LAST MIN STUFF Flashcards

1
Q

Rabkin quote marriage

A

The Duchess’ marriage to Antonio is ‘wilful and irresponsible’

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2
Q

Tolliver quote marriage

A

‘January shops for his bride’

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3
Q

Wedlock is

A

So esy and so clene

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4
Q

These words should be mine

A

And all the parts you have spoke

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5
Q

Hart quote deception

A

‘Bosola is a twisted misanthrope and cut throat’

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6
Q

Tolliver quote deception

A

‘January is blinded by the deception of his wife’

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7
Q

In warm wex hath

A

Emprented the clicket

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8
Q

Now for this act

A

I am certain to be rais’d

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9
Q

Bradbrook quote religion

A

‘The cardinal knows already that he is in hell’

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10
Q

Thorne quote religion

A

‘January’s bending of religious authority leaves religion untouched but adds to our sense of his delusion and error’

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11
Q

Holy

A

Boond

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12
Q

Pull and pull strongly

A

For your able strength must pull down heaven upon me

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13
Q

Whigham quote lust

A

‘Ferdinand’s incestuous inclination’

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14
Q

Pearsall quote lust

A

‘The tale reduces all human behaviour to lust and greed’

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15
Q

In he

A

Throng

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16
Q

Whether we fall by ambition, blood, or lust

A

Like diamonds we are cut with our own dust

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17
Q

Marxism for antonio

A

It is due to Antonio’s lower status that he has less influence

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18
Q

Haskell quote class

A

Life for women of the gentry was synonymous with marriage

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19
Q

Gentil

A

Squire

20
Q

Ambition, madam

A

Is a great man’s madness

21
Q

Jonathan bate

A

Viola redeems the play because she proves to be selfless not selfish

22
Q

Stephen greenblatt

A

Viola’s disguise has not only created sexual confusion, but Elizabethan conservatism is being challenged as well

23
Q

I’ll do my best to woo your lady

A

Oh what a barfil strife for whoever I woo myself would be his wife

24
Q

Joseph summers

A

Orsino is bound by his own mask of love, the mask is a distorted sense of love and is fed by boredom, lack of physical love, and excessive imagination

25
Q

Northrop frye

A

Both Orsino and Olivia are out of touch with emotion, moving around in sorrows, longing for something that they can never have

26
Q

Humphrey Tonkin

A

Duke Orsino is a true Petrarchan lover

27
Q

Film version twelfth night

A

1996 director Trevor nunn

28
Q

DOM Globe production dir dromgoole

A

Ferdinand is mad and there’s a more playful tone

29
Q

Film we watched DOM stage on screen dir Freestone

A

Antonio is pathetic and jumps away after kissing the Duchess

30
Q

David Lewis

A

For both Orsino and Olivia, self deception serves as an avoidance of the real world and of real emotion

31
Q

Howard

A

Olivia, with her social and financial independence is a much bigger threat to the heirarchal gender system than Viola is

32
Q

2018 RSC DOM production

A

The cardinal assaults Julia

33
Q

2017 RSC twelfth night production

A

Contrast in Olivia’s household with orsino’s court

34
Q

Hunworth

A

The filling of malvolio is the comic highlight if not the centre of the play

35
Q

Warham

A

Malvolio’s complete belief in Maria’s letter provides a wonderful spectacle for the audience

36
Q

Lamb

A

Malvolio is misunderstood

37
Q

Robert Weizmann

A

Although the carnivalesque ceremonies were gradually discontinued, their spirit survived in the Elizabethan clown

38
Q

Harold bloom

A

Everyone except the reluctant jester, Feste, is essentially mad without knowing it

39
Q

Penny gay

A

Sir Toby is the Lord of Misrule

40
Q

Epstein

A

The clowning scenes give spectators a chance to catch their breath and mentally prepare themselves for what follows

41
Q

Bruce r Smith

A

Gender is more like a suit of clothes that can be taken on and off at will

42
Q

Valerie traub

A

It is as an object of another woman’s desire that Cesario finds own erotic voice

43
Q

Michael Bristol

A

Central to the experience of carnival is a particular use of symbols, costumes, and masks

44
Q

2002 globe production twelfth night

A

All the actors were male

45
Q

2001 dir Lindsay posner

A

Antonio and Sebastian are seen getting dressed next to an unmade bed