Literary Approaches Flashcards

1
Q

How many literary approaches are there?

A

12

(Formalistic or Literary Approach, Moral or Humanistic Approach, Historical Approach, Sociological Approach, Cultural Approach, Psychological Approach, Impressionistic Approach, Gender Approach, Mythological Approach, Reader-Response Criticism, Deconstructionist Criticism, Marxist)

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2
Q

Also called the “PURE” or “LITERARY” approach

A

Formalistic or Literary Approach

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3
Q

Literature is seen both as reflection and product of the times and circusmstances in which it was written. It operates on the premise that the history of a nation has telling effects on its literature and that the piece can be better understood and appreciated if one knows the times surounding its creation.

A

Histrocial Approach

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4
Q

The nature of man is CENTRAL to literature.

A

Moral or Humanistic Approach

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5
Q

Literature is viewed as the expression of man within a given social situation which is reduced to discussions on economics, in not, thus passing into “proleterian approach” which tends to underscore the conflict between two classes.

A

Sociological Approach

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6
Q

Literature is viewed as the expression of “personality,” of “inner drives,” of “neurosis.”

A

Psychological Approach

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7
Q

Literature is viewed to elucidate “reaction-response” which is considered as something very personal, relative, and fruitful.

A

Impressionistic Approach

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8
Q

Technical Values (plot, structure, scene, language, point of view, imagery, figure, metrics, etc.

A

Formalistic or Literary Approach

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9
Q

Literature is seen as one of the manifestations and vehicles of a nation’s or race’s culture and tradition.

A

Cultural Approach

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10
Q

This approach “examines how sexual identity influences the creation and reception of literary works.”

A

Gender Approach

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11
Q

This approach emphasizes “the recurrent universal patterns underlying most literary works.”

A

Mythological Approach

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12
Q

This approach takes as a fundamental tenet that “literature” exists not as an artifact upon a printed page but as a transaction between the physical text and the mind of a reader.

A

Reader-Response Criticism

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13
Q

This approach “rejects the traditional assumption that language can accurately represent reality”

A

Deconstructionist Criticism

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14
Q

interpretation reads the text as an expression of contemporary class struggle. Literature is not simply a matter of personal expression or taste. It somehow relates to the social and political conditions of the time. How it relates is of course up for debate.

A

Marxist

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15
Q

This approach “seeks to understand a literary work by investigating the social, cultural, and intellectual context that produced it—a context that necessarily includes the artist’s biography and milieu.”

A

Historical Approach

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16
Q
A