Lecture 2 - Communication Of Emotions Flashcards

1
Q

Emotions are communicated how?

A

55% body language
38% speed tone and inflection
7% what we actually say

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2
Q

There are two main claims in psychology for the communication of emotions

A

Encoding hypothesis = when we feel a state it is encoded in a unique universal pattern

Decoding hypothesis = across cultures we have evolved to be able to quickly judge other people’s emotions

Co-evolution = out signalling capacity co evolved with the capacity of others to decode these signals

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3
Q

Non verbal behaviours

A

In order to help clarify the study of emotional communication Eckman and Freisen (1977) organised the non verbals into 5 categories;

Emblems, illustrators, regulators, self adaptors or manipulators and affective displays

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4
Q

Emblems

A

Gestures used to communicate e.g putting 2 fingers up to say fuck off. Emblems are very culturally specific. For example, putting 2 fingers up in the exact same way in Venezuela simply indicates the number two.

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5
Q

Illustrators

A

Gestures used to give visual imagery e.g. Pointing in a direction when saying “over there” or holding arms out wide when saying “this much”.

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6
Q

Regulators

A

Gestures used to indicate who speaks and who listens. E.g looking in someone’s eyes to indicate you are listening.

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7
Q

Self adaptors or manipulators

A

Random behaviours that we emit eg move leg, play with hair. These are simply nervous outcomes with no communicative value. Adaptors may be gestures that at one point were used for personal convenience but have turned into habit. They are linked with negative emotions such as anxiety.

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8
Q

Affect displays

A

Facial expressions such as smiling

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9
Q

Facial expressions of emotion - Eckman’s (1965) study

A

Argued that facial expressions of emotion are universal and these universal expressions are; anger fear disgust joy sadness and surprise.
Eckman developed the Facial Action Coding system to taxonomize every conceivable human facial expression of emotion.
He found 43 facial motions that each represent a possible emotion.
There are thousands of possible facial expressions but what sets them apart from facial expressions of emotion is; 1) symmetry 2) short in duration 1-5 seconds and 3) involve movement of reliable muscles.
These muscles are hard to use involuntarily thus are hard to fakely express

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10
Q

Eckman 1965 procedure and findings

A

Eckman got skilled actors that were able to move reliable muscles and took around 3000 pics
He took these pics to Chile Brazil Japan and Argentina and told them to match the pictures to the words of the 6 emotions.

Participants matched the words to pics with 80-90% accuracy - thus Eckman concluded these 6 emotions are indeed universal

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11
Q

Flaws of Eckman’s study 1965

A

1) forced choice - could of guessed 4/6 and had a 50% chance of getting last ones right
2) gradient critique - all the expressions should be recognised the same across cultures and they are not some are well recognised like happiness and others are not like surprise and fear
3) ecological validity - pictures were over the top and extreme done by actors - people are better at recognising dynamic displays

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12
Q

To over come the flaws in Eckman’s study he…

A

Eckman visited the Fore tribe (no previous contact with the modern world). He got a translator to tell the tribe emotion specific stories. Happy stories elicited smiles and sad stories elicited frowns. Eckman took pics of their emotional reactions and showed his college students. 60-70% accuracy apart from fear and surprise. Suggests that emotions may be universal.

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13
Q

Are women better at recognising facial expressions of emotions?

A

Bos et al (2016) found that on average women outperform men. It is suggested this is due to testosterone. A single administration has been demonstrated to reduce emotional recognition in females.

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14
Q

Cultural variation of facial expressions of emotion - ritualised displays

A

Some cultures may exaggerate and dramatise facial expressions of emotion. E.g
17th century samurai wives - smile on death
Briggs (1970) - eskimos do not display anger
Hareli et al (2015) - Greek are better at using facial expression of sadness as a sign of norm violation

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15
Q

Cultural variation of facial expressions of emotion - regulation of expressive behaviour

A

Matsumoto et al (1977) - American and Japanese students watched disgusting in private low light or high light with authority figure. In private both students showed universality of facial expressions however in public US students showed more intense expressions with Japanese students changing from disgust to a more polite one.

Matsumoto et al (2009) -
Also studied thousands of photographs taken at the 2004 Athens olympics. Athletes initial emotional expressions to winning or losing were universal however their subsequent expressions were culturally regulated. Cultural influences tended to kick in 1-2 seconds after. The initial facial reaction is triggered automatically by subcortical brain structures before more culturally specific modifications are applied by the motor cortex

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16
Q

Cultural variation of facial expressions of emotion - interpreting emotions

A

Members of different cultures vary in their interpretation of facial expressions of emotion.
A) individualistic cultures - more accurate judges
B) Americans rate negative emotions more appropriate to in group members whereas Japanese rate them more appropriate to out group
C) cultures differ in emotional intensity they attribute to FEofE (Matsumoto & Eckman 1998) - jack et al 2009 supports this

17
Q

Jack et al (2009)

A

The researchers asked western Caucasian and eastern Asians to categorise white and Chinese faces into the six core emotional expressions.
EA made significantly more errors when categorising FE of fear and surprise in WC. This is because the intensity of emotions are expressed differently in EA thus when trying to identify emotions they focus on the eyes when they also need to consider the mouth

18
Q

two trains of thought when it comes to smiles

A

1) smiling is an individual act and we smile because we are happy
2) smiling is a social act

19
Q

Kraut and Johnston (1981)

A

observed bowlers and only 4% of them smiled when they hit a strike whereas 42% smiled when they turned around to a crowd of people

20
Q

Senft et al (2016)

A

In this study students rated neutral faces. Some of the usual gender and race stereotypes came into play. Caucasian males were rated lower on the trait of agreeableness than caucasian women. Japanese women were rated less extravert than their caucasian counterparts. However these stereotypes disappeared or significantly reduced when the faces were smiling. This shows that smiling reduces the information based on race or gender which may imply that smiling is an important social act.

21
Q

Tidd and Lockard (1978)

A

customers tip waitresses more in restaurants when they give large smiles which supports the notion that smiling is an important social act.

22
Q

it is important to note however that smiling and other non-verbal emotion suggestive behaviours do not necessarily reflex actual emotional states

A

Krauss, Chen and Chawla (1996)

23
Q

Van Bezooijen, Otto & Heenen (1983)

A

got dutch actors to say ‘two months pregnant’ in their native language in a neutral expression and in nine emotion suggestive expressions. Audio recordings were played to dutch, taiwanese and japanese subjects - all of which were able to identify dutch vocal expressions of emotions at above chance expectancy. This suggests that vocals are an important way that one can express emotions even when the words they are speaking are not understood.

24
Q

Juslin and Luakka (2003)

A

In a review of 60 studies the researcher concluded that hearers can judge 5 emotions with 70% accuracy (anger, fear, happiness, sadness and tenderness).
Judgments are best by listeners of the same culture.
Some emotions e.g. disgust are not well communicated by voice.
Thus, vocals are a way in which we can express emotion however words/language are needed to make the context clearer for the listener

25
Q

Codero et al (2016)

A

With data from 10 different globalised cultures and 1 remote isolated village in Bhutan, the researchers examined universal and cultural variations in the recognition of 16 non-verbal vocalisations e.g. screams, laughs etc.
College students in 10 nations and villagers in Bhutan were asked to match emotional vocalisations to 1 sentence stories of the same valance.
13 emotions were recognised above chance across the 11 cultures.
This study therefore demonstrates that there are moderate to strong degrees of universality in recognising 13 vocal bursts, in addition to significant cultural variations of emotional recognition.

26
Q

Szameitat et al (2010)

A

fMRI revealed double dissociation of cerebral responses in the perception of ticking laughter and emotional laughter (joy). Results showed higher activation in anterior rostral medial frontal cortex in the perception of emotional laughter.
Higher activation in the right superior temporal gyrus in the perception of tickling laughter.
These results support the postulated diversification of laughter in the course evolution; from an unequivocal play response to a diverse emotional response subserving complex social functions.

27
Q

Byrant et al (2016)

A

you laugh differently with friends than strangers and even listeners can tell the difference cross culturally, suggesting that laughter is a language that we all understand

28
Q

we touch for 4 main reasons;

A

1) to reinforce reciprocity - (stephen and zweigenhaft 1986) found that waitresses were tipped more when they touched the customer on the hand or shoulder.
2) to sooth - (Fairhurst et al 2014) found that children find touch to be soothing.
3) for safety - research suggests that children that have a lot of bodily contact with their parents are more secure and feel safer in unknown environments.
4) for pleasure - rubbing velvet on the arm activates the OFC (the same as other rewards such as food)

29
Q

Beier and Sternberg (1977)

A

found that happily married couples touches each other more than unhappily married couples. this suggests that emotions (in this case happiness) can be communicated via touch.

30
Q

Hertenstein, Keltner and Apps (2005)

A

separated an encoder (toucher) and decoder (touch) by a black opaque curtain and encoder had to communicate 5 emotions via touch. Decoders guessed accurately at 50-60%.
Spanish better than decoding emotions than americans.
Women tried to communicate anger to men and they didn’t get it.
Men tried to communicate sympathy to women and they couldn’t do it.

31
Q

A freudian view would suggest that art allows us to express our emotions without attacking each other. Expressing emotion through art allows us to;

A

clarify emotions: 5-25% of our emotions are unclear and therefore require the use of art

relieves powerful feelings: conflict and stress are catalysts for art therefore art can be cathartic

artistic expression takes the form of our emotional expressions: music analysis shows that the acoustic matches our emotion related vocalisations

32
Q

Fritz et al (2009) - do cultures recognise the same emotions in music?

A

Researchers sampled computer generated piano music to members of the culturally isolated Mafa tribe of Cameron as well as Western participants.
The music had been specifically designed to convey either happiness, sadness or fear by careful manipulation of mode, tempo, pitch range, tone destiny and rhythmic regularity (according to western conventions) with an accuracy significantly above chance.
Both them and Western participants relied on the same cues to make their judgement; for example pieces with higher tempo were more likely to be rated as happy whereas lower tempo prompted ratings of fear.
This shows that emotions in music are universally recognised.