literary context and terminologies Flashcards

1
Q

elements of tragedy according to Aristotle

A

follows a character’s downfall from a high position of respect and power, usually ending in death. This downfall is caused by the protagonist’s hamartia.

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2
Q

what is a hamartia.

A

Hamartia means that the protagonist is responsible for his own downfall
(made an error of judgement result in tragic consequences)

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3
Q

The Machiavel Character

-nobleman from Italy get anywhere with no moral restraints

A

A Machiavel is a type of villainous character that was common in Elizabethan and Jacobean plays. The character was named after the Florentine writer: Machiavelli, author of the Prince giving monarchs recommendations to lie to their people in order to retain power.

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4
Q

prose vs verse

A

Blank verse is unrhymed poetry written in a meter known as iambic pentameter. In Shakespeare’s time, a verse was considered to be of higher status and moral worth than prose so carried a greater significance.

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5
Q

the rhyming couplet of Brabantio that closes the scene

A

In Jacobean tragedy, references to the subversion of the “natural” order are used to warn the audience that there is trouble ahead

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6
Q

Iago’s name origin

A

Finally, to further appease the audience’s view of England’s power, Iago’s name was carefully chosen. Spain was England’s greatest enemy due to the competitive nature of colonisation. The English feared invasion by the Spanish yet continued to independently trade with northern Africa, despite Spanish protest. Iago, being a Spanish name, is quite deliberately the play’s villain in order to satisfy the Western Europeans.

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7
Q

tragic hero

A

Othello, as a protagonist, fulfils Aristotle’s requirements for a tragic hero. He begins the play as a man of noble status who falls from his position of power because of his hamartia. The catharsis and anagnorisis comes when Othello realises the truth about Iago and Desdemona

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8
Q

the overall structure of the play

A

The Aristotelian Model: The story has a beginning, middle, and end.
Beginning: The marriage of Othello and Desdemona
Middle: Iago’s deception
End: The murder of Desdemona and the discovery of Iago’s lies

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9
Q

foreshadowing of danger through rhyming couplet

A

Brabantio’s rhyming couplet that closes the scene, suggests the world has been turned upside down… references to the subversion of the “natural order” are used to warn the audience that there is trouble ahead.

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10
Q

suicide seen a a way of avoiding disgrace and preserving one’s honour in Ancient Greeks and Romans

A

In many Greek and Roman tragedies, the protagonists commit suicide for reasons such as avoiding further suffering, end grief or sacrificing themselves for the greater good.

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11
Q

Shakespeare’s drama

A

innovative and challenging in exactly the way of the Renaissance. It examines and questions the beliefs, assumptions, and politics upon which Elizabethan society was founded.

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12
Q

Influenced by Seneca

A

Renaissance dramatists were heavily influenced by Seneca, known for Seneca tragedy, characterised by long narrative accounts of events and long reflective soliloquies, explores revenge and is full of violence.

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13
Q

Romeo and Juliet and Othello

A

Shakespeare explores the tragic consequences of intense love. In each play the tragic heroine is assertive, but the patriarch expects his daughter to make a socially acceptable marriage.

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14
Q

Duchess of Malfi (revenge tragedy) and Othello

A

both of them raise questions about the ways in which men dominate and abuse women. (duchess is tormented and murdered when they found out about her secret marriage to a servant)

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15
Q

the morality play

A
  • is a medieval allegorical theatrical form
    -contains good, virtuous characters and vice characters (communicates dangers and temptation)
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16
Q

Iago as a vice character

A

Shakespeare perhaps based Iago on the idea of the ‘vice’ character as he shows how giving into jealousy and valuing the wrong things (such as one’s reputation or unrequited love) can lead to a moral descent.

17
Q

peripeteia, (Greek: “reversal”) the turning point in a drama after which the plot moves steadily to its denouement.

A

It is discussed by Aristotle in the Poetics as the shift of the tragic protagonist’s fortune from good to bad, which is essential to the plot of a tragedy.