Language features in oral texts - speech, drama, poetry Flashcards
Alliteration
Starting a sequence of words with the same letter, e.g. ‘beach bunny’. This adds impact and memorability. It can speed up or slow down the phrase and create onomatopoeia.
Anecdote
A brief story included in the text. It can make an explanation clearer or more convincing. It can also add interest or humor to the text.
Assonance
Using the same vowel sound in two or more words together, e.g. ‘High five. Free as the breeze’. It makes the words striking and memorable. Bright vowels create a bright tone and dark vowels create a dark tone.
Feedback
The spoken or body language reactions the listener gives to the speaker. Used to encourage, discourage or change the ideas being expressed. Inviting/reacting to feedback creates spontaneity.
Homophone
Word that sounds the same as another. Can be used to emphasize an idea e.g. “‘I’m in love with the principal.’ Audience gasps. ‘The principle of free speech’.
Intensifier
Real speech uses pretty simple words. Instead of using better words to emphasize something, real and realistic speech uses the intensifiers ‘very’, ‘really’ and ;so’ to emphasize a point.
Listing
Listing facts/figures/examples creates two good impressions: that there is a lot of support for the idea and that the speaker knows heaps about the subject.
Non-fluency
Real speech has ‘ums’ and ‘ahs’, pauses in the wrong place, repetitions, mistakes and self-corrections. In a script, these things are either missing or added occasionally to make the script seem real.
Nouns and names
Oral texts tend to name things and people instead of using pronounces like it, he/him, she/her, etc. This makes meaning clearer and is vital for radio as there are no sight cues. Local names emphasize relevance.
Onomatopoeia
Using a word that sounds like what it means, e.g. the sounds of the word ‘hiss’, ‘meow’ and ‘scratch’ are like the actual sounds a cat makes when hissing, meowing and scratching. It makes description vivid.
Parallel structure
Bits of sentence can have the same shape as each other in the same way as parallel lines do, e.g. ‘You snooze, you lose’; or ‘Love me, love my dog’; or ‘Marry in haste, repent in leisure’. This feature makes the speaker sound clever and the message memorable.
Pause
A break in the flow of words can point to a range of things: you are trying to let an idea sink in, you are trying to remember, you are trying not to cause embarrassment, you are trying to make a decision, you are trying to make up a lie, you are trying not to say too much, you are finding the courage to say something shocking or you are trying to control strong feelings.
Any one of these possibilities, and not knowing which one it is, makes the pause interesting to the reader.
Peroration
The ‘big finish’ of a speech. Here you hit the audience with a laugh line, amazing revelation, challenge, message of hope or warning, etc. in a language chosen for impact.
Pronouns
‘You’ (second-person pronoun) involves the audience directly. ‘I’ and ‘We’ (first-person pronouns) make it personal, adding drama and conviction. ‘We’ can be used to make the audience feel included.
Pronunciation
Saying words correctly. This matters; pronunciation in a spoken text is like spelling in a written one; errors are annoying and weaken the impact you want to make.