leeson 3 MT Flashcards
The site that saw this shift was a very personal space for the artist himself, which is the _______.
Studio
The extension of the artist himself. Its model dates back from the Renaissance.
Artist Studio
There were those whose work stations were divided into two, the ______ and the ________.
studiolo and the bottega.
in _______, academies and art salons became popular as they did not only support the production of art but also the discourse around them.
France
During the beginning of _________, a compendium of events release the artists from the limitations that affected the way in which they produced their works which included the availability and portability of materials. (i.e., foldable easels and paint in tubes.) and the reliance on the wealthy patrons to place a commission.
Industrial Revolution
It was during this time where artists began to question the merits of stringent artistic training and education,
1800s
It was during this time where art was truly liberated from the traditions of the past. It was then that the artists found freedom to articulate their distinct aesthetic way of creative production
1900s
In the last century, some of the roles that have been existent since the beginning of art history have been properly dealt with and legitimized into a sophisticated network of relationships and exchanges. This network refers to the ________.
Art World
he asserted that “all artistic work , like all human activity, involves the joint activity of a number, often a large number, of people……..” This means that there are numerous people who either work in consent or dissension, and in doing so, continuously (re)define, (in)validate, maintain (or abolish),reproduce or circulate the “cultural category of art”.
Howard Becker’s Art Worlds (1982)
He stated that “ The work always show signs of cooperation. The forms of cooperation may be ephemeral (lasts in a short period of time), but often become more or less routine; producing patterns of collective activity we can call an art world.”
Howard Becker
These are very important because this implies that the art world does not only rely on ideas, sentiments, and aesthetic values, but also on skills that are professionalized, stratified, and more importantly, monetized. Example of multilevel platform where different players in art world is the international art fair like the Art Basel in Hong Kong.
Commercial Market Platforms
both of which can exist in either institutional or noninstitutional scenarios.
Adminitrative or Managerial Roles
is one of the most elusive of roles to pin down. Institutional ________ are typically affiliated with museums and galleries while independent or freelance curators have the leeway to move around various projects, platforms, art spaces in the multiplicity of terms
Curators
It is more of the interpretation and development of the artwork or the collection through establishing the significance, relationship and relevance of these materials. Some are the ability to research and write, as an arbiter of design and layout, and deciding for the display and hanging of materials for exhibition.
Curator
are those who initially assess and survey the artwork that collectors are interested in. It is their role to oversee the sale of the artwork, on behalf of the collector.
Buyers
may either be too busy or would rather keep his identity hidden.
Collectors
Establishes himself as someone who not only appreciates arts but knows art , understands its behavior and patterns, becoming a key player in making or breaking an artist’s career or shaping the course of a museum ‘s collection (through pledges of support and donations).
Collectors
They are becoming more well beyond extending their wallets.
Collectors
Those whose direct hand is in the distribution and circulation of the artworks through a variety of means, such as direct sales, through galleries, and the more recent player in the Philippines, auction houses.
Art Dealers
They are expected to have knowledge and insight including specialization in art form, style, medium or period; market trends; and even the interrelationships of other key players in the art world who will benefit from the circulation and distribution of the artwork he promotes.
Art Dealers
They are the main institutions that display, distribute, and circulate different artworks; however they behave in different ways
Museums and Galleries
are mandated to display artworks for the education of the public and the appreciation of these objects only.
Museums
display artworks for the purpose of selling art.
Galleries
What are the three production process
Preproduction
Production
Postproduction
stage begins when the artist has an idea that he wants to express or communicate with audience
Preproduction
stage occurs when there is an execution of ideas of arts from the preproduction stage. Execution of art may take a variety of forms such as painting, sculpture, tapestry, photograph, film, a routine (dance), or a track or composition (music).
Production
This stage is the most drawn-out. Once an artwork is finished, it will then be decided on how it will be circulated not only in the art world but the may publics. Often, it enters into a new sphere, inside the domain of museums, galleries, performance halls, theaters and other art spaces where interaction can take place.
Postproduction
is one of the aspects of art that directly correlates with its composition and presumed finality of the artwork. It is the mode of expression in which the concept, idea or message is conveyed. It maybe concrete or tangible,such as paintings, sculptures, monuments and structures; or it maybe ephemeral or something transient,such as a track , a film or a performance.
Medium
It shows the level of familiarity with the medium being manipulated. It alludes to the necessity of additional tools or implements (hammer and chisel) or consideration of time and the specificity of the site of creation.
Techniques
She wrote that “exhibitions acts as the catalyst of art and ideas to the public; they represent a way of displaying and contextualizing art that makes it relevant and accessible to contemporary audiences……..” Therefore, it is apparent that exhibitions are not only of import to artists who rely on its being, but more so to the varied audiences who get to see them.
Anna Cline “Evolving Role of the exhibition and its impact on art and culture”
it reads that “exhibitions are strategically located at nexus where artists, their work, the arts institution, and many different publics intersect.”
Paula Marincola “What Makes a Great Exhibition?” (2006)
creates an opportunity in which the different roles in the art world get to meet, interact, and even enter into a discussion.
Exhibition
are also a good way to introduce the artwork.
Publications
may be long-term or permanent hangs, or it may be temporary or periodically changing. An artist may have a solo exhibition or may be included in a two-person showing or even a group ______
Exhibition
One of the most common measures in which artists and other creative producers are given incentives and honor for their work is through state-initiated and given awards and citations.
Awards and citation
The two major awards given to artists in the Philippines are the:
Orden ng Pambansang Alagad ng Sining (Order of National Artists)
Gawad sa Manlilikha ng Bayan (National Living Treasures Awards)
It is the highest national recognition given to Filipino individuals who have made significant contributions to the development of Philippine Arts; namely, music, dance, theater, visual arts, literature, film, broadcast arts and architecture and allied arts.
Order of National Artists
It is jointly administered by the National Commission for Culture and the Arts (NCAA) and the Cultural Center of the Philippines (CCP) and conferred by the President of the Philippines upon recommendation by both institutions.
Order of National Artists
He was the first recipient of this award. He is a painter who was touted as the “Grand Old Man of Philippine Art” and was the sole awardee in the year 1972, a National Artist for Visual Arts.
Fernando Amorsolo
Some of the honors and privileges that a national artists awardee receives are the following:
- the rank and title
- medallion or insignia and a citation that will be read during the conferment;
- Cash awards and a host benefits;
- a state funeral and burial at the Libingan ng mga Bayani; and
- a place of honor and designated area during National state functions along with recognition or acknowledgement at cultural events.
It was created in 1992 under the RA No. 7355. Also under the jurisdiction of the National Commission for Culture and the Arts (NCAA).
Gawad sa manlilikha ng bayan (GAMBA)
It was first conferred to three outstanding artists in music and poetry back in 1993. They are ________, a master of the Ambahan poetry; ________, a master of various traditional musical instruments of the Palawan people; and _____________, a master of the kutyapi and other instruments.
Ginaw Bilog
Masino Intaray
Samaon Sulaiman
Some of the incentives accorded to the awardee are in GAMBA:
- a specially designed gold medallion
- an initial grant of P100,000 and P10,000 monthly stipend for life (later increased in P14,000
- benefits such as maximum cumulative amount of P750,000 medical and hospitalization benefits; and
- funeral assistance or tribute fir for a National Living Treasure.
The recipients’ practice may fall under the following categories; folk, architecture, maritime transport, weaving, carving, performing arts, literature, graphic and plastic arts, ornament, textile or fiber art, pottery and other artistic expressions of traditional culture
Gawad sa manlilikha ng bayan (GAMBA)
