lesson 6- the origins of tragedy Flashcards

1
Q

what evidence do we have for the origins of tragedy?

A

They are shrouded in mystery. From the late seventh century, there are a number of vase paintings which are suggesting of links to drama, but we have no surviving dramatic text before aeschylus’ persians of 472 BC. one source gives us 534 as the date when tragedy was first performed at the great dionysia

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2
Q

what is the earliest surviving dramatic text?

A

Aeschylus’ persians of 472 BC

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3
Q

what does one source give us as the date when tragedy was first performed at the city Dionysia festival?

A

534 BCE

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4
Q

what problems do we have with evidence and our understanding of the origins of tragedy?

A

there is lack of evidence and doubtful reliability of sources that comment on the origins of tragedy

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5
Q

Why do we have to be cautious of Aristotle’s poetics as a source?

A

The most influential surviving ancient text on the development of drama is treatise poetics by aristotle. However, it is hard to know how reliable aristotle is as a source for events which happened up to two centuries earlier- Aristotle is writing about events two centuries before him and writing them in his own style- unreliable

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6
Q

According to ancient sources when and how did drama get started in Athens?

A

The birth of drama took place during the second half of the sixth century when the city was ruled by the tyrant Pisistratus and his sons. They are credited with investigating a number of artistic, architectural and engineering innovations, one of which was the city dionysia.

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7
Q

according to poetics by Aristotle, where did Tragedy and comedy originate from and how did this change over time?

A

Aristotle claims in ‘poetics’ that tragedy and comedy originated from diythrambs and from other prelude to the phallic songs from a man known as thespis. Thespis was believed to step away from the chorus of worshippers that simply sang the dithyramb and acted the dithyramb as individual characters . He also mentions that tragedy and comedy changed over time due to Aeschylus, a playwright who raised the number of actors from one to two. It was then sophocles who introduced three actors and scene painting in tragedy

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8
Q

where did drama originate from?

A

It is believed that drama originated from the worship of Dionysus- in the 6th century BCE the god Dionysus was worshipped in a procession from Eleutheria to Athens, in which large phalli where lofted along the procession and dithyrambs, known as songs were sung in honour of Dionysus. Aristotle believes that these dithyrambs transitioned from worshippers simply singing, to members of the dithyramb stepping out and acting out individual characters. One of the people believed to do this was thespis- the first actor in Greek drama

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9
Q

Who was Thespis and what did he do?

A

Thespis was believed to be the first actor of Ancient Greek drama and also the inventor of tragedy- according to stories, Thespis learned to switch between characters with the use of masks to enhance the effect of drama. This was Greek drama in its earliest form where an actor was seen alongside a chorus

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10
Q

what is thespis’ name recorded as?

A

The first to stage a tragedy at the city Dionysia festival in 534 BC

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11
Q

How did theatre come to Athens?

A

Theatre came to Athens in the late 6th century BCE, when Athens was not yet a democracy. During this time, Athens was ruled by a tyrant named peisistratus, who came to power through violence, but once he was in charge he wanted to unite and strengthen the city of Athens. Peisistratus believed he could unite the city religiously through the worship of Dionysus, the god of wine and celebration. Therefore, in the 530s BCE, Peisistratus expanded the already existing spring festival held in honour of Dionysus to the city dionysia festival which involved dithyrambic contests (theatre competitions which were essential founded by Thespis)

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12
Q

what is important to consider about the city dionysia?

A

It was not only a religious festival held in honour of Dionysus- it was also designed to re-affirm Athens as a source of pride and power

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13
Q

what does the word Tragedy in Greek literally mean?

A

‘goat song’- this could either refer to the animal sacrifices that were made before the city Dionysia festival, or could be a reference to satyr plays

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14
Q

What was a dithyramb and what was its purpose?

A

a choral dance designed to worship Dionysus

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15
Q

According to Herodotus when, where and why were dithyrambs developed?

A

According to Herodotus dithyrambs were invented in the corinth in the late seventh century by the songwriter Arion and that it was performed in honour of Dionysus.

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16
Q

what is meant by the term choral dance?

A

an event in which people sung and danced at the same time

17
Q

at what different occasions were choral dances performed?

A

dancing has been central to many societies, and in Ancient Greece people danced in choruses at weddings, funerals, athletic events, military parades and religious festivals

18
Q

When was the dithyramb introduced to Athens and at which festival?

A

in sixth century Athens, dithyrambic performances became a central feature of the new city dionysia festival and we know that during the fifth century there were dithyrambic competitions

19
Q

What were the form and structure of the dithyramb competitions?

A

each of the city’s 10 tribes entered two choruses- one of fifty men and one of fifty boys. Each chorus had a choregos, just as the plays did , who organised the chorus and planned out rehearsals

20
Q

Who is credited with transforming the dithyramb into a play and how did he do it?

A

It seems that drama developed out of the dithyramb- ancient sources such as Aristotle report that in the second half of the fifth century an Athenian man named thespis stepped outside of the chorus. Dressed in a mask and costume, he impersonated different characters from the dithyrambs subject matter and took part in dialogues with the chorus, acting out the different characters. Thespis had moved away from merely singing about mythological stories (dithyrambs) to acting them out.

21
Q

why do we have to be sceptical of this version of the origin of the plays?

A

The ancients liked to find an ‘inventor’ for any important literary genre, and there may not have been a single individual who invented tragedy in this manner just Thespis did

22
Q

When was the first recorded drama contest?

A

According to sources, this new genre of ‘drama’ soon had its own competition at the city dionysia; the first recorded drama contest was 534 BC, when thespis was the winning actor. Records say that he was awarded the prize of a goat

23
Q

who won the first ever drama competition held in 534 BC?

A

Thespis, who was awarded with a goat

24
Q

What is thought to be the origins of the word tragedy?

A

Records say that the first ever winning actor at the city Dionysia, Thespis was awarded the prize of a goat, which may explain the origin of the word ‘tragedy’ , literally meaning ‘goat song’. However the name for Tragedy, ‘goat song’ could also allude to the sacrifices made before the drama competitions in honour of dionysus at the altar in the theatre

25
Q

When was the satyr-play introduced to the City Dionysia?

A

The city Dionysia was reorganised in 501 BC when a different type of play was first presented- the satyr play.

26
Q

Describe what a satyr-play was and its function:

A

After the 5th century, a tragic playwright would perform three tragedies followed by a satyr play- a satyr play seems to have been light hearted parodies of tragedy to set the audience back into reality- they may have offered the audience a release after they sat through three intense tragic dramas.

27
Q

Why is the function and form of the satyr-play not entirely certain?

A

One satyr play has survived in entirety (The Cyclops by Euripides), therefore it is unclear how such plays related to tragedy

28
Q

Where did the name satyr-play come from?

A

satyr plays take their name from the fact the choruses of these plays were made up of actors playing satyrs. A satyr was a mythological woodland creature, half human, half animal who were followers of Dionysus and who seemed to represent the basic human appetites for food, drink and sex.

29
Q

what could satyrs (the mythical woodland creatures) represent?

A

Satyrs might be thought to symbolise the release Dionysus can offer his followers through pleasure and also to point to the gods association with wild nature,animals and fertility

30
Q

how were satyrs related to dionysus?

A

Unlike tragedies, satyrs remained closely related to dionysus- the god seems to have been a character and his worship was at the heart of the action.