Lighthouse Quotes Flashcards

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1
Q

“Bobby playing on the beach with his pail and spade”

A

Epitome of an idylic childhood scene. Wholesome and traditional. Bobby is content and playful here. Seaside setting is immediately established in a positive, contrasting wih later in the story when seaside becomes a scene of tradegy and horror. (Characterisation and setting)

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2
Q

“At three and a half years, he had the face of an angel, but his appearance belied a strong determination to have everything his own way”

A

Here, we are given the immediate impression that Bobby’s is of a very young age, highlighting his potential vulnerability. The metaphorical description of “face of an angel” creates images of goodness, innocence, and even perfection. However, his “strong determination” highlights that he has another side: he is wilful, forceful, and stubborn, demanding “everything” as he pleases. (Characterisation and metaphor)

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3
Q

“Im going, and i hope a monster doesn’t get you”

A

Evidence of Megan’s propensity for nastiness. Also behaving like a classic “big sister”, teasing little brother/trying to scare him. Megan’s manipulative side is also demonstrated here as she makes up a threat to get your own way. Megan and Bobby probably picture a traditional storybook monster, but little do either of them know that the monster in the story will end up being a human man (Characterisation and foreshadowing)

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4
Q

“Together, they walked along in a friendly way, going at a pace that suited them both”

A

Despite squabbles and conflict, there is also harmony. Relationships ebbs and flows; they’re clearly close and comfortable with each other (Characterisation)

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5
Q

“The day was warm but with a bit of wind”

A

“Warm” = pleasant, comfortable. “But” = turning point in sentence suggests there’ll also be turning point in story. “Bit of wind” = potential for unsettled/things won’t stay the same (setting and pathetic fallacy)

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6
Q

“Megan lost her temper. “If you dont start moving, I’ll slap your face.””

A

Aggressive/bossy tone. Willing to resort to violence. Makes reader wonder: perhaps Megan influenced by her parents - in her ‘caring’ role for Bobby shes using threats shes heard her parents use. Raises concerns (Characterisation and tone)

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7
Q

“The woman studied them through thoughtful, narrowed eyes. “Do your parents know you’re out here in this lonely place?””

A

First adult perspective in the story helps readers to realise the situation is concerning. “Thoughtful, narrowed eyes” and “studied” = lone young children are an unusual sight and the woman is trying to assess the situation. “This lonely place” = first time the reader explicitly made aware of starkness and potential danger of setting (compared with intial, positive impression.) (Word choice and setting and contrast)

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8
Q

"”Mummy and daddy will be put in jail for neglecting us…””

A

Odd thought/knowledge for a 10 year old child to have - almost as if Megan had heard this somewhere else - perhaps from parents or social work involvement. Suggests theme of parental neglect. Evokes sympathy in reader (theme)

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9
Q

“…she was forced to put a hand over his mouth.”

A

Megan trying to protect them from further interference from the dog walker. Also emphasises her forceful manner. Foreshadows dark ending when man put his hand over Megans mouth but in a much worse way. (Foreshadowing/Characterisation)

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10
Q

“Arent they pretty,” she said, just ws he threw a stone into the pool, causing them to disappear

A

Potential deaper meaning - pleasant, playful enviroment is ruined by violent action/innocent, sweet creatures are disturbed and “disappear”. Could link to later in the story when man interferes with the two children and, ultimately, both vanish from society (foreshadowing/symbolism)

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11
Q

“They found they were on a golf course stretching for miles, with nobody on it but a man in a grey track suit”

A

"”Stretching for miles” - large expanse of land as far as can see highlights how far away from safety the children are/how vulnerable they are in comparison to the setting. “Nobody on it” emphasises the singularity of the man; no other adults are around
“Track suit” - immediately unsettling and out of place on a golf course, which has strict dress code (not a track suit). “Grey” has connatations of ambiguous (neither black nor white) - unclear what kind of person he is at first. Also connatations of bland, indistinctive and unremarkable. Significant as it highlights how easy it will be for the man to commit crimes/leave scene of crime and blend back into society without being noticed. (Setting/Characterisation/symbolism/connatations)

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12
Q

“He called on her to come back, though it was doubtful she heard him above the cries of the seagulls..”

A

Evokes sympathy from the reader as Bobby wants his big sister but shes left him. Sensory description/pathetic fallacy - loud sound would muffle the sound of him calling out. Again, nature seems to be working against the children. Also word choice of “cries” has connatations of upset/fearful young children. (Pathetic fallacy/Characterisation)

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13
Q

“It was much more boring from this angle that it had seemed from a distance. She wished she’d never come.”

A

Anti-climatic moment. Megans wish has been a disappointment. Creates a sense of youthful excitment being ruined and tainted with regret. Seems that nothing good will come from this day. (Setting/Characterisation/anti-climatx)

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14
Q

“The sea was stormy now with the waves lashing over the rocks”

A

Links to/contrasts with “bit of wind” at the start. Pathetic fallacy - situation is now intense. “Lashing” = violent verb highlighting settings risk/haram that can be caused. (Setting/pathetic Fallacy/word choice)

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15
Q

“Suddenly her attention was riveted to what looked like a body in the water…it was only a mooring buoy. She laughed at her mistake then began to feel uneasy.”

A

Sinister foreshadowing of the actual body (megans) that ends up in the water. A retrospectively chilling description. Even the reailty - a “buoy” - is a play on words that sound very similar to “boy”, suggesting that bobby is in danger. Feeling “uneasy” immediately after trying to laugh it off highlights that megan is unable to relax and the reader senses that threat is still very present. (Setting/Characterisation)

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16
Q

“Panic swept over her. What if something terrible happened to him?”

A

Evdience that megan cares for her brother. “Panic” = strong emotion/terror at the hypothetical idea that he might be harmed. Rhetorical question further highlights megans concern as she internally questions her decision to leave him. Ironically, “something terrible” does indeed happen to him (and her). (Rhetorical question/Characterisation)

17
Q

“From a distance, she saw him hunkeree down, digging in the sand”

A

“From a distance” suggests she is far from him and cant rescue him. “Hunkered down” creates an image of him crouched/squatting, making an already small child even smaller, therefore more a vulnerable-seeming target. “Digging in the sand” reminds us of his young age and innocence as he plays unassumingly. (Word choice/Characterisation)

18
Q

“He was hoovering a few yards behind bobby poking some debris on the shore with a stick”

A

“Hoovering” - connatations of loitering with intent, stalking, waiting to pounce, a hunter observing its prey. Clear sense of the man as a predator with ill intent. “Poking dome debris” highlights mans strange, suspicious behaviour. ( word choice/Characterisation)

19
Q

“Shed almost got to him when she slipped on a stone covered seaweed and went down, the back of her head hitting of the sharp edge.”

A

The setting has now caused actual harm to megan. “Sharp edge” has connatations of something pointed/harmful - may even penetrate her skull. The more responsible, older silbing is now incapacitated. Both children are at their most vulnerable/at the grey mans mercy. (Setting)

20
Q

“When her eyes flickered he put his hand over her mouth and nose and held it there for a considerable time”

A

Word choice of “flickered” suggests tentative movement and signs of life - shows that megan could have been saved. The man is making a conscious, considered choice to murder her - all the more chilling. Also links back to foreshadowing at the start of the story when megan put her hand over bobbys mouth (in a more innocent way). (Word choice/foreshadowing)

21
Q

“Taking him by the hand and dragging him towards the sand dunes, with bobby protesting all the way. His cries died down when they vanished over the top.”

A

Word choice of “dragging” and “protesting” creates a vivid image of a young child being abducted against his will. Harrowing “cries” remind us of the (much more innocent) cries of seagulls from earlier in the story, which have now become ambiguous in some ways but also definitive. (Word choice/foreshadowing/Characterisation)

22
Q

“Imperceptibly and gradually her body sank into the sand”

A

No one notices as the setting literally comsumes her. Totally alone in death. The adverb “gradually” is effective as it almost suggests she sank so slowly and proggesively that was plenty of opportunity for someone to find her/save her - its almost excruciating that no one did. (Setting)

23
Q

“A passer-by might have thought she was asleep, she looked so peaceful. But no one came by that day, and in the evening when the sun went down she was gone with the tide.”

A

Hypothetical mention of “a passer by” is a stark reminder of what could have been - she could have been rescued. “Sun went down” - pathetic fallacy = loss of light/hope. Literally and metaphorically the darkest possible ending. Megans final, brutal example of how isolated and abandoned the young girl is. (Setting/ Characterisation/effective ending)