Life of Pi - Everything Revision Flashcards

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1
Q

Quote about:

  1. These words are spoken by Pi early in Part One, at the end of chapter 4, after a long discussion of zoo enclosures.

concepts: freedom, religion, zoos

A

“I know zoos are no longer in people’s good graces. Religion faces the same problem. Certain illusions about freedom plague them both.”

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2
Q

What it tells us

A

We have already learned that Pi studied zoology and religion at the University of Toronto, and the above quote demonstrates just how closely aligned the two subjects are in his mind. He is quick to turn a discussion of animal freedom into a metaphor for people’s religious inclinations. Just as people misunderstand the nature of animals in the wild, they also misunderstand what it means for a person to be “free” of any religious system of belief. The agnostic (someone who is uncertain about the existence of god and does not subscribe to any faith) may think he is at liberty to believe or disbelieve anything he wants, but in reality he does not allow himself to take imaginative leaps.

Instead, he endures life’s ups and downs the way an animal in the wild does: because he has to. A person of faith, on the other hand, is like an animal in an enclosure, surrounded on all sides by a version of reality that is far kinder than reality itself. Pi embraces religious doctrine for the same reason he embraces the safety and security of a zoo enclosure: it makes life easier and more pleasurable.

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3
Q

2.

A

“[…] the ship […] pushed on, bullishly indifferent to its surroundings. The sun shone, rain fell, winds blew, currents flowed, […]—the Tsimtsum did not care.”

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4
Q

Explain quote

A

Martel uses the listing of “the sun shone, rain fell, winds blew, […]”, consecutive short clauses that create an image and a sense of suspense, to emphasise not just the power of nature to carry out so many natural processes simultaneously, but also the way life itself goes on. Martel beautifully portrays how unconcerned nature is with Pi’s dilemma of going into a new world. This is what the author intended so that he could bring focus to Pi’s humanity and how insignificant he is compared to the omnipotence of nature, so the reader could perhaps reflect on their own humanity. Martel also intentionally used the personification of the ship (the ‘Tsimtsum’) not caring and being “indifferent” to its surroundings to convey this same message, which will make the reader understand that the ship, representative of life, is barreling towards the unknown—towards disaster—and it does not care. It’s hard for the reader not to feel sympathetic towards Pi; we all understand the harrowing feeling of unexpected change you cannot control.

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5
Q

RP and Pi relationship, Ch. 57

concepts: inspiration, conflict

A

″Without Richard Parker, I wouldn’t be alive today to tell you my story.”

  • Pi, ch 57
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6
Q

Who is “you” in this sentence?

A

the author, to whom Pi relates his story over the course of many meetings in Canada many years after the ordeal, & also the reader, bc Pi is aware that he is telling his story to a writer who has the intent to publish.

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7
Q

Thoughts on this

A

— At first, it might sound ludicrous that such a menacing creature should get credit for keeping alive a slender, adolescent Indian boy, but Pi explains himself compellingly.

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8
Q

How does Pi explain himself?

A

The presence of Richard Parker, though initially terrifying, eventually soothes him and saves him from utter existential loneliness.

the necessity of training and taking care of Richard Parker fills up Pi’s long, empty days—staying busy helps time pass.

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9
Q

Why is this quote important

A

the context of Pi’s second story, the one without animals, in which Pi himself is the tiger.

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10
Q

Why has Pi chosen a tiger to rep himself?

A

because of its conflicting qualities: nobility and violence, grace and brute force, intelligence and instinct.

+++ In a way, these qualities are very human. But on a day-to-day basis—for example, as we go to school, drive to the supermarket, and watch TV at night—the elements of violence, brutality, and instinct are blunted. Instead of catching and killing fish, we purchase plastic-wrapped filets; rather than hunt animals for meat, we buy steaks at the deli counter. Stripped of these conveniences, Pi must return to nature and reassert his animal instincts. He must overcome his squeamishness in order to eat. He must embrace aggression in order to kill the cook who might otherwise have killed him.

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11
Q

Why does Pi credit RP for his survival?

A

In crediting Richard Parker’s existence for his own survival, Pi acknowledges that it is animal instinct, not polite convention or modern convenience, that protects him from death.

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12
Q

Another example of this is when Pi tells us a “secret”:

A

“A part of me did not want Richard Parker to die at all, because if he died I would be left alone with despair, a foe even more formidable than a tiger.”

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13
Q

Explain quote

A

Martel gives this abstract noun sentience and makes it feel more powerful and intimidating than it otherwise would. Although, before, the implicit message had been that Pi seemed insignificant in the face of this big, dangerous world he knew nothing about, now we’re shown how even through fear and caution, Pi knows very well that the tiger felt a lot like company and that kept him alive, because humans cannot live a fulfilling life all alone. It was better to have a tiger as company than despair, and using this, Martel communicates to the reader that unlikely connections between man, who is prone to loneliness and victim of his own mind, and what stands above him in the food chain hold more weight to the human psyche than we realise. When we consider that Richard Parker represents Pi and his intense determination to survive, it becomes clear that Martel is pointing us towards the fact that to survive and to persevere you must find the will to do so, to tap into that same survival instinct we share with animals.

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14
Q

How does Martel vividly portray Pi’s fight for survival?

  1. Richard Parker
A

– representing Pi’s will to survive and driving him to do so. By showing us how desperate Pi was to survive; when he stopped hoping for something that might not come (a ship to come save him), he became very crafty and intelligent

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15
Q

Quotes ;; life, fight, survival - concepts

  1. Ch 37

‘In the moments right after the ship begins to sink and Pi finds himself in the water, he realizes two things: He’s lost everyone he loves, but his will to survive remains strong. Yet, at the time, Pi does not understand why he would even want to continue living with all this terrible loss. However, as the reader comes to understand, Pi feels not only the instinctual desire to live, but also a strong faith in God, which insists he not give up. Just as he has faith in God, Pi has faith in himself.’

A

“My heart was chilled to ice. […] Something in me did not want to give up on life, was unwilling to let go, wanted to fight to the very end. Where that part of me got the heart, I don’t know.”

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16
Q
  1. Ch 45

concepts: empathy, survival, threat

A

“When your own life is threatened, your sense of empathy is blunted by a terrible, selfish hunger for survival. […] I felt pity and then I moved on.”

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17
Q

2)

Relationship between Pi and Richard Parker – they need each other to survive, driving Pi to do so + making Pi feel as though he isn’t alone even if everyone he loves is gone forever -> Pi trains tiger, which represents controlling his own emotions/reining himself in from the madness and ferocity

A
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18
Q
  1. Emotional turbulence/Pi’s emotional rollercoaster on the boat, wants to give up but doesn’t.

concepts: hoping, despair, hopelessness

A

Pg 134: “You might think I lost all hope at that point. I did.”

+ “And as a result I perked up and felt much better. We see that in sports all the time, don’t we?”

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19
Q

;; 2nd quote

A

“I have never known a worse physical hell than this […] this sensation that my blood was turning to a thick syrup that barely flowed. Truly, by comparison, a tiger was nothing. And so I pushed aside all thoughts of Richard Parker and fearlessly went exploring for fresh water.”

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20
Q
  1. Pathetic fallacy – weather represents emotional turmoil or the inevitability of the journey’s continuation until he is rescued
A

“The sun was beginning to pull the curtains on the day. It was a placid explosion of orange and red, […], a colour canvas of supernatural proportions, truly a splendid Pacific sunset, quite wasted on me.”

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21
Q
  1. Pi’s routines, survival guide, etc. -> Pi’s coping mechanisms
A
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22
Q

Themes.

  1. One theme Martel effectively presents in ‘Life of Pi’ is conflict and power imbalance between man, the mortal being, and nature, the eternal Mother Earth.
A
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23
Q

Concepts: determinationᐧcommitmentᐧwillpowerᐧsurvivalᐧinjuries

A

“I had no idea a living being could sustain so much injury and go on living.”

24
Q

faith, believing

A

“Yes. The story with animals is the better story.”

[-Okamoto]

25
Q

Concepts: faith, believing

Ch 99

In Martel ‘s, Life of Pi, Pi’s animal story is more thought-provoking than the human story because it forces the readers to stretch their minds and imagine the far-fetched tale told, rather than focus on the simple, more believable aspects to the human story.

A

“Pi Patel: “Thank you. And so it goes with God.” [Silence]”.

26
Q

Important bc

A

it implies that religion provides a meta-narrative for life, a way of making sense of what happens to us. We can look at life from different perspectives, and we can choose what we want to believe.

We believe what we do because we want to. Belief in God arises not because it is based on stronger evidential foundations, but for other reasons — it helps us deal with life’s struggles, it provides certainty and comfort, it is the better story.

27
Q

Concepts: life, worldview, storytelling

CH. 99

A

“The world isn’t just the way it is. It is how we understand it, no? And in understanding something, we bring something to it, no? Doesn’t that make life a story?”

28
Q

life, simplicity, chess, risk ;;

about halfway through Part Two, Pi adjusts to life at sea and philosophizes on the nature of being a castaway.

A

“Life on a lifeboat isn’t much of a life. It is like an end game in chess, a game with few pieces. The elements couldn’t be more simple, nor the stakes higher.”

29
Q

What does “endgame” in chess mean?

A

In an endgame in chess, most of the game has been played out and the majority of the chess pieces knocked off the board.

30
Q

Similar how?

A

Similarly, after the sinking of the Tsimtsum, only a handful of survivors (Pi, Richard Parker, Orange Juice, the Grant’s zebra, the hyena) remain.

The few that are left are forced into a strategic battle of wits to see who will ultimately prevail.

The tensions between the lifeboat’s inhabitants immediately after the ship sinks are high; each inhabitant knows that the game is “sudden death” and that each move must be considered with special care. The zebra, the orangutan, and the hyena all make missteps and lose.

But Pi painstakingly charts out his plan of action, and his diligence and foresight save his life.

31
Q
A

Life on a lifeboat is simple, but, stripped of all else, the stakes become considerable: life or death. Pi’s life in the middle of the Pacific has no luxuries, no complex processes to participate in, and no obscure signals to follow. Faced with numerous physical dangers—Richard Parker, sharks, starvation, the blind castaway—his only real choice is whether to fight to live or to give up and die. Though he considers doing otherwise, Pi chooses to fight.

32
Q

Connection to society, what Martel and Pi is suggesting, author’s purpose

A

The distilled quality of Pi’s existence is similar to the kind of bare-bones life lived by many religious mystics, for whom stripping down to the essentials is necessary for communion with God. A full, varied life with many distractions can cloud faith or even make it unnecessary.

33
Q

Ch 93

faith, imagination, discouragement

toward the end of his ordeal at sea and as he is reaching the depths of his despair. As Pi mentions just before this, his situation seems “as pointless as the weather.”

A

“The lower you are, the higher your mind will want to soar.”

  • Pi, ch. 93
34
Q

What’s happening when he says this

A

Up to now, Pi’s tedious life at sea has been alleviated somewhat with sporadic new activities: killing fish, taming Richard Parker, creating drinkable water using the solar stills, and so on. More notably, the blind French castaway and the days spent on the floating island gave Pi a change in routine. But now the novelty has worn off. This section, in which nothing is expected to happen, drives Pi into utter hopelessness, yet he must continue living.

35
Q

Martel reveals what?

A

At this point Pi turns to God and, Martel implies, invents the story that we have just read. His mind is desperate to escape the physical reality of continued existence on the lifeboat, and so it soars into the realm of fiction. At his lowest point, Pi reaches for the only remaining sources of salvation available to him: faith and imagination.

36
Q

Tells us what through the rest of the book?

A

Martel emphasizes that such a strategy for self-preservation can actually be astonishingly effective. Immediately after this moment in the text, Pi lands on a beach in Mexico. Like a deus ex machina suddenly offering resolution in an ancient Greek play, the religion of storytelling is Pi’s escape hatch, rescuing him from the depths of his misery.

37
Q

Ch 22.

concepts:

faith,

death,

religion,

atheism,

agnosticism

A

“I can well imagine an atheist’s last words: ‘White, white! L-L-Love! My God!‘—and the deathbed leap of faith. Whereas the agnostic, if he stays true to his reasonable self, if he stays beholden to dry, yeastless factuality, might try to explain the warm light bathing him by saying, ‘Possibly a f-f-failing oxygenation of the b-b-brain,’ and, to the very end, lack imagination and miss the better story.”

  • Pi, ch. 22.
38
Q

Quote is saying,

A

Religion is aligned with imagination, while lack of faith is linked to accurate observation and rationalism. In short, Pi is giving us a simple, straightforward explanation for the variants of his own story: the one with animals and the one without.

39
Q

Means,

A

quote condemns those who lack artistry and imagination, the inability to commit to a story. Pi himself is a consummate artist, a storyteller, and he believes all religions tell wonderful tales, though not literal truths. Pi believes that atheists (who do not believe in God) have the capacity to believe; they choose to believe that God doesn’t exist. At the end of their lives, they could embrace the notion of God and devise a story that will help them die in peace and contentment. Pi despises agnostics for their decision to make uncertainty a way of life. They choose to live a life of doubt, without any sort of narrative to guide them. Without these stories, our existence is “dry” and unpalatable as unrisen or “yeastless” bread.

40
Q

faith, atheism, brotherhood, sisterhood

A

“It was my first clue that atheists are my brothers and sisters of a different faith, and every word they speak speaks of faith.”

41
Q

Ch 53

concepts: faith, work, miracles

A

“Now I will turn miracle into routine. The amazing will be seen every day. I will put in all the hard work necessary. Yes, so long as God is with me, I will not die. Amen.”

42
Q

love, faith, trust

A

“Faith in God is an opening up, a letting go, a deep trust, a free act of love—but sometimes it was so hard to love.”

43
Q

faith, storytelling

A

“So tell me, since it makes no factual difference to you and you can’t prove the question either way, which story do you prefer?”

44
Q

hoping, work, survival

A

“Survival had to start with me. In my experience, a castaway’s worst mistake is to hope too much and do too little.”

45
Q

courage, survival, ferocity, instincts

A

“The display of ferocity, of savage courage, made me realize that I was wrong. All my life I had known only a part of her.”

46
Q

dreams, reality, imagination, artists

[AUTHOR’S NOTE]

A

“If we, citizens, do not support our artists, then we sacrifice our imagination on the altar of crude reality and we end up believing in nothing and having worthless dreams.”

⬆ [AUTHOR’S NOTE]

47
Q

AUTHOR’S NOTE QUOTE

A

He told me his story. All the while I took notes. Nearly a year later, after considerable difficulties, I received a tape and a report from the Japanese Ministry of Transport. It was as I listened to that tape that I agreed with Mr. Adirubasamy that this was, indeed, a story to make you believe in God.

48
Q

concept: hoping

A

“With the very first rays of light it came alive in me: hope. As things emerged in outline and filled with colour, hope increased until it was like a song in my heart. Oh, what it was to bask in it!”

+ [“Things would work out yet. The worst was over. I had survived the night.”]

49
Q

survival, instincts

A

″Lord, to think that I’m a strict vegetarian. To think that when I was a child I always shuddered when I snapped open a banana because it sounded to me like the breaking of an animal’s neck. I descended to a level of savagery I never imagined possible.”

50
Q

survival, instincts

A

“It came as an unmistakable indication to me of how low I had sunk the day I noticed, with a pinching of the heart, that I ate like an animal, that this noisy, frantic, unchewing wolfing-down of mine was exactly the way Richard Parker ate.”

51
Q

survival

A

“I could not abandon Richard Parker. To leave him would mean to kill him. He would not survive the first night.”

52
Q

Pi’s relationship with Richard Parker

concepts: saying goodbye, crying, loss, grief, connection

A

“I wept like a child. It was not because I was overcome at having survived my ordeal, though I was. Nor was it the presence of my brothers and sisters, though that too was very moving. I was weeping because Richard Parker had left me so unceremoniously.”

53
Q

Pi’s character

“concepts: math, refuge”

A

“And so, in that Greek letter that looks like a shack with a corrugated tin roof, in that elusive, irrational number with which scientists try to understand the universe, I found refuge.”

54
Q
A

Life is so beautiful that death has fallen in love with it, a jealous, possessive love that grabs at what it can. But life leaps over oblivion lightly, losing only a thing or two of no importance, and gloom is but the passing shadow of a cloud.

55
Q
A

If you stumble about believability, what are you living for? Love is hard to believe, ask any lover. Life is hard to believe, ask any scientist. God is hard to believe, ask any believer. What is your problem with hard to believe?