Layout Flashcards

1
Q
  1. the total appearance of an ad

2. a blue print for production of an ad

A

layout

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2
Q

space allocations

A

illustration 60-70%
headline 10-25%
copy 15-25%
logo 5%

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3
Q

both photo and drawing in advertising; the attention getting device

A

illustration

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4
Q

when the headline is over the photo, which makes it compete for attention with the photo

A

overprinting

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5
Q

headline rules

A
  1. print the headline on a single, solid background
  2. use a bold typeface
  3. never use a hard to read typeface
  4. never print on a multicolored background
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6
Q

reverse type

A

printing white on black

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7
Q

optical center

A

5/8 up from the bottom; focal point of the attention getting device

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8
Q

formal balance

A

duplicating or simulating similar elements on each side (mirror imaging)

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9
Q

informal (asymmetric) balancing

A

precise placement of a mix of sizes, shapes, and colors; more active and dramatic than formal balance and suggests movement

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10
Q

rule of thirds

A

divide vertically and horizontally into thirds into 9 sections to create 4 focal points

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11
Q

vertical half

A

ad that shares the page with editorial content

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12
Q

island half

A

ad in the center surrounded by editorial content

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13
Q

white space

A

part of the ad that is blank; recommended to be 20% of the ad

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14
Q

bleed

A

page without a border; costs 10-20% more; makes the ad more life-like

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15
Q

border

A

ads formality, continuity, and structure to an ad, unlike bleed

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16
Q

simplicity

A

element that is an ad’s clarity; if an ad is simple, the reader should be able to understand the ad’s meaning in half a second

17
Q

unity

A

ad’s binding agent

18
Q

harmony

A

everything needs to go together

19
Q

picture window

A

little copy, placed below the illustration; useful in creating intimacy with the illustration

20
Q

silhouette

A

the foreground elements are clear but the background is blurred; clever way to emphasize the product and the background introduces the product concept

21
Q

square zero

A

a picture in a wide-bordered frame; directs your attention into the product in the middle

22
Q

mondrian

A

only layout pattern that emphasizes proportion rather than eyeflow; utilizes a fitted set of vertical and horizontal rectangles in different sizes that contain illustrations; contains no copy between the illustrations

23
Q

closure

A

very dramatic; makes the reader have to see how the ad’s picture makes sense

24
Q

oversizing

A

creates contrast and draws attention; can oversize the illustration or product

25
Q

juxtaposition

A

juxtaposition of a size (small to large); combination of ordinary elements in a surprising way; ex: opposite from nature

26
Q

surrealism

A

lends itself to imagination and fantasy; creates a dream-like quality

27
Q

shock

A

attention getting by using shocking illustrations; may cause people to remember the ad and not the product/brand, though

28
Q

directing attention

A

movement of the eye

29
Q

diagonal

A

upper left to lower right

30
Q

alternation

A

shows a variety of styles and products in the ad

31
Q

standard layout

A

straight line from top to bottom; works well with a formal layout

32
Q

C-pattern/reverse C

A

begins in upper right and circles down to end in lower right; or the reverse - upper left circling to lower left

33
Q

Z-pattern

A

starts at upper left and ends at lower right

34
Q

overlapping

A

creates the illusion of depth and visual progression

35
Q

spatial progression

A

the illustration leads your vision to the product or headline; elements in the ad are moving your eye through the ad

36
Q

purposes of the headline

A
  1. get your attention
  2. arouse interest
  3. make the ad more attractive and readable
37
Q

purpose of subheadline

A
  1. helps clarify product benefits

2. forms a natural transition to the body copy