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Young Baroque Organ Lit > Listening Exam 1 > Flashcards

Listening Exam 1 Flashcards

1
Q

Estampie

A

Robertsbridge Codex, c. 1360

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2
Q

Ricercar in F

A

Girolamo Cavazzoni, (c. 1525–1575), Intavolatura cioe Recercari Canzoni Himni Magnificati, Libro Primo, 1543

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3
Q

Canzona (“Il est bel es bon”)

A

Girolamo Cavazzoni, (c. 1525–1575), Intavolatura cioe Recercari Canzoni Himni Magnificati, Libro Primo, 1543

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4
Q

Canzona (“La Spiritata”)

A

Giovanni Gabrieli (c. 1554/57–1612), Dirute Il Transilvano, pt. II, 1609

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5
Q

Kyrie (#1 from Missa Apostolorum)

A

Girolamo Cavazzoni, (c. 1525–1575), Intavolatura cioe Recercari Canzoni Himni Magnificati, Libro Secondo, 1543-49

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6
Q

Hymn: Ave Maris Stella

A

Girolamo Cavazzoni, (c. 1525–1575), Intavolatura cioe Recercari Canzoni Himni Magnificati, Libro Secondo, 1543-1549

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7
Q

Toccata per Organo del IX tono

A

Andrea Gabrieli (1532/33–1585), Intonazione d’organo di Andrea Gabrieli at di Giovanni sup nepote, 1593

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8
Q

Intanzione per organo del VII tono

A

Andrea Gabrieli (1532/33–1585), Intonationi d’organo di Andrea Gabrieli at di Giovanni sup nepote, 1593

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9
Q

Toccata undecimo detto Quinto tuono

A

Claudio Merulo (1533-1604), Toccata d’intavolatura d’organo, Libro Secondo, 1604

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10
Q

Registration for Cavazzoni’s Ricercar in F?

A

One sound, 8, 4, 2 2/3, 2?

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11
Q

Registration for Cavazzoni’s Canzon “Il est bel es bon”)

A

4’ flute

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12
Q

Registration for G. Gabrieli’s Canzona “La Spiritata”

A

Sectional, fewer stops in most combinations, like gap registrations (8,2, 4’ alone, 8, 2 2/3)

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13
Q

Registration for Cavazzoni’s Kyrie from Missa Apostolorum)

A

8 pri, 4 fl?

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14
Q

Registration for Cavazzoni’s Hymn: Ave Maris Stella

A

Ripieno throughout

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15
Q

Registration for A. Gabrieli’s Toccata per organo del IX Tono

A

Ripieno throughout, with mezzo ripieno in the middle

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16
Q

Registration for A. Gabrieli’s Intonazione per Organo del VII Tono

A

Ripieno throughout

17
Q

Registration for Merulo’s Toccata undecimo detto Quinto tuono

A

Ripieno throughout

18
Q

Fantasia

A

Giles Farnaby (c. 1563-1640), Fitzwilliam Virginal Book, c. 1609-19

19
Q

Registration for Giles Farnaby’s Fantasia?

A

Flutes 8,4, perhaps 2 2/3 or similar

20
Q

A fancie, for my ladye nevell

A

William Byrd (c. 1539/40 - 1623), My Ladye Nevells Booke, 1591

21
Q

Pieces on the quiz for Sweelinck and his b/d dates

A

(1562-1621)
Mein Junges Leben
Echo Fantasy in a
Hexachord Fantasy

22
Q

Registration for Sweelinck’s Mein Junges Leben

A
  1. Principal 8
  2. same
  3. 4’ principal added
  4. same
  5. Chorus (secondary manual?)
  6. Principal 8
23
Q

Registration for Sweelinck’s Echo Fantasy in a

A

regal style reed with flutes on top; solo “cornet-ish” accompanied by flutes; dialogue between principal and flutes 8, 4, 2; chorus

24
Q

Registration of Sweelinck’s Hexachord Fantasy

A

Principal 8; pedal reed 8 (hexachord); 8, 4, 2; chorus

25
Q

Jesus Christus, Unser Heiland

A

Samuel Scheidt (1587-1654), Tabulatura Nova, 1624

26
Q

Registration for Scheidt’s Jesus Christus, unser Heiland

A
  1. 8, 4
  2. 8,2 vs reed 8 and flute 4
  3. principal 8 alt/tenor, reed in bass, sesquialtera in the soprano
  4. quintadena registration against regal style reed
  5. 8,4,2 in rh, flutes in lh, reed 8’ cantus
  6. Rich plenum, 16/8 reeds in ped
27
Q

Praeambulum in d

A

Jacob Praetorius (1586-1651)

28
Q

Vater unser im Himmelreich

A

Jacob Praetorius (1586-1651)

29
Q

Registration for J. Praetorius’ Praeambulum in d

A

Plenum throughout

30
Q

Registrations for J. Praetorius “Vater Unser im Himmelreich”

A
  1. Fantasy-like approach: Prin. 8,4; regal with upper flutes; trommet with upper princ ranks
  2. C.F. Prin. 4, hands 4’ flutes
  3. flute 4
  4. C.F. Prin. 8, manuals: regal
  5. Regal and flu 4 rh: Trommet 8 lh

Young Baroque Organ Lit (5 decks)

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