LESSON 4: ELEMENTS AND PRINCIPLES OF ART Flashcards

1
Q

Elements of Visual Arts 7

A

Lines
Colors
Texture
Perspective
Space
Form
Volume

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2
Q

are the visual components that are required to create a work of art

A

Elements of Visual Art

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3
Q

mark on a surface that describes a shape or outline. It can create texture and can be thick and thin. Types can include actual, implied, vertical, horizontal, diagonal, and contour lines.

A

Line

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4
Q

are poised for action. They are poised, balanced, forceful, and dynamic. They express an impression of dignity.

A

Vertical Lines

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5
Q

are lines of repose and serenity. They express ideas of calmness and quiescence.

A

Horizontal Lines

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6
Q

are used to create feelings of movement or action.

A

Diagonal Lines

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7
Q

sometimes referred as S curves, suggest gracefulness or sexiness.

A

Curved lines

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8
Q

TYPES OF LINES

A

Repetition
Transition

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9
Q

occurs when two or more lines are drawn within a corner following the lines of the corner.

A

Repetition

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10
Q

is a line that connects two workflow elements.

A

Transition line

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11
Q

refers to the visual perception of light being reflected from a surface of an artwork.

A

Color

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12
Q

colors can be divided into three groups:

A

primary, secondary and tertiary.

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13
Q

Attributes of Color

A

Hue, Value , Tints, Shades , Intensity

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14
Q

is the term for the pure spectrum colors commonly referred to by the “color names” - red, orange, yellow, blue, green violet - which appears in the hue circle or rainbow.

A

Hue

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15
Q

is an abstract illustrative organization of color hues around a circle, that shows relationships between primary, secondary, and tertiary colors, etc.

A

color wheel

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16
Q

refers to the lightness or darkness of a color. It is the quality that depends on the amount of light and dark in color.

A

Value

17
Q

are values above the normal

A

Tints

18
Q

are values below the normal.

A

Shades

19
Q

refers to the brightness or darkness of color. It gives color strength.When a hue is vivid form , it is said to be in full intensity. When it is dulled, it is said to be partly neutralized.

A

Intensity

20
Q

is the element that deals more directly with the sense of touch.

A

Texture

21
Q

expresses the idea of how a surface might feel. For example, a painting of a blanket might convey the idea that the blanket is soft.

A

Implied texture

22
Q

texture that can actually be felt. For example, a ceramic bowl might feature a carved texture that could be felt when holding that bowl.

A

Actual texture,

23
Q

deals with the effect of distance upon the appearance of objects, by means of which the eye judges spatial relationships.

A

Perspective

24
Q

Kinds of Perspective:

A

Linear perspective, Aerial perspective

25
Q

is the representation of an appearance of distance by means of converging lines.
It has to do with the direction of lines and with the size of objects.

A

Linear perspective

26
Q

is the representation of relative distances of objects by gradations of tone or color.

A

Aerial perspective

27
Q

refers to how the artist fills the surface on which a work of art is created. It can also refer to the expression of depth within a work of art.

A

Space

28
Q

Kinds of Space

A

Positive, Negative

29
Q

the areas in a work of art that are the subjects, or areas of interest.

A

Positive space

30
Q

areas around the subjects, or areas of interest.

A

Negative space

31
Q

applies to the over-all design of a work of art. It describes the structure or shape of an object.

A

Form

32
Q

Types of Forms

A

Organic forms, Geometric forms

33
Q

Typically are irregular in outline, often assymetrical. Most often thought of as naturally occurring (snowflakes etc)

A

Organic Form

34
Q

corresponds to named regukar shapes (squares, rectangles, triangles, circles)

A

Geometric Form

35
Q

refers to the amount of space occupied in three dimensions. Refers to solidity and thickness.

A

Volume