Lamia analysis Flashcards

1
Q

Synopsis of the poem

A

The poem tells how the god Hermes hears of a nymph who is more beautiful than all. Hermes, searching for the nymph, instead comes across Lamia, trapped in the form of a serpent. She reveals the previously invisible nymph to him and in return, he restores her human form. She seeks a youth of Corinth, Lycius, while Hermes and his nymph depart together into the woods. However, the relationship between Lycius and Lamia is destroyed when the sage Apollonius reveals Lamia’s true identity at their wedding feast, whereupon she seemingly disappears and Lycius dies of grief.

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2
Q

‘Drove Nymph and Satyr from the prosperous woods,’

line 2

A

nymph is associated with Hermes; pastoral setting idealises the creatures of the forest as pure

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3
Q

‘a forest on the shores of Crete.’

‘sacred island’

lines 12-13

A

early setting is idealised; contrasts Corinth which is associated with threat, scrutiny and immorality

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4
Q

‘hoofed Satyrs’

line 14

A

hinting at lawless passion and misadventure → followers of Dionysus

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5
Q

‘wreathed tomb’

line 39

A

visual image of ouroboros; serpent

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6
Q

‘wreathed tomb’

line 39

A

symbolises cycles and foreshadows that Lamia cannot escape her true supernatural nature

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7
Q

‘palpitating snake,’

line 46

A

negative connotations → hinting at vulnerability an in contrast the shake symbolises the devil; Lamia’s inevitable downfall?

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8
Q

‘She was a gordian shape of dazzling hue,

Vermillion spotted, golden, and blue;’

lines 48-49

A

highlighting Lamia’s animalistic nature; bright colours on animals means danger

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9
Q

‘She was a gordian shape of dazzling hue,

Vermillion spotted, golden, and blue;’

lines 48-49

A

imagery of great beauty

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10
Q

‘Thou beauteous wreath, with melancholy eyes,’

line 87

A

link between beauty and pain; Keats belief in veil of soul-making - one had to experience pain and suffering in order to know true beauty

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11
Q

‘It was no dream; or say a dream it was,’

line 131

A

liminal space between dreams and reality, dangerous power of the Gods

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12
Q

‘Her eyes in torture fixed, and anguish drear,’

line 156

A

suffering increased, pity felt for Lamia; utter pain as beauty comes at a price → tragic victim?

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13
Q

‘Whither fled Lamia,’

line 79

A

new paragraph and new name shows a new beginning with her transformation; humanised

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14
Q

‘With curled grey beard, sharp eyes, and smooth bald
crown,’

line 374-5

A

old and observant, wise character and representation of reason, realism and logical within poem → features of a tragic hero

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15
Q

‘woe afterwards befell,’

line 407

A

truth equals beauty, contrasting the characteristics of Lamia

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16
Q

‘What mortal hath a prize,’

line 467

A

hubris; lycius objectifying Lamia

17
Q

‘She burnt, she loved the tyranny,’

line 491

A

self destructive; male gaze so ambiguity

18
Q

‘Hast any mortal name,’

line 499

A

doesn’t know before proposal; suggests Keats uses negative capability to signify Lycius’ ignorance

19
Q

‘Old Apollonius - from he keep me hid.’’

line 512

A

Apollo beat a serpent god, raises tensions → foreshadows Lamia’s tragic conclusion

20
Q

‘mimicking a glade’

line 537

A

decoration of banqueting hall is reminiscent of initial setting of Crete; mirrors Lamia’s loss of identity by sacrificing too much for love

21
Q

‘Philosophy will clip an Angel’s wings,’

line 650

A

rationally destroys romance and the mythical

22
Q

‘Begone foul dream!’

line 688

A

anagorisis; unsure of whether its in horror of Lamia’s death or at the realisation of the spell

23
Q

‘And, in its marriage robe, the heavy body wound.’

line 728

A

lack of resolution to the poem; Lycius dies and Apollonius receives no punishment for the death of Lamia