lesson 7-8 Modify T or F Flashcards
MODIFY TRUE OR FALSE
In April 1993, the Gawad sa Manlilikha ng Bayan or the National Living Treasures Award was institutionalized through Republic Act No. 7355.
1993 should be 1992
MODIFY TRUE OR FALSE
In April 1992, the Gawad sa Manlilikha ng Bayan or the National Living Treasures Award was institutionalized through Republic Act No. 7345.
RA NO. 7345 should be RA NO. 7355
MODIFY TRUE OR FALSE
As envisioned under R.A. 7355, “Manlilikha ng Bayan” shall mean a
citizen engaged in any traditional art uniquely Filipino whose distinctive skills have reached such a high level of technical and artistic excellence and have been passed on to and widely practiced by the present generation in his/her community with the same degree of technical and artistic competence.
True
MODIFY TRUE OR FALSE
The presence of Gawad ng Manlilikha ng Bayan Awardees is required in the events under the international programs and projects of the NCCA such as the Philippine National Arts Month, the National Heritage Month, and other
important national and regional cultural celebrations and similar future events.
INTERNATIONAL should be INSTITUTIONAL
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First awarded in 1993 to three outstanding artists in music and poetry, the Gawad sa Manlilikha ng Bayan has its roots in the 1988 National Folk Artists Award organized by the Rotary Club of Makati-Ayala.
True
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As a individuals, these folk and traditional artists reflect the diverse heritage and cultural traditions that
transcend their beginnings to become part of our national character.
INDIVIDUALS should be GROUP
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As Filipinos, they bring age-old customs, crafts and ways of living to the attention and appreciation of foreign life.
FOREIGN should be FILIPINO
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GAMABA provide us with a vision of ourselves and of our nation, a vision we might be able to realize someday, once we are given
the opportunity to be true to ourselves as these artists have remained truthful to their art.
True
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The Award shall be given in each, and limited to the following
categories of traditional folk arts, viz.: folk architecture, maritime transport, weaving, carving, performing arts, literature, graphic and plastic arts, ornament, textile or fiber art, pottery and other artistic expressions of traditional
culture.
LIMITED should be NOT LIMITED
MODIFY TRUE OR FALSE
As candidate of GAMABA, He/she is an inhabitant of an indigenous/traditional cultural community anywhere in the Philippines that has preserved indigenous customs, beliefs, rituals and traditions and/or has syncretized whatever external
elements that have influenced it.
True
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As candidate of GAMABA, He/she must not have any engaged in a folk art tradition that has been in
existence and documented for at least fifty (50) years.
MUST NOT HAVE should be MUST HAVE
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As candidate of GAMABA, He/she must have consistently performed or produced over a significant period, works of superior and distinctive quality.
True
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As candidate of GAMABA, He/she must possess a mastery of tools and materials needed by the
art, and must have an established reputation in the art as a master and maker of works of extraordinary technical quality.
True
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As candidate of GAMABA, He/she must have passed on and/or will pass on to other members of
the community their skills in the art for which the community is
traditionally known.
ART should be FOLK ART
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A traditional artist who possesses all the qualities of a Manlilikha ng Bayan candidate, but due to age or infirmity has left him/her incapable of teaching further his/her craft, may still be recognized if, He/she had created a significant body of works and/or has consistently displayed excellence in the practice of his/her art, thus achieving important contributions for its development.
True
MODIFY TRUE OR FALSE
A traditional artist who possesses all the qualities of a Manlilikha ng Bayan candidate, but due to age or infirmity has left him/her incapable of teaching further his/her craft, may still be recognized if, He/she has been instrumental in the revitalization of his/her community’s artistic tradition.
True
MODIFY TRUE OR FALSE
A traditional artist who possesses all the qualities of a Manlilikha ng Bayan candidate, but due to age or infirmity has left him/her incapable of teaching further his/her craft, may still be recognized if, He/she has passed on to the other members of the community skills
in the folk art for which the community is traditionally known.
True
MODIFY TRUE OR FALSE
A traditional artist who possesses all the qualities of a Manlilikha ng Bayan candidate, but due to age or infirmity has left him/her incapable of teaching further his/her craft, may still be recognized if, His/her country has recognized him/her as a master and teacher
of his/her craft.
COUNTRY should be COMMUNITY
MODIFY TRUE OR FALSE
A Manlilikha ng Bayan awardee receives a specially designed bronze medallion, an initial grant of P100,000 and a P10,000 monthly stipend for life.
BRONZE should be GOLD
MODIFY TRUE OR FALSE
the NCCA board approved an additional monthly personal allowance of P14,000 for the awardees as well as a maximum cumulative amount of P850,000
medical and hospitalization benefits annually similar to that received by the National Artists and funeral assistance/tribute fit for a National Living Treasure.
P850,000 should be P750,000
MODIFY TRUE OR FALSE
NCCA described the national living treasures as artists who “reflect the
diverse heritage and cultural traditions that transcend their beginnings to become part of our national character.”
True
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Lang Dulay steeped in the wisdom that the ambahan is a key to the understanding of the
Mangyan soul
LANG DULAY should be GINAW BILOG
MODIFY TRUE OR FALSE
Ginaw took it upon himself to continually keep scores of ambahan poetry recorded, not only on bamboo tubes but on old, dog-eared notebooks passed on to him by friends.
True
MODIFY TRUE OR FALSE
Ginaw shares old and new
ambahans with his fellow Tausug and promotes this poetic form in every occasion
TAUSUG should be MANGYAN
MODIFY TRUE OR FALSE
Federico Caballero known for his work on the documentation of the oral literature, particularly the ten epics, rendered in an extinct language related to Kinaray-a.
True
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Federico Caballero is also called Nong Pedring, he learned about novels from his mother and his grandmother, Anggoy Omil who would chant these to him and his siblings as a lullaby.
NOVELS should be EPICS
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Federico Caballero worked with the Bureau of Nonformal Education, to teach people how to read and write and would promote the tradition
of epic chanting despite the initial objection of his children.
True
MODIFY TRUE OR FALSE
Samaon Sulaiman is an outstanding master of the basal, kulilal and bagit, a gifted poet, bard artist, and musician.
SAMAON SULAIMAN should be MASINO INTARAY
MODIFY TRUE OR FALSE
Masino Intaray has the creative memory, endurance, clarity of intellect and spiritual purpose that enable him to chant all through the night, for successive nights, countless tultul (epics), sudsungit (narratives), and tuturan (myths of
origin and teachings of ancestors).
True
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Samaon Sulaiman achieved the highest level of excellence in the art of kutyapi playing.
True
MODIFY TRUE OR FALSE
Aside from kutyapi, Samaon is also proficient in kulintang, agong (suspended bossed gong with wide rim), gandingan (bossed gong with narrow rim), palendag (lip-valley flute), and tambul.
True
MODIFY TRUE OR FALSE
Masino Intaray has the creative memory, endurance, clarity of intellect and spiritual purpose that enable him to chant all through the night, for successive nights, countless tultul (epics), sudsungit (narratives), and tuturan (myths of
origin and teachings of ancestors).
True
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Samaon was a popular barber in his
community and serve as an Imam in the Libutan mosque.
True
MODIFY TRUE OR FALSE
Gangsa, a type of string instrument,
he lobbied for two years to the provincial government to grant funds to convert the
abandoned Capitol Building into a museum.
STRING INSTRUMENT should be KALINGA GONG
MODIFY TRUE OR FALSE
Alonzo Saclag learned how to play traditional Kalinga
musical instruments and Kalinga ritual dance movements without formal or informal instruction
True
MODIFY TRUE OR FALSE
Alonzo Saclag formed the Kalinga Budots Dance Troupe with the intent of promoting Kalinga dance to a wider audience
BUDOTS should be BUDONG
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Alonzo Saclag established a village within his town, named Awichon which aims to promote Kalinga culture to tourists.
True
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Uwang Ahadas first learned how to play the gabbang, a
metal instrument similar to the xylophone then learned how to play the agung, an instrument traditionally played by Yakan men
METAL should be WOODEN BAMBOO
MODIFY TRUE OR FALSE
By age 20, Ahadas had already mastered the kwintangan which is considered as the most important Yakan musical instrument despite the instrument traditionally reserved for women
True
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Tuntungan, an instrument traditionally played by Yakan men.
TUNTUNGAN should be AGUNG
MODIFY TRUE OR FALSE
Salinta Monon is credited with preserving her people’s
tradition of weaving T’nalak, a dyed fabric made from refined abaca fiber.
SALINTA MONON should be LANG DULAY
MODIFY TRUE OR FALSE
Lang Dulay is known for maintaining the use of
traditional motifs in T’nalak weaving amidst the commercialization of the craft
True
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Lang Dulay notably had a mental repertoire of around 100 patterns and designs: some of these were based on her dreams, hence her description as a “dreamweaver”
True
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Salinta Monon watched her mother weave ikat, a traditional abaca fabric when she was a child.
True
MODIFY TRUE OR FALSE
T’nalak, a traditional abaca fabric
T’NALAK should be IKAT
MODIFY TRUE OR FALSE
Salinta Monon’s favorite design is the binuwaya or crocodile which is said to be among the most difficult to weave.
True
MODIFY TRUE OR FALSE
Darhata Sawabi is one of those who took to heart the art of makingpis syabit, the traditional cloth tapestry worn as a head covering by the Tausug of Jolo.
True
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Makingpis syabit is the traditional cloth tapestry worn as a skirt by the Tausug of Jolo.
SKIRT should be HEAD COVERING
MODIFY TRUE OR FALSE
Darhata Sawabi’s art pieces was accepted in Parang
True
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With Darhata Sawabi’s dedication to her art, generations of traditional Tausug designs have been preserved and are available for
contemporary appreciation and future study.
True
MODIFY TRUE OR FALSE
Eduardo Mutuc is an artist who has
dedicated his life to creating religious and secular art in silver, bronze, and wood.
True
MODIFY TRUE OR FALSE
One of Eduardo Mutuc’s first commissions came from
Monsignor Fidelis Limcauco, who asked him to create a tabernacle for the parish of Bagbag, Quezon City
BAGBAG, QUEZON CITY should be FAIRVIEW, QUEZON CITY
MODIFY TRUE OR FALSE
Haja Amina Appi is recognized as the master mat weaver among the Sama indigenous community of Apalit.
APALIT should be UNGOS MATATA
MODIFY TRUE OR FALSE
Haja Amina Appi’s colorful mats with their complex geometric patterns exhibit her precise sense
of design, proportion and symmetry and sensitivity to color.
True
MODIFY TRUE OR FALSE
The art of mat weaving is a long and tedious process, which requires much patience and stamina and an eye for detail, an unerring color instinct, and a genius for applied mathematics.
True
MODIFY TRUE OR FALSE
Teofilo Garcia is recognized for his craft in making tabungaw
True
MODIFY TRUE OR FALSE
Tabungaw, a casque made of the
native gourd, hollowed out, polished, and varnished to a bright green sheen to improve its weather resistance and with the inside is lined with finely woven rattan matting, and the brim sports a subtle bamboo weave for accent
GREEN should be ORANGE
MODIFY TRUE OR FALSE
Teofilo Garcia innovated with the materials using bamboo as an alternative to nito.
True
MODIFY TRUE OR FALSE
Magdalena Gamayo is an Bicolano textile weaver of the abel, the traditional blanket.
BICOLANO should be ILOCANO
MODIFY TRUE OR FALSE
Magdalena Gamayo uses a sturdy wooden frame with three-foot pedals with wide horizontal beams to support the warp and an even
longer lengthwise frame to keep the threads in place
True
MODIFY TRUE OR FALSE
Magdalena Gamayo taught herself the traditional patterns of binakol, inuritan (geometric design), kusikos (spiral forms similar to oranges), and sinan-sabong (flowers), which is the most challenging pattern.
True
MODIFY TRUE OR FALSE
inuritan are geometric design
True
MODIFY TRUE OR FALSE
sinan-sabong are geometric design
SINAN-SABONG should be INURITAN
MODIFY TRUE OR FALSE
Ambalang Ausalin, is highly esteemed in all of Lamitan
True
MODIFY TRUE OR FALSE
suwah bekkat are embroidery-like embellishment
SUWAH BEKKAT should be SUWAH PENDAN
MODIFY TRUE OR FALSE
Ambalang Ausalin’s artistry and craftsmanship are best
expressed in the bunga sama, sinalu’an, and seputangan.
True
MODIFY TRUE OR FALSE
suwah pendan are embroidery-like embellishment
True
MODIFY TRUE OR FALSE
Estelita Bantilan weaves intricate mats using a pandan variety called romblon
True
MODIFY TRUE OR FALSE
Yabing Masalon Dulo is an active Blaan weaver who is a master of the Mabal Tabih technique
True
MODIFY TRUE OR FALSE
Haja Amina Appi served as the Cultural Master for the Blaan Weaving School of Living Tradition Project implemented back in
2005 at Sitio Lamlifew, Datal Tampal, Malungon, Sarangani Province. This SLT was funded by National Commission for Culture
and the Arts (NCCA).
HAJA AMINA APPI should be YABING MASALON DULO
MODIFY TRUE OR FALSE
Yabing Masalon Dulo became a partner for the cultural preservation in Sarangani under the Indigenous Peoples Development Program
(IPDP) of former Governor Migs Dominguez.
True
