Letter between Edward and Helen Thomas 1917 Flashcards

1
Q

“Here I am”

A

Register is more colloquial and personal
Writing in present tense
Choice of syntax also creates the personal, informal register

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2
Q

“The artillery is like a stormy tide breaking on the shores of the full moon”

A
Synaesthesic smilies (sounds vs physical element)
Coupled with a metaphor of the shores of the full moon
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3
Q

“white cirrus clouds”

A

Alliteration, poetic description removes the reality of the place he’s in and makes Helen feel secure and at ease

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4
Q

“The pretty village among trees that I first saw two weeks ago is now just ruins among violated stark tree trunks”

A

Juxtaposition

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5
Q

“O.P” , “the Bosh”, “shells”

A

Employing semantics of trenches and war without explanation, assuming Helen is familiar with this discourse

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6
Q

“he is going to surprise us”

A

Personalising the germans as a whole, referring to them as singular

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7
Q

“shone and larks and partridge and magpies and hedgesparrows”

A

Semantic of nature

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8
Q

“Made love and trench was being made passable for the wounded”

A

Oxymoronic language

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9
Q

“I am tired but resting.”

A

Short sentence highlighted against previous dramatic description

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10
Q

Syntax

A

Thomas’ syntax also creates the personal, informal register with his sentences being simple or compound, usually structured with co-ordinating conjunctions such as “but” and “and”. The use of simple and compound sentences in most of the text and the asyndeton gives a sense of impressionistic note like observations

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11
Q

“Yesterday afternoon”

A

Uses temporal discourse markers to divide and highlight his non-chronological structure

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12
Q

“You should have seen Horton and me dodging them”

A

Choice of collocations such as “you should have seen” mixed with use of second person convey intimacy with his reader
“dodging” is an aggressive verb

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13
Q

“We shall be enormously busy now”

A

Uses past, present, future tense retrospectively

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14
Q

“Violated”, “harvested”

A

Both surprising lexical choices- harvested is a biblical metaphor

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15
Q

“Jolly”

A

Pragmatics, language change

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16
Q

Lexical choices

A

Generally informal, particularly his use of colloquial, perhaps vague modifiers and verbs

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17
Q

“All and always yours Edwy”

A

Valediction is rushed, familiar form of his name

18
Q

Form

A

Writes in the form of a prose letter

Written text

19
Q

“Dearest”

A

warm letter salutation

20
Q

Purpose

A

Written as a private letter to his wife (even though his letter might have been opened and censored)

21
Q

Context

A

Thomas was a junior officer in WW1 trenches, in one of the highest risk casualty groups
Produced in extraordinary circumstances as he was close to his own death

22
Q

“moon riding among white cirrus clouds”

A

Juxtaposition of artillery, balances the sound of artillery and the sights of the trenches

23
Q

“Farewell and God bless you”

A

Church was extremely important then

24
Q

“Beloved”

A

Doesn’t need to name or address, she is effectively writing to herself

25
Q

“Darkness and despair”

A

Alliteration

26
Q

“I saw the Spring come sweet heart. Such a Spring of flowers”

A

Sibilance- soft sound to the introduction of spring

Semantic of nature

27
Q

“do you remember!”

A

Exclamative, knows she won’t get an answer from him

28
Q

“touched the moist green grass”

A

Sensory imagery, reaches to nature to be close to him

29
Q

“Content”

A

Repetition of content which is ironic as she is not content

30
Q

“This is my fear”

A

personal pronoun ‘my’

31
Q

“I am so unstable”

A

Negative, gendered word. Women are unhinged, unstable etc. This fulfils gender stereotypes of the time period

32
Q

“alone, but wonderfully at ease”

A

Semi- oxymoronic
Alone= loneliness
Ease= content

33
Q

“my beloved, my precious one”

A

Sense of ownership

34
Q

“Do you”

A

Repetition, almost fanatic

35
Q

Purpose of postscript

A

Therapy

36
Q

“your beauty, your beautiful face, your voice, your soul”

A

Obsessive and sad tone

37
Q

“terror and death”

A

Tone shifts

38
Q

“cruelty the pain the ugliness of it, the beauty and strength and courage”

A

Oxymoronic

39
Q

“Never”

A

Repetition

40
Q

“Farewell”

A

Final, certain