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Harmony 9 > List of Chapters > Flashcards

List of Chapters Flashcards

1
Q

Chapter 1

A

Fundamentals

Tonality
Major and Minor scales
Intervals
Functional and Root/Quality chord symbols
Scale degrees
Chords
Figured Bass
Cadences
Musical Periods
Meter

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2
Q

Chapter 2

A

Intro to 4 part writing

Vocal Ranges
Passing and Neighbor tones
Doubling
Chord Spacing

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3
Q

Chapter 3

A

Cadences, IV chords, V chords

Authentic and Half Cadences
Dominant and Subdominant Chords
Keyboard Style
Plagal Cadence
Tonic Prolongation with IV and V
4 Part writing techniques
Common errors in 4 part writing
Accented passing and neighbor tones
Harmonizing melodies
Harmonic rhythm

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4
Q

Chapter 4

A

The Dominant 7th Chord

Dominant 7th Chord
V7 in Cadences
4 part writing of V7
Appoggiatura

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5
Q

Chapter 5

A

Cadential 64

Cadential 64
Dominant Prolongation with Cadential 64
Cadential 64 in Cadences
4 part writing of Cadential 64
Anticipation

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6
Q

Chapter 6

A

Pre-dominant chords

Pre-dominant chords
Pre-dominance of IV and ii
4 part writing of IV and ii
Voice Leading
Echappee

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7
Q

Chapter 7

A

First Inversion Chords

First inversion I, IV, V
Symbolizing
4 part writing of I6, IV6 and V6
Tonic Prolongation with I6
Dominant Prolongation with V6 and IV
Pre-dominance of IV6
4 part writing of ii6
Pre-dominant prolongation with ii6
Double neighbor tones

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8
Q

Chapter 8

A

Inversions of V7

Inversions of V7
4 part writing of V7 inversions
Incomplete neighbor tones

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9
Q

Chapter 9

A

Pedal point, 64 chords, vii6

Pedal point
Second inversion (64) chords: Neighbor(pedal), Passing, Arpeggio
Passing and neighbor vii6
4 part writing of 64 chords, passing and neighbor vii6
Connecting I and I6 with vii6, V64 and V43
Suspension

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10
Q

Chapter 10

A

ii7 chord

ii7 chord
4 part writing of ii7

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11
Q

Chapter 11

A

vi, iii and vii chords

vi chord
Deceptive cadence
4 part writing of vi
iii chord
4 part writing of iii
Leading tone chord
Subtonic chord
Descending fifths sequence
4 part writing of descending fifths sequence

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12
Q

Chapter 12

A

Applied dominants and modulation

Applied dominants to V and III
4 part writing of applied dominants
Modulation
Pivot chords
Modulation to closely related keys

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13
Q

Chapter 13

A

Tonal Hierarchy, Phrase Models

Tonal Hierarchy
Phrase Models
Harmonic Prolongation
Harmonic Rhythm

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14
Q

Chapter 14

A

Musical forms

Different dances
Binary form
Ternary form

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15
Q

Chapter 15

A

Melody writing Part 1

Intro to melody writing
THATS IT

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16
Q

Chapter 16

A

Melody writing Part 2

Shorter than chapter 15, just tells you how

17
Q

Chapter 17

A

Chorales

Chorale harmonization
Non-chord tones
Melodic shape
Cadences
Tonic prolongation
Ascending melodic minor and tierce de Picardie
Modulation

18
Q

Chapter 18

A

Intro to Counterpoint

Definition
Techniques in counterpoint
Invention
Variation
Fragmentation
Imitation
Canon
Melodic inversion

Harmony 9 (2 decks)

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