Listening Quiz 3 (Complete Title - Details) Flashcards

1
Q

Cruda Amarilli

A

Italian
Cruel Amaryllis, elusive and unrequited love
Madrigal
Through-composed

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2
Q

L’Orfeo: Excerpt from Act II, Aria/canzonetta: Vi ricorda o boschi ombrosi

A
Italian
"Do you remember, o shady woods" has sorrows have been turned to joy by Eurdice 
1607
Opera
Strophic Aria
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3
Q

L’incoronazione di Poppea: Act I, Scene 3, Dialogue in recitative: Signore, deh non partire

A

Signor, de non partire from L’incoronazione di Poppea
Italian
“My Lord, please don’t go” begging Neone to stay
Opera

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4
Q

In ecclesiis

A

Latin
Bless the Lord “In the churches”
Sacred concerto (Motet)

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5
Q

Historia di Jephte: Excerpts, Chorus: Plorate filii Israel

A

Latin
“Weep, hills” Daughter will die a virgin
Oratorio

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6
Q

Toccata No. 3

A

Toccata

Instrumental

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7
Q

Ricercare after the Credo from Mass for the Madonna, in Fiori musicali

A

Ricercare

Instrumental

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8
Q

Armide: Excerpts, Overture

A

French
Opera
French Overture
AB repeat

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9
Q

Armide: Excerpts, Act II, Scene 5: Enfin il est en ma puissance

A

French
“Finally he is in my power” Vengence
Opera
Monologue with Armide intending to clay Renaud

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10
Q

La coquette virtuose

A

Courante
Binary
Instrumental

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11
Q

Suite in A Minor, from Pièces de clavecin, Sarabande

A

Binary

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12
Q

Suite in A Minor, from Pièces de clavecin, Chaconne

A

Rondeau

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13
Q

Suite in A Minor, from Pièces de clavecin, Gavotte

A

Binary

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14
Q

Trio Sonata, Op. 3, No. 2, Grave

A

Sonata da chiesa format

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15
Q

Trio Sonata, Op. 3, No. 2, Allegro

A

Sonata da chiesa format

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16
Q

Trio Sonata, Op. 3, No. 2, Allegro

A

Sonata da chiesa format

17
Q

Praeludium in E Major, BuxWV 141

A

Organ Prelude

18
Q

Concerto for Violin and Orchestra in A Minor, Op. 3, No. 6, Allegro

A

Ritornello Form

19
Q

Vingt-cinquième ordre: Excerpts, La muse victorieuse

A

Keyboard Suite

Balanced Binary Form

20
Q

Paris Quartet No. 1 in G Major (Concerto Primo), Movements 3–5, Presto

A

Quartet for flute, violin, viola da gamba or cello, and continuo
Ritornello Form

21
Q

Prelude and Fugue in A Minor, BWV 543, Fugue

A

Organ Fugue

22
Q

Chorale Prelude on Durch Adams Fall, BWV 637

A

German
Through Adam’s Fall
Original Sin

23
Q

The Well-Tempered Clavier, Book I, Prelude No. 8 in E♭ Minor

A

Prelude

24
Q

The Well-Tempered Clavier, Book I, Fugue No. 8 in D♯ Minor

A

Fugue

25
Q

Nun komm, der Heiden Heiland, BWV 62: No. 1, Chorus: Nun komm, der Heiden Heiland

A

Cantata
German
Now come, Savior of the gentiles

26
Q

Nun komm, der Heiden Heiland, BWV 62: No. 2, Aria: Bewundert, o Menschen

A

Cantata
German
Admire, O human kind
Da capo form

27
Q

Nun komm, der Heiden Heiland, BWV 62: No. 2, Aria: Bewundert, o Menschen

A

Cantata
German
Admire, O human kind
Da capo form

28
Q

Nun komm, der Heiden Heiland, BWV 62: No. 6, Chorale: Lob sei Gott, dem Vater, ton

A

Cantata
German
Praise be made to God the Father

29
Q

St. Matthew Passion, BWV 244, No. 39, Aria: Erbarme dich

A

German

Have Mercy

30
Q

Giulio Cesare: Act II, Scenes 1–2, Aria: V’adoro, pupille

A

Opera
Italian
I adore you, pupils

31
Q

Saul: Act II, Scene 10, No. 68, Chorus: O fatal Consequence of Rage

A

Oratorio
Morality of Situation
Reflects on morality and closes the act
Fugal