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contempo lesson 2 > lesson 3 > Flashcards

lesson 3 Flashcards

1
Q

His greatest contribution is espousing architecture reflective of Philippine traditions and culture. He has integrated strength, function, and beauty in the buildings that are the country’s heritage today.

A

Juan F. Nakpil

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2
Q

His major works are the Geronimo de los Reyes Building,Magsaysay Building, Rizal Theater, Capitol Theater, Captain Pepe Building, Manila Jockey Club, Rufino
Building, Philippine Village Hotel,University of the Philippines Administration and University Library, the reconstructed Rizal house in Calamba, Laguna.

A

Juan F. Nakpil

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3
Q

His basic design is grounded on simplicity, no clutter.

A

Pablo S. Antonio

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4
Q

maximum use of natural light and cross ventilation. He believes that buildings must be progressive, simple in design but dignified, true to a purpose without resorting to an applied set of aesthetics and should eternally recreate truth.

A

Pablo S. Antonio

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5
Q

shaped the urban landscape with a distinctive architecture reflective of Philippine Art and Culture.

A

Leandro V. Locsin

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6
Q

believes that the true Philippine Architecture is the product of two great streams of culture, the oriental and the occidental

A

Leandro Locsin

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7
Q

distinguished himself by pioneering the practice of landscape architecture

A

Ildefonso Santos, Jr

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8
Q

revived the forgotten art of mural painting.

A

Carlos “Botong” Francisco

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9
Q

He turned fragments of the historic past into vivid records of the legendary courage of the ancestors of his race

A

Carlos “Botong” Francisco

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10
Q

developed the backlighting technique that became his trademark where figures, a cluster of leaves, spill of hair, the swell of breast, are seen aglow on canvas

A

Fernando C. Amorsolo

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11
Q

Father of
Modern Philippine Sculpture, who has helped shape the local sculpture scene utilizing almost all kinds of materials.

A

Napoleon Abueva

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12
Q

Vicente Manansala

A

His paintings are described as visions of reality teetering on the edge of abstraction

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13
Q

He professes a preference for Cezanne and Picasso whom he says have achieved a balance of skill and artistry

A

Vicente Manansala

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14
Q

He believes that the beauty of art is in the process, in the moment of doing a particular painting, closely associating it with the act of making love. “The climax is just when it’s really finished.”

A

Vicente Manansala

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15
Q

He is remembered for his singular achievement of refining cubism in the Philippine context

A

Cesar Legaspi

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16
Q

He made use of the geometric fragmentation technique, weaving social comment and juxtaposing the mythical and modern into his overlapping, interacting forms with disturbing power and intensity.

A

Ceasar Legaspi

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17
Q

provided an understanding and awareness of the harsh social realities in the country immediately after the Second World War and contributed significantly to the rise of the nationalist spirit in the post-war era.

A

Hernando Ocampo

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18
Q

He created masterpieces that exemplify an ideal of sublime austerity in expression and form that elevated Filipino aesthetic vision to new heights of sophisticated simplicity.

A

Arturo Luz

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19
Q

created an authentic Filipino abstract idiom

A

Jose Joya

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20
Q

Most of his paintings are inspired by Philippine landscapes, such as green rice paddies and golden fields of harvest

A

Jose Joya

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21
Q

He espoused the value of kinetic energy and spontaneity in painting which became significant artistic values in
Philippine art.

A

Jose Joya

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22
Q

Artist of the Mandala Series

A

Jose Joya

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23
Q

upheld the primacy of drawing over the decorative color

A

Benedicto Cabrera

24
Q

His solitary figures of scavengers emerging from a dark landscape were piercing stabs at the social conscience of a people long inured to poverty and dereliction

A

Benedicto Cabrera

25
Q

His paintings are melancholic symbol of dislocation, despair and isolation–the personification of human dignity threatened by life’s vicissitudes, and the vast inequities of Philippine society.

A

Benedicto Cabrera

26
Q

A distinguished Filipino writer in English writing so variedly and so well about so many aspects of the Filipino.

A

Nick Joaquin

27
Q

His significance in Philippine literature involves his exploration of the Philippine colonial past under Spain and his probing into the psychology of social changes as seen by the young.

A

Nick Joaquin

28
Q

pioneered the development of the short story as a lyrical prose-poetic form

A

Francisco Arcellana

29
Q

For him, the pride of fiction is “that it is able to render truth that is able to present reality”.

A

Francisco Arcellana

30
Q

His writing is the consistent espousal of the aspirations of the Filipino–for national sovereignty and social justice–that guarantees the value of his oeuvre.

A

F. Sionil Jose

31
Q

He has always focused on the neglected aspects of the Filipino cultural heritage

A

Alejandro Roces

32
Q

He was instrumental in popularizing several local fiestas, notably, Moriones and Ati-atihan.

A

Alejandro Roces

33
Q

Introduced Bagay poetry

A

Bienvenido Lumbera

34
Q

a landmark aesthetic tendency that has helped to change the vernacular poetic tradition.

A

Bagay poetry

35
Q

said to have given the country its visual icon to the world via the terno

A

Ramon Vallera

36
Q

He unified the components of the baro’t saya into a single dress with exaggerated bell sleeves, cinched at the waist, grazing the ankle, and zipped up at the back.

A

Ramon Vallera

37
Q

researched on folk dances on the unrecorded forms of local celebration, ritual and sport.

A

Francisca Reyes Aquino

38
Q

credited for introducing such innovations as the whole tone scale, pentatonic scale, exuberance of dominant ninths and eleventh cords, and linear counterpoints.

A

Antonio Molina

39
Q

effected cultural and diplomatic exchanges using the multifarious aspects and dimensions of the art of dance.

A

Ramon Obusan

40
Q

Her performance has been hailed as the “most sublime interpretation of the part”. This is all the more significant because it happened at a time when the Philippines and its people were scarcely heard of in Europe.

A

Jovita Fuentes

41
Q

His music evokes the folk elements of the Filipino heritage.

A

Lucio D, San Pedro

42
Q

He effortlessly translated/wrote anew the lyrics to traditional melodies.

A

Levi Celerio

43
Q

He made it to the Guinness Book of World Records as the only person able to make music using just a leaf

A

Levi Celerio

44
Q

Tausug weaver of pis syabit

A

Darhata Sawabi

45
Q

the traditional cloth tapestry worn as a head cover.

A

pis syabit

46
Q

recognized as a master mat weaver among the Sama indigenous community for her unique designs, straightness of her edging (tabig), and fineness of her sasa and kima-kima.

A

Haja Amina Appi

47
Q

T’boli traditional weaver of tinalak; or T’boli cloth made of colorful abaca fabrics.

A

Lang Dulay

48
Q

Tagabanwa-Bagobo traditional weaver of distinct abaca fabrics called inabal.

A

Salinta Monon

49
Q

Kalinga master of dance and the performing arts who mastered not only the Kalinga musical instruments but also the dance patterns and movements associated with his people’s ritual

A

Alonzo Saclag

50
Q

Sulod-Bukidnon epic chanter from kalinog, Iloilo who ceaselessly works for the documentation of the oral literature, particularly the epics, of his people.

A

Federico Caballero

51
Q

Yakan musician who is a master of the kwintangan, kayu, and tuntungan instruments.

A

Uwang Ahadas

52
Q

Manunoo Mangyan poet who is considered as a master of the Ambahan poetry.

A

Ginaw Bilog

53
Q

a prolific and pre-eminent epic chanter and story teller recognized for his outstanding mastery of various traditional musical instruments of the Palawan people such as basal, kulilal and bagit.

A

Masino Intaray

54
Q

Eduardo Mutuc

A

an artist from Apalit, Pampanga who has dedicated his life to creating religious and secular art in silver, bronze, and wood

55
Q

acclaimed kutyapi master and teacher of this instrument and is also proficient in kulintang, agong, gandingan, palendag, and tambul.

A

Samaon Sulaiman

contempo lesson 2 (4 decks)

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