Listening Prelim Flashcards

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1
Q

Accelerando

A

The Italian term, to speed up. In a piece of music it will say accelerando meaning to speed up at that bar

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2
Q

Accidental

A

Either a sharp, flat or natural

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3
Q

Opera

A

A drama set to music with soloists, chops, acting and orchestral accompaniment

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4
Q

Ornament

A

An ornament decorates a melody by adding extra notes. Ornaments are often short and add melodic and rítmica interest

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5
Q

Melisma /melismatic

A

Several notes sung to one syllable

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6
Q

Anacrusis

A

One or more unstressed notes before the first bar line of a piece or passage

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7
Q

Repetition

A

An exact repeat of a musical idea, such as Ostia to or a riff

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8
Q

Imitation

A

Where the melody is immediately copied in another part. It needs to be not an exact copy

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9
Q

Major

A

The music sounds in a major key often described as cheery, happy feel to it

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10
Q

Rallentando

A

With a gradual decrease of speed

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11
Q

Adagio

A

In slow time

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12
Q

Andante

A

In a moderately slow tempo

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13
Q

Simple time

A

The best of a piece of music can be broken into two-part rhythms. Simple time signatures are the easiest to count, because a one-two pulse in a piece of music feels the most natural to a listener and performer. Common examples are 4/4,2/3,3/8 and 2/2

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14
Q

Compound time

A

The beat is broken down in there-part rhythms. The top number is evenly divisible by 3, with the exception of time signatures where the top number is 3. Also each beat is divided into three components, creating a one-two-three pulse. Common examples 6/8, 12/8, 9/4

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15
Q

Bass

A

Low frequency sound. Anything bellow middle C in the piano. Require long and thick strings to create low frequency sounds

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16
Q

Soprano

A

The highest part of a piece of harmony

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17
Q

Flutter tongue got

A

Rolling your r’s whilst playing a bass or wood wing instrument

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18
Q

Cadenza

A

A passage of music which allows soloists to display their technical ability in singing or playing an instrument

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19
Q

Cross rhythm

A

To describe the effect of two notes being played against three. In piano it might be groups of two quavers in the right hand and groups of triplets in the left. Also used to describe the effect that occurs when the accents in a piece of music are different from those suggested by the time signature

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20
Q

Riff

A

A repeated chord progression, pattern or melody. Used in pop,rock, jazz

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21
Q

Symphony

A

A large work for orchestra. Usually four movements. In classical periods the movements were normally fast

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22
Q

Swing

A

A form of notation in which the beat, typically a crotchet, is divided into two parts, and the former part is longer and more accented than the later

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23
Q

Vamp

A

A rhythmic accompaniment with a bass note played on the beat and a chord off the beat. Usually played on piano or guitar

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24
Q

Ostinato

A

Same as riff and loop. Ostinato more used in classical music, riff pop and loop contemporary dance music. Audios in Bitesize. A phrase that persistently repeats in the same musical, usually at the same pitch

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25
Q

Minimalist

A

Features that can be found are:complex contrapuntal texture, broken chords, slow harmonic changes, note addition to a repeated phrase, melodic and rhythmic transformation and gradual changes in texture and dynamics

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26
Q

Ragtime

A

style of early jazz music written largely for the piano in the early twentieth century, characterized by jaunty rhythms and a whimsical mood. Note: Scott Joplin was a famous composer and performer of ragtime

27
Q

Orchestra

A

A group of musicians who play together on a variety of instruments, which usually come from all four instrument families — brass, percussion, strings, and woodwinds. A typical symphony orchestra is made up of more than ninety musicians.

28
Q

Homophony

A

Texture. Means sounding together

29
Q

Polyphony

A

polyphony consists of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, which is called homophony.

30
Q

6/8

A

6/8 means two beats (dotted chrotchets) divided into threes.” Maran’s Illustrated Piano (pp 55) says: “In the 6/8 time signature, each measure has 6 beats and each eighth note receives one beat.

31
Q

3/4

A

To start this off, think of a waltz. You might count it out like this: One two three one two three (and so on). That’s 3/4 time; each measure is three quarter-notes long (or the equivalent number of notes of other lengths). Most music is in 4/4, also known as common time, where measures are four quarter-notes long.

32
Q

2/4

A

Common Music Time Signatures. … The two numbers in the time signature tell you how many beats are in each measure of music. A piece with a time signature of 4/4 has four quarter note beats; each measure with a 3/4 meter has three quarter note beats; and each measure of 2/4 time has two quarter note beats.

33
Q

Accelerando

A

is an indication to gradually increase the tempo of a song until otherwise noted

34
Q

Rubato

A

to expressive and rhythmic freedom by a slight speeding up and then slowing down of the tempo of a piece at the discretion of the soloist or the conductor.

35
Q

Chorus

A

group singing choral parts in connection with soloists or individual singers. a piece of music for singing in unison. a part of a song that recurs at intervals, usually following each verse; refrain.

36
Q

Glissando

A

s a glide from one pitch to another. It is an Italianized musical term derived from the French glisser, to glide. In some contexts it is distinguished from the continuous portamento.

37
Q

Mezzo soprano

A

is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types

38
Q

Cello

A

a musical instrument with strings, shaped like a large violi

39
Q

Blues

A

usually distinguished by a strong 4/4 rhythm, flatted thirds and sevenths, a 12-bar structure, and lyrics in a three-line stanza in which the second line repeats the first:

40
Q

Gaelic phasalm

A

Psalms (hymns) which were sung in Gaelic, unaccompanied. The minister in the church leads the congregation in the singing. Heard mostly in the Western Isles of Scotland.

41
Q

Wind band

A

A band with woodwind, brass and percussion instruments.

42
Q

Simple time

A

The music has two, three or four beats in each bar, and each beat is a crotchet (1 beat note) and each beat can be divided into 2. If you try saying the word ‘sim-ple’ in each beat, and it fits with the notes, then you are listening to simple time.

Simple time signatures are written as 2/4, 3/4 and 4/4.

43
Q

Classical

A

This term refers to music composed during the period 1750 to 1810 approximately.

This was the era of Haydn, Mozart and Beethoven.

44
Q

Baroque

A

Baroque is the name given to a style of music composed during a particular period, 1600-1750 approximately.

Bach and Handel are two of the composers from this period.

45
Q

Jig

A

fast dance in compound time. Usually 2 beats in a bar, with each beat dividing into 3 quavers.

46
Q

Pibroch

A

Music for solo bagpipe, in theme and variation form, and with grace notes.

47
Q

Reel

A

A Scottish dance written in simple time with two or four beats in a bar. It is usually in a major key and is played at a fairly fast tempo. Each beat can be heard dividing equally into groups of two or four.

48
Q

Concerto

A

A work for solo instrument and orchestra, eg a flute concerto is written for flute and orchestra. It is normally in three movements.

49
Q

Atonal

A

Atonal music has no feeling of key, major or minor. It is very dissonant, and it will lack a ‘nice’ melody and accompaniment. Atonal music is a feature of some 20th-century music.

50
Q

Modulation

A

A change of key.

51
Q

Alegro

A

A fast tempo (speed), approximately 120-168 beats per minute.

52
Q

Chorus

A

A group of singers with several people to each part.
The music written for these singers.
The refrain between verses of a song.

53
Q

Aria

A

A solo song sung in an operatic style, in an opera, oratorio or cantata, with orchestral accompaniment.

54
Q

Tenor

A

A high-pitched, adult male voice.

55
Q

Country

A

Country music is a genre of United States popular music that originated in the Southern United States in the 1920s. It takes its roots from the southeastern genre of United States, such as folk music (especially Appalachian folk music), and blues music.

56
Q

Pentatonic

A

Any five-note scale. In practice, the most common one is that on which much folk music is based, particularly Scottish and Celtic. The five notes could be C D E G A.

Musical notation showing an example of a pentatonic scale
Auld Lang Syne is composed using this pentatonic scale. Can you work out the melody for Auld Lang Syne, starting with the note G?

57
Q

Blues scale

A

scale generally consisting of tonic, major second, minor third, fourth, fifth, major sixth, and minor seventh, in which notes, particularly the third, fourth, and fifth may be bent.

58
Q

Trill

A

Moving quickly and repeatedly between two notes which are a step apart. A trill is played when the symbol tr is written above a note.

The examples show a trill played between the notes C and D.

This picture shows how the music would look if the trill is written out in full.

59
Q

Scotch snap

A

A very short accented note before a longer note. A feature of Strathspeys.

60
Q

Perfect cadence

A

A cadence consists of two chords at the end of a phrase. A perfect cadence is the dominant to tonic chords (V-I). In the key of C major, chords G-C.

61
Q

Scottish country dance band

A

A band which plays Scottish music for people to dance to. The instruments may include fiddle, accordion, piano and drums.

62
Q

Ragtime

A

A style of dance music which became popular at the end of the 19th century and which helped to influence jazz.

It features a strongly syncopated melody (meaning the notes don’t always fall on the beat) against a steady, simple accompaniment played as a vamp, often played on piano, eg Scott Joplin rags.

63
Q

Arco

A

Instruction given to string players to use a bow. This term might be given to players after a passage using pizzicato

64
Q

Ornament

A

An ornament decorates a melody by adding extra notes. Ornaments are often short and add melodic and rhythmic interest.

The first example shows first how a mordent is written and then how it is played: the main note is played, followed by the note above, then the main note again.