquered)

A

asyndeton

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12
Q

the author introduces their own opinion

A

authorial intrusion

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13
Q

verse without rhyme

A

blank verse

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14
Q

blend of inharmonious sounds

A

cacophony

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15
Q

a stop in a verse (to be or not to be – that is the question)

A

caesura

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16
Q

two clause verse, the second part reversed word order of first (when the going gets tough, the tough gets going)

A

chiasmus

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17
Q

struggle by two opposing forces

A

conflict

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18
Q

feelings or emotions connected with a word, beyond its actual meaning (I’m feeling blue)

A

connotation

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19
Q

repetition of consonants

A

consonance

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20
Q

literal meaning of a word

A

denotation

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21
Q

illogical or surprising lack of similarity between two or more facts

A

discrepancy

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22
Q

interpretation of a phrase in two different ways, one dirty or indecent

A

double entendre

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23
Q

the clause ends in a different verse

A

enjambment

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24
Q

sonetni venec

A

enveloping structure

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25
Q

removal of an unstressed syllable in order for the rhyme to work

A

elision

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26
Q

nickname (Alexander the Great, Richard the Lionheart, Bloody Mary)

A

epithet

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27
Q

words repeat at the end of neighbouring clauses (anaphora-beginning)

A

epiphora

28
Q

an inoffensive term to replace a offensive one (he passed away, they made love,they let him go)

A

euphemism

29
Q

opposite of cacophony, pleasant sounds

A

euphony

30
Q

exaggeration (this bag weighs a ton!)

A

hyperbole

31
Q

rhyme within a verse

A

internal rhyme

32
Q

moves the reader to a point in the past of the narrative time.

A

flashback

33
Q

reversing the usual word order for emphasis (fair is foul, and foul is fair)

A

inversion

34
Q

hints or sighs for the future or the plot twist

A

foreshadowing

35
Q

different word order (only one word is changed) (Tall he stood above the ground)

A

hyperbaton

36
Q

two condradicting meanings of the same situation

A

irony

37
Q

putting two contrasting meanings of the same situation (all is fair in love and war, rich/poor, good/evil)

A

juxtaposition

38
Q

understatement, positive statement is expressed by negating its purpose (not bad, isn’t useless)

A

litotes

39
Q

comparison by directly relating one thing to another (She was a rock star at our business meet.)

A

metaphor

40
Q

a object that is connected with another object/word (your ride – your car

A

metonoymy

41
Q

an understatement

A

meiosis

42
Q

what a reader feels about the story, pulled from the elements within it

A

mood

43
Q

a repeated pattern – image, sound, word or symbol comes back again and again within the story

A

motif

44
Q

to accept uncertainties, mysteries, doubts, without any irritable reaching after fact and reason

A

negative capability

45
Q

pronunciations of the sound they describe (woof, boom, pow, whoosh, wham, moo)

A

onomatopoeia

46
Q

opposite elements put together (controlled chaos, same difference, adult child, loving hate)

A

oxymoron

47
Q

statement that contradicts itself, must be true and untrue at same time (this statement is a lie, I must be cruel to be kind)

A

paradox

48
Q

repetition of grammatical elements in a place of writing to create harmonious effect (easy come, easy go)

A

parallelism

49
Q

a inanimate object is described in human terms (sun smiles, wind whispers, leaves dance in the wind)

A

personification

50
Q

perspective on which the story is told

A

point of view

51
Q

repeptitions of the same conjuction (neither snow nor rain nor heat nor gloom of night sways these couriers)

A

polysyndeton

52
Q

combination of two words (hangry, brunch, smog (smoke & fog), spork)

A

portmanteau

53
Q

play on words (Two peanuts walk into a bar, and one was a-salted)

A

pun

54
Q

pattern of the end rhymes in stanzas

A

rhyme scheme

55
Q

location and time frame in which the action of the narrative takes place

A

setting

56
Q

comparison with the use of “like, as” (those two are as different as night and day, he has a memory like a sieve)

A

simile

57
Q

kitica

A

stanza

58
Q

narrators provide readers with access to a characters thoughts by simply narrating them

A

stream of consciousness

59
Q

a storm brewing on the horizon

A

symbol

60
Q

a part refers to a whole

A

synecdoche

61
Q

one sense described by another (the sky sounded like piles of diamonds, the blueberry tasted round)

A

synaesthesia

62
Q

the underlying message or meaning of a work of literature

A

theme

63
Q

situation is donwplayed or presented as being less than what is true to the situation (We did not do well; I am delighted)

A

understatement

64
Q

literature should somehow be true to reality, images, people dialogue should be believable, plausible, authentic, lifelike

A

versimilitude

65
Q

avoidance of critical thinking and logic in understanding something that is unreal or impossible in reality, such as a work of speculative fiction

A

willing suspension ob disbelief