literary criticism Flashcards

1
Q

stanley fish

A

reader response

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2
Q

cleanth brooks

A

new criticism

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3
Q

Claude Levi Strauss

A

Anthropological Structuralism

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4
Q

Saussure

A

Structuralism

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5
Q

Roland Barthes

A

Linguistic Structuralism

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6
Q

Jakobson

A

Linguistic Structuralism

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7
Q

Lacan

A

Subjection-realm of symbolic

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8
Q

Althusser

A

Subjection-realm of economy

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9
Q

Foucault

A

Subjection- New Historicism

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10
Q

Derrida

A

Deconstruction

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11
Q

Nancy

A

Participation-Poetics of Finitude

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12
Q

heresy of paraphrase

A

to declare what a poem is trying to say
poems can’t be quantified

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13
Q

affective fallacy

A

to understand the meaning of the text as only what you got from it

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14
Q

intentional fallacy

A

to understand the meaning of the text as what the author meant

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15
Q

NC-What is a poems major job

A

A creative unity–joining of unexpected things together

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16
Q

What’s more important to a new critic-content or form

A

form

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17
Q

reader response theory

A

Meaning is in the activity of reading. Not what the text means, but what it does to us

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18
Q

Is there a text in this class?

A

No, there is only us and we use up the piece

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19
Q

who is the ideal reader in reader response

A

1.speaks the language
2.knows the genres and forms
3. can determine what’s idiosyncratic vs what’s intended

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20
Q

structuralism theory

A

Anything that “is” within a larger system or stucture means nothing in and of itself

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21
Q

Linguistics

A

Study of meaningful sounds

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22
Q

seme

A

arbitrary relation of signifier to signified- ideal element of language

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23
Q

New criticism theory

A

we read to perserve the object as a unified platonic form

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24
Q

signifier

A

the word itself

25
Q

signified

A

cat you picture

26
Q

sign

A

signifier/signified

27
Q

anthropological structuralism

A

looking at human processes through a structuralist lens

28
Q

linguistic structuralism

A

poetry isn’t structured like a language but is in fact a permutation of language

29
Q

syntagmatic

A

horizontal organization by which seems organize theselves
-metanymic
-combination

30
Q

paradigmatic

A

vertical organization by which semes organize themselves
-metaphoric
-selection

31
Q

the objective semiotics feature that distinguishes literary uses of language from other uses is

A

the dominance of a tendency to “project the axis of equivalence onto the axis of combination”
paradigmatic onto syntagmatic

32
Q

syntax

A

deployment of words to give off grammatical functions

33
Q

6 factors of speech

A

1.addresser
2.addressee
3.code
4.message
5.context
6.contact

34
Q

6 functions of speech

A

1.emotive
2.conative
3.metalingual
4.poetic
5.referential
6.phatic

35
Q

poetic function

A

when the focus of the communication is on the words themselves not the referent or the rules

36
Q

theories of subjection

A

when I read poetry and literature I am entering the totality culture as a subject

37
Q

freud’s dreamwork

A

repression reworks one’s impulses by way of condensation and displacement

38
Q

condensation

A

multiple dream thoughts combined

39
Q

displacement

A

you have immense feelings about something that emerge through a certain motif

40
Q

symbolic

A

entry into the totality of language

41
Q

metaphor-subjection

A

signifier stays secure while signified gets squared

42
Q

metanym

A

dissolves signifier and signified

43
Q

Lacan’s theory of subjection

A

the unconscious is structured like a language-

44
Q

where does culture come from according to Althusser

A

culture is superstructural-reflected by work

45
Q

What does ISA stand for

A

Ideological State Apparatus:
Literature operates under this and hails us as subjects

46
Q

Subjection-Althusser

A

All literature is written to support the modes of production THUS
dont read literature for meaning but rather what it wants to mean but says under ostensible assertions

47
Q

Subjection-Foucoalt

A

every new element alters the system and no way to establish metaphysical priority for a given set of terms

48
Q

archaeology

A

discovering the configuration that give rise to specific practices

49
Q

epistemes

A

set of rules of formation that allow discourses to function
1.what can be known
2.how something is known
3.total sum of what is known

50
Q

discourse

A

the system itself that makes possible what you say

51
Q

new historicism

A

how a body of work
1.responds to a discourse system
2.enacts discourse system
3.alters episteme configuration
-no social world is stable

52
Q

genealogy

A

tracing powers-creation of new epistemes

53
Q

new historicists see literary works as

A

a vessel tossed in a social sea of competing interests antagonistic values and contradictions

54
Q

whats more important to a new historicist-context or text

A

context

55
Q

The structurally of structure

A

the system is never stable, always something that undoes it

56
Q

Deconstruction

A

There is a necessary self displacement to be a self
a self canceling for the sake of continuing one’s existence

57
Q

phenomonology

A

philosophy that tries to describe the richness of experience

58
Q
A