Language Techniques Flashcards

1
Q

Allegory

A

A story or narrative with two meanings; the obvious or literal meaning
that is immediately clear, and a second, usually hidden meaning.

second meaning often is a commentary on real world events orissues

Example: Many people claim Lord of the Rings is an allegory for the World
War I because it portrays war (and especially industrialisation for war
production) negatively

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

Alliteration

A

Repetition of consonants at the beginning of successive words or
within sentences/phrases to create a sense of rhythm

(as in tongue twisters, like “Peter piper picked a peck of pickled peppers.”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

Allusion

A

A subtle or passing reference to a famous event, person, place or another text,
etc. that is intended to be noticed by readers

ones

mostly you’ll see religious allusions especially Christian

Remus Lupin in Harry Potter is named for Remus of ‘Remus and
Romulus’, twins in Greek mythology who were raised by a wolf. This is a
mythological allusion that ties into his being a werewolf.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

Ambiguity

A

When something is left to the reader’s imagination. Often this involves
the author not stating explicitly what is happening, what has been said,
etc.

The ending of Inception (Christopher Nolan) is incredibly
ambiguous. In the film audiences are shown that the main character’s
spinning top will continue to spin if he’s in a dream and topple if he’s in
reality – however the final shot cuts just as the spinner begins to wobble,
leaving audiences to wonder if he’s in reality or still dreaming.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

Analogy

A

Uses two similar concepts or ideas to create a relationship or draw
comparisons between the two.

Often
features the phrase “is to”, though not always.

most commonly used to
prove how something is similar or use one idea to explain another
Example: “A sword is to a warrior as a pen is to a writer.”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

Antithesis

A

Using two sentences with contradictory or contrasting meanings close
to one another, sometimes even in immediate succession.

(the two sentences are usually
designed to balance each other out through opposite connotations and then
represent a whole idea.
Antitheses often show how a character or idea may be contradictory but still
whole.)

“It was the best of times, it was the worst of times.” (Charles
Dickens, A Tale of Two Cities).

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

Archetype

A

an immediately recognisable character, concept or
object that makes it easy for audiences to categorise them based on
what they resemble in literature.

(Character archetypes are most common, with popular ones including: the
femme fatale, the average joe, the class clown, the anti-hero, the bad boy,
etc. Most characters fit into at least one archetype.)

Example: Hagrid (Harry Potter) and Hodor (Game of Thrones) fit the ‘gentle
giant’ archetype, while Batman is the ultimate ‘lone vigilante’ archetype.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

Assonance

A

Similar to alliteration, however in this case it is vowel sounds that are
repeated

may be at the start of words/phrases, or in the words
themselves

“A long song.” has a repeated long ‘o’ sound in the last two words
that creates assonance, however the name “Rita Skeeter” from Harry Potter
also features assonance, as the ‘i’ and ‘ee’ create the same sound.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

Atmosphere

A

o the feeling or mood created by a place, situation or text
– it usually changes from scene to scene and is built by sensory imagery
and word choices.

This is what makes dark, stormy nights in novels feel
eerie/foreboding.

“The floorboards creaked in time with the wind whistling around
the houses’ jagged edges, and waves crashed angrily against the rocky cliffs
below. She clutched her coat tighter around her and stepped into the
flickering light of the fire.”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

characterisation

A

The process by which characters are introduced, described and then
fully formed through their choices, interactions, etc.

what makes characters feel like real people

Katniss Everdeen (The Hunger Games) is characterised as being
independent, resourceful, focused on survival and having poor social skills.
These traits determine how she interacts with people and makes choices, as
seen in her initially being vocal in her hatred for the Capitol, but then doing
as the Capitol tells her if it means protecting her family and surviving

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

Cliché

A

A common and/or overused expression, often found in similes and
metaphors

Example: “He ran like the wind.”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

Connotations

A

The ideas, feelings or concepts associated with specific words,
phrases or situations that go beyond their literal meaning.

‘Beautiful’ and ‘cute’, while both describing how something is
visually appealing, have different connotations. ‘Beautiful’ creates a sense of
grace, elegance and maturity, while ‘cute’ is more associated with youth,
pettiness and the colour pink.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

contrast

A

Any situation wherein two different or opposing things are presented
together in order to highlight their differences.

Timon and Pumbaa (The Lion King) are visually contrasting, with
Timon being small, angular and lightly coloured, while Pumbaa is large,rounded and a darker colour. This emphasises their differences and the
unlikeliness of their friendship

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

context

A

The time, place and social setting within which a text was created,
including the values of the time, the world events, major topics of
discussion, key figures, etc.
three kinds of context;

literary
(what was happening in the literary
world at the time)

historical
(what year it was and what major world events
were occurring)

personal
(who the author was, their experiences and
values).

Frankenstein by Mary Shelley explores the idea of science being
used to create life, reflecting Shelley’s own interest in science and the actual
reanimation experiments of the time period.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

Dramatic Irony

A

Any situation wherein the audience is privy to some sort of information
that the characters do not know, building audience tension, suspense,
etc.

Romeo and Juliet uses dramatic irony to create audience tension
and emotional reactions when Romeo believes Juliet to be dead and kills
himself, as audiences know she’s actually alive and will wake up any
moment

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

Emotive Language

A

Words chosen to create a specific emotional response in the reader,
often linked to the word’s connotations and commonly used in highly
emotional or descriptive scenes/situations

which is what you didn’t do, because you’re weak and
hollow and it doesn’t matter anymore.” (Richard Siken, Crush)

17
Q

euphemism

A

A mild or ‘proper’ expression used to replace one that is harsh, blunt
or otherwise offensive in order to not cause trouble or appear vulgar.

politely refers to topics of an unsanitary, sexual or ‘improper’ nature

: “I have to see a man about a dog.” is often said euphemistically
when leaving a room or conversation to go to the toilet.

18
Q

frame narrative

A

s essentially a ‘story within a story’, wherein the main narrative is
being told, remembered, etc. by someone in the ‘outside narrative

Titanic (James Cameron) is a frame narrative, as the story is
being told by ‘Old Rose’ and cuts back to her several times throughout the
film. Forrest Gump (Robert Zemeckis) is another well-known frame narrative
film

19
Q

foreshadowing

A

The act of hinting at or setting up a situation, event or action that will
later be extremely important in the narrative but doesn’t seem
important at the time.

Fight Club (David Fincher) features several
single-frame images of ‘Tyler Durden’ spliced into the film before we ever
meet his character, foreshadowing his introduction and the fact that he is
actually the manifestation of the Narrator’s Multiple Personality Disorde

20
Q

figurative language

A

Language, words and/or expressions that have meaning beyond their
literal interpretation, often used to express links between ideas,
characters and concepts or subtly tie into overall themes.

includes metaphors, similes, hyperbole, metonymy,
personification, etc. and are also frequently used to describe characters and
things.

“A handsome manor house grew out of the darkness at the end of
the straight drive.” (J. K. Rowling, Harry Potter and the Deathly Hallows)

21
Q

Hyperbole

A

The purposeful over-exaggeration of a statement in order to create a
more intense or over-the-top effect.

“I’m so exhausted I couldn’t move if I tried.” is hyperbole in itself,
but if said by a character who has done nothing to warrant being tired it can
also add a level or humo

22
Q

Icon

A

An object, image or person that symbolises something larger, usually a
complex concept or theme

Katniss Everdeen (The Hunger Games) is an icon to the audience
of strength, survival and perseverance, but is also an icon within the world of
the novel as ‘The Mockingjay’, a symbol of revolution and rebellion.

23
Q

imagery

A

Words used to create an idea or mental image of something, most
often found in descriptions or created through descriptive language.
generally focused on settings, objects and characters to ensure
audiences have a very clear idea of what is happening and how it all looks.

“It was in appearance a tall spacious tree of graceful form, with
thin unwrinkled bark over white wood.” (J. R. R. Tolkien, Lord of the Rings)

24
Q

intertextuality

A

This occurs when one text makes reference to another text, either
obviously or in a more subtle way (e.g. allusions) in order to make a
point or draw links between the two

Frankenstein (Mary Shelley) makes subtle intertextual references
throughout the text to the Greek myth of Promethus in order to better
express her warning against ‘playing God’.

25
Q

irony

A

A disconnect between what is said and what is meant, usually with the
words said having a second insulting, humorous or satirical meaning

“Well aren’t I lucky!”, when said by an unlucky character or one
who has just suffered due to bad luck, is ironic

26
Q

Juxtaposition

A

Placing one character, idea, theme, object, setting, etc. parallel to
another in order to compare and contrast the two.

often done to encourage audiences to think about two things in
relation to each other and draw conclusions about how they are similar
and/or different, especially in regards to characters.

Katniss and Peeta (The Hunger Games) are brought together in a constant juxtaposition to highlight their own personal strengths and
weaknesses and ultimately show how the two character balance each othe

27
Q
A